Damn It Rhymes Too

Art tutorials by Disney artists Griz and Norm Lemay

For artists who have problems with perspective (furniture etc.) in indoor scenes like me - there’s an online programm called roomsketcher where you can design a house/roon and snap pictures of it using different perspectives.

It’s got an almost endless range of furniture, doors, windows, stairs etc and is easy to use. In addition to that, you don’t have to install anything and if you create an account (which is free) you can save and return to your houses.

Examples (all done by me):

Here’s an example for how you can use it

how to fucking flag pedophiles

call me the fucking ~internet police~ BUT I DIDN’T KNOW UNTIL TODAY THAT THERE’S LITERALLY A COMMUNITY OF “PEDOPHILE POSITIVITY” ON THIS HELLSITE

THERE ARE PEOPLE OPENLY ADMITTING THAT THEY ARE ATTRACTED TO CHILDREN/CONSUMING CHILD PORN ON THIS WEBSITE!?!??! THERE’S 13 YEAR OLDS ON HERE!!!

so my dudes, how to flag “maps” (minor attracted people aka pedophiles)

1. click “flag this blog”

2. click “this violates tumblr’s community guildlines”

3. click “someone is at risk of harm”

4. click “harm to minors”

5. type “pedophile” in the box

Finland is so cool

In Finland, speeding tickets are calculated based on your income - causing some Finnish millionaires to pay fines of over $100,000. Source

Emotional Overlap / Inside Out

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

callum + smiling at rayla (s1)

Everyone, and I mean everyone who reblogs this before Nov. 5 will get a doodle based off of their blog URL

I’ve seen a lot of these and I want to try it for myself!!

man i sure do love shows written by aaron ehasz about a pair of siblings and a kid from another culture travelling across the world to stop a war together

a show in which one sibling has powers, and learns / hopes to learn from the kid from another culture, who has distinctive tattoos

K: I told you, he’s the real thing Gran-Gran! I finally found a bender to teach me! […] At night, you can teach me whatever moves you learn from Master Pakku! 

A: Hey, you did the water whip! K: I couldn’t have done it without your help.

R: You do know what the six primal sources are, right? C: If I say yes, are you going to make me name them?

C: Am I supposed to feel flattered by this? R: You said Claudia called you a fool when you interrupted her lightning spell, but I’ll bet she was actually trying to say fulminus. It’s the draconic word for lightning!

And who in the first episode are immediately ship teased by the magical sibling’s brother

S: Get in, we’re going to save your boyfriend.

E: Is it because you’re with a girl?

oh, and the girl is older than the boy

How I Wrote A Novel.

This, in a nutshell, is what I did to get a book with my name on it.

NOTE: This is just my personal way of making the words go. Other people have different ways to make their words go. In the world of words, there are no right answers. There’s just lots and lots of tea/coffee/tear stains.

1). The Idea

When I get an idea for a story, I open up a document, label it “Brainstorming,” and start making a bullet list of events that consist of the plot.

It has to be an idea with tangible weight. A stray bit of dialogue or something vague like Halloween, that doesn’t give me much to work off of. Halloween creatures living on the same street where it’s Autumn every day- now that’s something I can build from.

What kinds of creatures are they? What do they do? What do their houses look like? The best ideas are the ones that spark more.

2). First Draft

This is the easy part- and the most challenging. Easy, because there’s literally no bar. I just sat there and typed. But it’s a huge mental challenge.

When I was in first draft mode, I wanted that story out. I thought that by making it such a rough, far-away version from the concept in my head, I was only delaying the day where I’d hold it in my hands. Turns out, that’s what got it to take on physical form in the first place. So I quieted down, grabbed my laptop and some hot tea, and typed.

3). Dissecting the First Draft

After I finished draft one, I printed it all off and highlighted the scant amounts that were passable for the next phase. Dialogue, descriptions, setting- anything that didn’t look like it was up to par was scratched out and omitted.

I call the above pictures A Slow Descent Into Madness.

4). The Second Draft

On a fresh document, I rewrote the story altogether- and it make a difference. I was coming up with things I hadn’t even thought of previously. And it was surprising how much better the plot was than the first time around. But it was still rough.

5). Draft Three

My method was to start with the bigger, more obvious issues and work my way down. Any plot holes I found were noted, and my outline was constantly under revision. I cut out entire scenes and made mental notes on ways they could be fixed/replaced.

This is where I started cutting chapters in half to make the story flow better- but I didn’t bother writing in usable chapter titles. Instead, I improvised:

6). Drafts Four and Five

These were dedicated to correcting the smaller, less obvious plot holes. This was the point where the story finally started to look close to what would become the final version.

7). Drafts Seven Onward

With the story line looking how I wanted, I then moved on to sentence structure. That one song that looked terrible? Rewritten. Over-the-top descriptions and excessive prose? Gone.

8). Editing and Proofing

This is where I had outside help. Besides this useful tool, I had two people check for spelling issues and the overall story. Once it was in decent shape to be made public, I asked for some additional help.

9). Betas

My betas were in the age range that my novel was geared toward, along with a couple of teachers and parents (as it was middle grade). I gave them the full manuscript, along with seven basic questions like “Which characters were your favorite/least favorite and why?” and “Was there a part of the story that didn’t make sense?”

I gave my betas three months to read a 42,590 word story, and by the end they gave me back the review sheets.

10). Final Adjustments

After I read over the reviews, I let the comments sit for three days so that I could proceed with a clear head. I smoothed out any flaws, scanned over the MS twice to make sure everything was right, and that is how I got to the end of writing my first novel.

Next comes publishing- which is a different beast entirely.