Freakinfiction - Just A Casual Fan

being a writer leads to a genuinely helpful but also very stupid kind of mindfulness where you'll be having a sobbing breakdown or the worst anxiety attack of your life and think "okay, I really need to pay attention to how this feels. so I can incorporate it into my fanfiction."

So, let me guess– you just started a new book, right? And you’re stumped. You have no idea how much an AK47 goes for nowadays. I get ya, cousin. Tough world we live in. A writer’s gotta know, but them NSA hounds are after ya 24/7. I know, cousin, I know. If there was only a way to find out all of this rather edgy information without getting yourself in trouble…

You’re in luck, cousin. I have just the thing for ya.

It’s called Havocscope. It’s got information and prices for all sorts of edgy information. Ever wondered how much cocaine costs by the gram, or how much a kidney sells for, or (worst of all) how much it costs to hire an assassin?

I got your back, cousin. Just head over to Havocscope.

((PS: In case you’re wondering, Havocscope is a database full of information regarding the criminal underworld. The information you will find there has been taken from newspapers and police reports. It’s perfectly legal, no need to worry about the NSA hounds, cousin ;p))

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Wherever the fate calls us next, I know everything will be just fine. Because you and Mother Nature got my back. You're both my home, because home can be a person ...or a cat

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将进酒 Qiang Jin Jiu Official Merch Art | Shen Zechuan + Xiao Chiye 

You know what, since I’m thinking about it anyways, let’s talk formalwear accessories. Most of these are traditionally menswear but a bit of gender fuckery is good for the soul, and frankly most of these are about making your mass-produced clothing fit and lay properly without having to go to the tailor.

Shirt stays: these go around your thighs to hold your shirt down, so that it stays smooth and tucked in. They’re usually elastic, with 1-3 clips, and if you wear skirts frequently this is a GREAT way to make sure your top doesn’t ride up. The clips will be visible if you’re wearing something tight, so loose pants or skirts are where these do best. There’s also an insane version that clips to your socks, but that is for lunatics. If you wanted, you could also use one of these clips to hold up thigh-highs.

These do a great job of smoothing and narrowing the waist area by keeping your shirt from bunching there.

Sleeve garters: usually metal, leather, elastic, or silk. These are usually worn with button-down shirts to adjust where your cuff falls on the wrist or hand. They’re properly worn on the upper arm, and you pull the fabric of the sleeve above the garter until you cuff is where you want it. Because this creates a puff of sleeve at the bicep, it also broadens the appearance of the shoulders. It’s great if you’re working with your hands or if your sleeves are often too long for your preference.

Waistband clip or belt adjustment clip/buttons

Three different ways of tightening the waistband of a pair of pants or a skirt. You’re not going to get more than an inch or so tighter without weird bunching, and for most of these you’d want them to be hidden under a shirt or jacket, but they do the job if that’s something you’re having issues with.

Collar pins: There are so many fun ones out there, both with and without chains. They’re not terribly practical, though the slight weight may help keep your collar where you want it. Also consider collar tips, which pin (surprise) to the very tips of your collar points.

Sweater clips/guards: meant to hold your sweater or cardigan mostly closed. Great if your cardigan doesn’t button, or if you don’t like it to be buttoned all the way.

There’s tons of other stuff out there like this–etsy is a great place to find this stuff. A lot of these are old solutions to the very modern problem of mass-maufactured clothes not being as one-size-fits-all as advertised, but they’re also a fun way to put a bit of personality into businesswear.

"JUST WRITE EVERY DAY" OKAY BUT DOES OBSESSIVELY THINKING ABOUT MY CHARACTERS WHILE LYING IN BED COUNT? BECAUSE IF SO, I’M A PRO

How to Describe Clothing in Writing

Creating vivid descriptions for a story or character is a mark of a great writer. One specific form of descriptive writing that particularly affects setting and characterization is the portrayal of characters’ clothing.

Writing Tips: Describing Clothes

Clothing descriptions work best when they appear organically in the course of the narrative. The story should never halt in place so that you can shoehorn in a bunch of sartorial descriptions. Here are some writing tips to help you use clothing descriptions in your creative writing:

Integrate clothing into your initial character description. The first time readers meet a character, they should get a sense of how they dress.

Study articles of clothing to make sure you know what they look like. This will help you choose the right words to describe them. For example, it would be appropriate to describe a chiffon dress as “sheer” or “thin,” but it would be clumsy to describe it as “threadbare” because chiffon is not cheap.

Pick outfits that fit the setting you’re writing about. If you’re describing an elegant ball, you might want to place a character in a form-fitting strapless evening gown, as this is a common piece for formal dances. Describing the clothing reinforces the setting you’ve chosen.

Blend clothing into job descriptions. If you’re describing a monk at work, you could note how the loose-fitting sleeves of his frock draped onto a table. If you’re describing a superhero in an action scene, describe the flow of their cape or the stiffness of their boots.

Let your characters change outfits. Show a character arc by marking how a character’s clothing changes over the course of your story. If a character in a YA novel starts out wearing ill-fitting khaki slacks with enormous pleats and ends that same novel wearing a denim jacket with an “anarchy” pin on the lapel, we know they’ve undergone some major changes.

