(translated excerpts from an Історична Правда article): + images source
The villagers would dig up the holes of the polecats to find at least a handful of grain hidden by these animals. They pounded it in a mortar, added a handful of oilcake (from hemp seed), beetroot, potato peelings, and baked something from this mixture.
Those who managed to hide at least a little grain would grind it in iron mills made from wheel axles and cook "zatyrukha" (a concoction made from a small amount of flour ground from ears of grain).
Acacia flowers were boiled and eaten raw, and green quinoa was mixed with crushed corn cobs. Those who could - and this was considered lucky - added a handful of bran. This food made their feet swell and their skin crack.
The peasants dried the husked ears of corn and millet husks, pounded them, ground them with weeds, and cooked soups and baked pancakes. Such dishes were impossible to chew, the body could not digest them, so people had stomach aches. Pancakes, the so-called "matorzhenyky", were made from oilcake and nettle or plantain.
It went so far that peasants would crumble straw into small chips and pound it in a mortar together with millet and buckwheat chaff, and tree bark. All this was mixed with potato peelings, which were very poisonous, and this mixture was used to bake "bread", the consumption of which caused severe stomach diseases.
There were cases when village activists took away and broke millstones, mortars, poured water on the heat in their ovens. After all, anything found or saved from the food had to be cooked on fire, and matches could only be purchased by bartering for their own belongings or by buying them in the city, which was impossible from villagers that were on "black lists".
Chestnuts, aspen and birch bark, buds, reed roots, hawthorn and rose hips, which were the most delicious, were used as food substitutes; various berries, even poisonous ones, were picked; grass seeds were ground into flour; "honey" from sugar beets was cooked, and water brewed with cherry branches was drunk. They also ate the kernels of sunflower seeds.
Newborns had the worst of it, because their mothers had no breast milk. According to testimonies, a mother would let her child suck the drink from the top of the poppy head, and the child would fall asleep for three days.
In early spring, the villagers began to dig up old potato fields. They would bake dumplings from frozen potatoes, grind rotten potatoes in a mash and make pancakes, greasing the frying pan with wheel grease. They also baked "blyuvaly" (transl. "vomities") from such potatoes and oatmeal mixed with water, which was so called because they were very smelly.
They ate mice, rats, frogs, hedgehogs, snakes, beetles, ants, worms, i.e. things that weren't a part of food bans and had never been eaten by people before. The horror of the famine is also evidenced by the consumption of spiders, which are forbidden to kill in Ukrainian society for ritual reasons.
In some areas, slugs were boiled into a soup, and the cartilaginous meat was chopped and mixed with leaves. This prevented swelling of the body and contributed to survival. People caught tadpoles, frogs, lizards, turtles, and mollusks. They boiled them, adding a little salt if there was salt. The starving people caught cranes, storks, and herons, which have been protected in Ukraine for centuries, and their nests were never destroyed. According to folk beliefs, eating stork meat was equated with cannibalism.
The consumption of horse meat began in 1931, before the mass famine. People used to take dead horsemeat from the cemeteries at night, make jelly out of it and salt it for future use.
Dead horses were poured with carbolic acid to prevent people from taking their meat, but it hardly stopped anybody. Dead collective farm pigs were also doused with kerosene to prevent people from dismantling them for food, but this did not help either.
After long periods of starvatiom, the process of digestion is very costing for the human body, and many people who would eat anything would drop dead immediately out of exhaustion.
If a family had a cow hidden somewhere in the forest, they had a chance to survive. People living near forests could hunt/seek out berries and mushrooms, but during winter this wouldn't save them. People living near rivers could fish in secret, but it was banned and punishable by imprisonment/death.
I lied Here’s new post Too long to explain
Hi. Please read Beauplan's and Merimee's works I mention. I did it for a reason. You will discover something interesting.
Also, I see that you are Ukrainian, so I can give you this wiki page to read - Русини́ (від літописного д.-рус. роусинъ[1]) — народ, що становив основне населення Русі, етнонім українців до XVIII—XX ст. And also, these source (it's on eng).
I hope it helps you to discover something new about Ukrainian history. Have a good day.
For years, I was confused about how to feel about Armand's book backstory.
