Lila and the Men Around Her: A Means of Possession
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Credit: pictures on the left are from filmmaker Catherine Breillat’s interview at the Berlin Film Festival (originally found on justabore on TikTok)
When the rest of the world looks at the united states right now, we see a government who sends billions to support genocide but cannot help their own people starving on the streets.
We see a police force who won't go in to save children from school shootings, but deploy at a rapid rate to arrest peaceful protestors using their right to free speech to protest a genocide
America, you are a war mongering snake eating your own tail. You will protect and support war criminals in another country but let your own people starve and die
To the students bravely protesting now, we see your strength. We see what we saw when students protested the Vietnam War. We have faith you will prevail
no one has ever described girlhood like elena ferrante. the expectations. the inherent dissatisfaction, with your body, with who you are, or rather who you’re becoming. the competition. being the centre of your universe, viewing everyone pretty much exclusively in relation to yourself. learning not to. beautiful and in sparkling prose and not overly romanticised. i am so emo abt my brilliant friend rn. Elena Ferrante the woman you are.
ph. Danko Maksimovic - Syracuse, Sicily (2024)
Film: Kodak Pro Image 100
Miniature English Bedchamber of the Jacobean or Stuart Era, 1603-1688
Narcissa Niblack Thorne & Unknown Artisans
c.1937
Art Institute of Chicago (Reference Number: 1941.1187)
It was—she told me—as if, on the night of a full moon over the sea, the intense black mass of a storm advanced across the sky, swallowing every light, eroding the circumference of the moon’s circle, and disfiguring the shining disk, reducing it to its true nature of rough insensate material. Lila imagined, she saw, she felt—as if it were true—her brother break.
Rino, before her eyes, lost the features he had had as long as she could remember, the features of the generous, candid boy, the pleasing features of the reliable young man, the beloved outline of one who, as far back as she had memory, had amused, helped, protected her.
There, amid the violent explosions, in the cold, in the smoke that burned the nostrils and the strong odor of sulfur, something violated the organic structure of her brother, exercising over him a pressure so strong that it broke down his outlines, and the matter expanded like a magma, showing her what he was truly made of.
Every second of that night of celebration horrified her, she had the impression that, as Rino moved, as he expanded around himself, every margin collapsed and her own margins, too, became softer and more yielding. She struggled to maintain control, and succeeded: on the outside her anguish hardly showed.
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GLADIATOR (2000) dir. Ridley Scott DUNE: PART TWO (2024) dir. Denis Villeneuve