Use clothing to set characters apart. Represent the difference between two characters by describing the differences in their clothing. Let’s say you’re describing two characters interviewing for the same job: One wears a sporty, ruched, A-line dress, and the other wears jeans and a sweatshirt. The reader can infer aspects of both characters’ personalities and make a comparison between two characters.

Reasons to Describe a Character’s Clothing

A character’s clothing is a window into so many aspects of their lives. From a character’s clothes, readers can make inferences about the following:

Clothing reveals a character’s personality. A knee-length fur coat and a corduroy jacket are both forms of outerwear, but it’s quite unlikely they’d be worn by the same kind of person. Readers can deduce a character’s style and personality from the clothes they wear.

Clothing implies a character’s wealth. Is your novel’s main character comes from a working-class background, it’s more likely they’d wear a t-shirt and jeans than a lavish and expensive piece of clothing. Just as in real life, clothing indicates status and wealth.

Clothing shows a character’s point of view toward the world. Clothing can reveal a character’s views on the world. If someone puts on a graphic t-shirt with the sleeves cut off, it implies that they could hardly care less about offending other people. Meanwhile, a character who wears a dressy button-down shirt with a single-breasted plaid jacket seems like the old-fashioned type. Maybe they’re heading to a mixer at the country club?

Clothing suggests the time and place in which a character exists. As part of your worldbuilding process, you’ll want to be as precise as possible about your book’s setting and time period. This doesn’t just apply to historical fiction; it applies to all forms of writing. For instance, if you’re writing a battle scene set during the Revolutionary War, you might need to study the physical descriptions of britches and pantaloons. But if your scene is set in a present-day battlefield, you might describe a soldier as wearing camouflage with a tag hung from a necklace. Simply by changing the clothing description, you’ve marked a massive distinction between these two war stories.

Source ⚜ More: Notes ⚜ Writing Resources PDFs ⚜ References: Fashion

The thing about Mu Qing is that a lot of the time we see him, he doesn't have much but he offers all he has and beyond.

All he had were the few cherries he picked at the cost of being beaten and humiliated and called a thief (as the only poor disciple among many rich kids who could have bought those cherries any time they wanted) to give to his mother and yet when the poor children surrounded him he gave those cherries to them.

He had a cursed shackle and yet he was the only one who offered to accompany Xie Lian, Hua Cheng & and Mei Nianqing to Mt. Tonglu. (even though Jun Wu had told him that his friends would assume that he was a traitor and leave him to die and MNQ & Hua Cheng obviously hated him and he thought that XL & FX hated him, too.) He not only had a cursed shackle but burnt hands and feet and injured legs and yet he threw himself in the lava to fight and buy time for XL. He could barely walk but attacked Jun Wu head-on with his Zhanmaodo. The shackle tightened around his hand and it was draining his blood and his spiritual powers were sealed and his injuries and burns weren't healing and he was dangling from a freaking cliff and his hair had nearly touched the lava and yet! Right when MNQ wanted to help him up he asked him to send him further down so he could retrieve XL's sword for him!!

When XL had just saved Mu Qing and Bai Wuxiang dragged him down Ruoye, which earlier was explained wouldn't do pointless things (and when asked by XL to grab onto something firm and reliable grabbed onto FX & MQ after HC) made a lunge for Mu Qing, because it knew that Mu Qing would grab it and maybe could do something to save Xie Lian. And Mu Qing, having just been saved, balancing on a sword on burnt legs in the middle of running lava grabbed onto Ruoye with burnt hands and didn't let go even when he was overpowered and dragged along with Xie Lian.

And for all of these, he never expects anything in return! No gratitude, no credit, no friendship, and no affection. He just does these things because that's the kind of person he is.

He's the kind of person who refuses to recruit child soldiers, he's the kind of person who sees a random lady going through forced abortion and tries to save her and the baby, he's the kind of person who even when he's chased out of the house by a broom by his friends, leaves the rice he brought with them, he's the kind of person who even if he assumes XL threw the clock on him & pretended not to know him on purpose disguises himself and goes to XL's help, he's the kind of person who tries to save FX even when he has a cursed shackle, he's the kind of person who not only doesn't abandon his friends under Jun Wu's threats but goes after them knowing that at every step Jun Wu will try to frame him and as far as he knows, his friends don't trust him or like him and he doesn't even think they're friends. he's the kind of person who couldn't bring himself to steal one golden leaf from the prince who had hundreds of them in the depths of his poverty to help his mother yet doesn't blame XL for trying to steal that one time because he understands, he's the kind of person who claims that "truly, there's no point in being a good person" but still helps every time everywhere he can. He's the one who when he can't do anything, when he's lost his attacking powers after going for Jun Wu all he can think about is XL who is grabbed by Jun Wu and calls out for XL to run even as he throws up blood. He's the god who when he ascends what we hear of his followers are: "General Xuan Zhen is generous and kind!"

Just...Mu Qing and his unfailing kindness!

It's only the start of the year but I'm tired already