Like. He's from Kyivan Rus', BUT at the same time from 15th century. Kyivan Rus' was feudal monarchy that existed from probably IX (at least we assume so, because it was mentioned under that name in 852, tho it's not popped from the air, you know) to 1240. From ~1240 to 1349 the country was Rus' Kingdom. After that, Ukraine was splitted between Poland, Lithuania and Moldavian principality. Tho, Ukrainians were called Ruthenians (Latin name for former nation of Kyivan Rus') up until 19th century. I've read Beauplan's and Merimee's works about Ukraine, and they call Ukrainians both Ukrainians and Ruthenians.
SO.
When was Andrii (yes, this is how you would pronounce Ukrainian variation of Ανδρεας or Andrew)? He was Ruthen from Kyivan Rus' or he was Ruthen from 14th century Rus' Kingdom? Or he was even later? Book says he was born in 1481. So, later. A lot later.
We also know that he was kidnapped and enslaved by Mongolians. Mongolians entered Kyiv in 1240, it was a 13th century, not the end of 15th.
AND I HAVE A THEORIES.
Vampires live very long. So, probably it could be a mistake. Maybe Armand is simply older. Maybe he was around in 1240. He was just a child back then. Probably centuries later he was like 'yeah that Mongolians they sold me... so... it was... um... 15th century... yes? no?' Maybe it's just miscount. And then he never bothered to fix that.
The book is written by Daniel if I remember correctly. Perhaps Armand was like 'dude I was in orthodox Christian church I didn't know what year it was, I almost forgot my name and appearance in the catacombs under Kyiv-Pechersk Lavra'. And Daniel asked Marius when he met Andrii. And Marius... Well, if you are around for 2 thousand years, you can remember things incorrectly. So, Daniel, who is American and know nothing about history of Ukraine, and Marius who maybe knows something about Kyivan Rus' because it was a huge and powerful country back then just made that. They counted and assumed that it was 1481. And it was wrong.
Armand is a liar. How we can know that his real name is Andrii? Maybe he had a friend who's name was Andrii and Armand stole it. Maybe he was Taras. Or Bohdan. Or Oleh. How we would know? And maybe he never saw Mongols. How we would know? How would Daniel know? Maybe it was just his grand grandmother who told she saw Mongolians and how they burnt Kyiv. And little Andrii (we can say he was a weirdo all along) was just 'wow I want that! how cool it would be!'. And then he was kidnapped. And assaulted. And sold as a slave. And little weird Andrii just wanted a little comfort in his misery and a cool story. And when Marius asked how Andrii was captured, he made up this cool story about Mongols. Maybe in reality it was something more... Common. Dark and common. Everything could happen. Maybe he was sold by his parents, and he denied it. Maybe it was abuse in that church. Maybe he ran away from church and somehow ended up on the slave market.
Actually, I tend to 3rd. Isn't it a western movie where little talented boy paint so beautifully that Prince Michael (Mykhailo II of Chernihiv I assume) orders one of his icons, but on the way he and his father are interrupted by Mongolians. Also, it was said that Andrii suffered an amnesia due to his trauma caused by life in a brothel. He even starts to learn how to paint from the start, like he never knew how to paint before. So, was he at Lavra at all? Was he an icon painter? We would never know. He could just go to the Kyiv-Pechersk Lavra, point at some old icon and say he drew it.
Or maybe some part of the story is true and some - isn't. I would speculate that Armand had an education. He wasn't a son of a hunter, no. He knew about Mongols. He knew who was the knyaz in 1240. But in 1481 Yurii Paz was knyaz. Mykhailo would be long dead by that time, obviously. So, how would little poor Andrii Ivanovych from 1481 know who was knyaz back when Mongols burnt Kyiv?)) A hunters son could not, he would not have an education, he would not know how to read or write, so history? Oh no, no way.
So, simply, we do not know who is Andrii. Is he Andrii at all? Was he born in 1481? Was he even 17 when Marius was thinking he was? Was his father a hunter named Ivan? Was he an icon painter at Lavra? probably yes and Ann Rice just didn't research enough
I just was thinking about it for years since I have read Vampire Armand. All these years I was wondering how he end up stolen by Mongols in 15th century...
Tho, it would be hilarious to see Armand's icon in Vampireverse Lavra. Imagine that. By the way, Lavra still have catacombs (I was there on tour). Maybe in Vampireverse some of Andrii's friends are there. Literally, their mummies as saints. He would arrive in Ukraine, in Kyiv and like 'oooh let's go see my old friends'. 'Look, Daniel, this is Marko, I knew him. Oh, and this is Illya, he looks better now, actually'. And then he would see his icon. And like... You know how it feels to see your artwork after some time. It's just not that good anymore, you know. You can do better now. Yes, this is how he would feel. It was a masterpiece in 1490s, he painted it for a year and a half. And now he can draw photo-like detailed art on his graphics tablet.
