Another Beautiful Bisexual Plagued By Back Pain... Many Such Cases

Mithrun's desire as an SA analogue

TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.

People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)

So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.

Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.

The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.

In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.

The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously.

This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.

Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.

Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.

This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.

There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.

In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.

Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.

“everybody is a slut except for me” - kris probably

Art request for @cyandreamz >:] Thank you so much for this, it is a very fitting headcanon

Also for anyone curious this is the message I translated and then copied! (I didnt think excessively hard about it but i knew i wanted to write SOMETHING. also i know zero german so if there are spelling and grammatical errors I am sorry)

okay yeah i see where you're coming from with the hinata + oikawa hooked up in brazil but you know what else is fun? the idea that they didn't, but everyone thinks they did, and they cannot convince anyone otherwise.

kageyama: pfft. like i need you're opinion. you got one second alone with the great king and became one of his fangirls!

hinata, losing his mind: FOR THE LAST TIME-

iwaizumi: What, none of the brazilian girls were biting?

oikawa: I DID. NOT. HOOK UP. WITH HINATA.

---

three days later, Hinata gets a text from yachi that just reads: OIKAWA???!!!?!?!?

they just. cannot convince their friends that this did not happen. it haunts them. all they wanted was to play beach volleyball. they cant even figure out who started this rumour or where it came from

it calms down for a bit until the allstar match when someone makes a joke about their reunion and Ushiwaka casually goes "Oh, because of their sexual history?" and Oikawa goes absolutely rabid.

"(blank) hates laios!" WRONG WRONG WRONG. SHUT THE FUCK UP

shuro is just as awkward as laios and it is made So clear he considers him a friend and likes him. he defends him when the canaries start talking shit and actively readies himself to physically fight them so they dont get to him.

namari also likes laios. she respects him as a leader and also defends him and readies to fight the canaries.

ive not actually seen anyone claim izutsumi hates laios, but a lot of ppl Are weird abt them. izutsumi and laios' relationship was rocky at the beginning. he struggled to figure out how to interact with her. but by the end, she actively seeks him out to talk with during the lead up to the feast. she hides behind him when falin wakes up. she has already realized shecan do what she wants and does not need to stick around, yet she does. she sleeps near him on the windowsill, waiting with him and marcille for falin to wake up. she has accepted him as part of her life and wants to keep him in it.

marcille does not hate laios. let me say this again.

Marcille Donato Does Not Hate Laios Touden.

marcille Loves him. in a platonic, familial sense. laios returns this just as readily. she yells at him. she whacks him. she tells him whats on her mind. she uses healing magic to ease his pain during the parasite fiasco. she reattaches his leg when he loses it. she teaches him magic. she lays her head on his corpse and cries before reviving him. she launches herself at him two times, when the canaries interrogate them and when he talks her down in the tower. he is a comforting presence to her. she trusts him, she cares about him, she worries about him, she imagines him as a big fluffy dog that loves and protects her. laios is her rock when falin is taken from them time and time again. and she tries to be his as well. she whole-heartedly, unconditionally, loves and trusts laios.

chilchuck does not hate laios. laios pays him his rates, no questions asked. laios trusts and respects chilchuck's job as a lockpick. laios does not see him as a child (at least, i cant think of an instance where he does so). chilchuck states, outright, he sees him as a friend and doesnt want to see him hurt. he actively worries about him as the falin situation gets worse. chilchuck respects laios. he shows almost 0 hesitation in helping get falin back, nor eating her by the end. he does not think of leaving him once, until he realizes he could lose him. chilchuck is cowardly with emotions and prefers to bottle things, so his first instinct was to bolt. he was angry because he was scared of watching someone he cares about destroy himself. laios is his Friend.

and holy shit. holy Fucking shit. kabru DOES NOT hate laios. kabru has the rockiest start known to man with him, and he Still helps him by occupying the canaries. he warns him about them. he hides the black magic from them just as shuro does. his whole Thing is trusting laios despite himself. kabru has his own baggage regarding other people, just like laios, yet he tries so hard to believe and trust this man. he Wants to. kabru is not very hopeful, but laios makes him Want to be. he states like 3 times he wants to be close to him and sees him as a friend. he stays through the entire feast!! the man who hates monsters, whose biggest trigger is monsters, actively, consciously, Willingly stayed through the entire monster meat feast. all to help his friend get his sister back. he could've left!! the feast was like an entire week!! yet he was there for every single day. he was one of the closest people to the door when falin awoke!! after reuniting with her brother, her friends, the people who knew her the most (plus senshi and izutsumi), the first person she greets is kabru!! he wants to be close to laios, he likes laios, laios is his friend and he cares for him, he wants to meet his sister!!! kabru fucking stays on the island with him as one of his closest, most trusted advisors when he becomes king!!!!! he wants to help him succeed!!!! he wants him to be happy!!!! laios is his friend!!!!!!!!

im just. people like laios!! laios is a nice guy! he is friendly and cares about people! he is weird, he doesn't understand most social cues, he oversteps boundaries, but they stay beside him, because they like him and he is their friend. he is their friend!!!!! friendship is not all sunshine and rainbows, relationships in general are not sunshine and rainbows. you will upset people, people will upset you, you will get into arguments, things will happen, but at the end of the day, the people close to you like you! they love you! they care for you! they want to work it out and get through it because they love you, but they will feel those emotions first! human relationships are complex and messy and life is complicated. even shows for toddlers know this.

if you truly believe any of these characters hate laios you are worse than a toddler. watch some fucking oobi or something. god. fuck.

take this

thanks

car

I think one of the kindest things you can do for people with various mental health struggles is just... let people back into your life after they've been absent for a while.

Making friends as an adult is so fucking hard already and isolating yourself from other people is a very common symptom of depression, anxiety, burnout, ocd, trauma, grief, etc. Which means that someone will do the hard work of recovery/healing and resurface back into a world where their previous friends have written them off because they stopped showing up.

So if you know someone where you're like "yeah we could have been better friends but they fell off the map a bit" and that person suddenly reaches out, or starts showing up to events even though you kind of forgot they were still in the group chat... well they may have been Going Through It and you don't actually have to punish them for their absence you can just be glad that they're back.