hashtag brad dourif (re: last post)
Thoughts
What in the world is this from! I’ve never seen it, but LOOK at that haircut and dreamy lil smile.
What do we think this thing is that Tucker Cleveland wears under his exterminator coverall? It looks like something knitted with white yarn and covered in orange paint, maybe intended to look like rusty chainmail?
Richard Ayoade in Last One Laughing (UK)
doodling always gets out of hand with this guy
That *4th gif: prime example of popping the headlights
This entire set: deadly poison
Wake me up in the next universe, but a bit earlier so I can drag 90s brad dourif off to a cave by my teeth
Brad Dourif as Dennis Hoffman | Millennium - S1.E13 Force Majeure (1997)
Woof, what a hottie... Brad Dourif's character, Sam Kramer aka David Bell, from Spontaneous Combustion (1990). Aka, little orphan boy.
WIP: I have a bunch more ideas for this, but I'm happy with this stopping point. Probably because I've already drawn all the fun nakey bits
Loosely based on Hot Satan, aka Guillaume Geefs' Le génie du mal: that thing where the church commissioned a guy to sculpt Satan, but he was too hot! So they got his brother to sculpt a second Satan, but it was EVEN HOTTER 😩🔥
I also did this Spontaneous Combustion music video you might enjoy
Some choice quotes from the sculpture's Wikipedia page:
-> Geefs' work replaces an earlier sculpture created for the space by his younger brother Joseph Geefs, L'ange du mal, which was removed from the cathedral because of its distracting allure and "unhealthy beauty".
-> (About the first one) The cathedral administration declared that "this devil is too sublime." The local press intimated that the work was distracting the "pretty penitent girls" who should have been listening to the sermons. ... A languid scarf skims the groin, the hips are bared, and the open thighs form an avenue that leads to shadow ... L'ange du mal has been called "one of the most disturbing works of its time."
-> Whether Guillaume succeeded in removing the "seductive" elements may be a matter of individual perception.