If you read this, thank you for the attention! Love you!
Alexandre Serebriakoff, watercolours of Château de Groussay (France). Serebriakoff (1907-1995) was a Ukrainian-born watercolour artist who lived and worked most of his life in France. He developed contacts with French and English high society, and made watercolour albums depicting the richly furnished interiors of French chateaux and London flats, so-called Zimmerbilden or portraits d'intérieur. It was once a popular and charming genre of art, of which older examples are often of interest for the cultural historian, but has faded from the mainstream. Serebriakoff was one of the last masters of the genre.
Pics from here, which also provides an interesting read.
I'm writing this post because I don't want people in other countries to imagine an ever-present warzone when they think of Ukraine.
Think of your ordinary life. You go to work, go out with friends, build plans for a summer holiday. You have neighbours, maybe you don't know all of them well but they live next to you and you say hello when you see them. You live in a good apartment, with all amenities, modern appliances and stylish furniture. You pay bills for heating, water and electricity. Maybe you're renting out or it's your own place. You are a part of a globalized world although you don't think about it on such a scale.
And then one day there are explosions in your city. At first it seems shocking and unusual. But you hope it'll end soon. But they don't stop. They become more frequent. You witness your hometown get demolished. The places where you spent your free time or ran errands - the windows get shattered and the walls begin to crumble. It looks weird in the middle of a modern city.
Soon the explosions happen so often that you have to go and live in the basement. You, a person, who has a modern home, must move to a basement, with other people like you, where you don't get enough light or fresh air, let alone enough tap water or a decent place to sleep.
And then you witness death. In fact, many deaths, not just one. You get the news of people you knew, maybe your neighbours or relatives, getting killed. They are just gone. At some point you become so desensitized, the news of a dead body lying outside doesn't shock you. Sometimes you have to go outside and help other people dig out the bodies from under debris or bury them. Sometimes you see other apartments being on fire and you can't do anything. Nobody can and there's no point.
The shops are closed and you become so desparate that you start hunting pigeons for food. You share tiny portions with other people because, even though the conditions are terrible, you remain a human.
You lose everything that you owned and cherished. And it all happens in three months. You basically lose any sense of belonging to a modern society in three fucking months. That's what happened in Mariupol. When you see the photos and videos of people in dirty ragged clothes, looking like they came straight from the middle ages, in front of a ruined street - it's easy to think of them only like this. But they never lived like that before. They lived just like you. They had everything you had - TVs, computers, cars, internet, medical care, shops with stylish clothes. And then just in three months russia made them turn into dejected shadows of themselves who forgot what normal life feels like. That's a real tragedy and that's what russians have done and are still doing to us. They are ruining our normal life which isn't much different from your normal life.
Hello, Godwyn. Guess what, honey...
He's not responding, tho. Probably too shocked. But it's ok, if he needs some time...
If I took the Lord of the Despair ending, could that mean I married Godwyn? 🤔
"Український космос" Олега Шупляка.
Folk painting on the theme "Тікай, Петре з Наталкою, іде мати з качалкою" - "Run, Petro with Natalka, the mother is coming with a rolling pin" from the collection of the Ivan Honchar museum, XX century, part 2
a folk song from chapayevka village, chornobyl region
this type of song is called голосіння (holosinnya — "keening"), and they are usually sang by women over the dead body during the period between death and funeral. in this song, the woman is mourning both her dead son, and the land that they were forced to leave due to the chornobyl disaster.
translation under the cut
We went there
The houses are overgrown
Can't see anything over the weeds
Oh my God
Thirty years had passed
Now I can't even recognize
Neither my house, nor my village
Oh my God, oh my God
Oh my son, my nightingale
My son, my little dove
How far they brought us
And I will never come to you again
And will never see you again
Oh, my land, my golden one
My land, my dear one
Oh, how far they brought us
That I can't come to you
Our roads, our paths are overgrown
And our houses, and everything
I can't even recognize
Not the village, nor any of our backyards
We got lost, can't even find our houses
Oh my God, oh my God
code vein domestic revenants doodle extravaganza