Viktor Nikiforov is an adult character with adult problems and anxieties. However, unlike for Yuuri, whose struggles couldn't be more obvious to the audience, Viktor's issues are portrayed with subtlety. Which is ironic since, of the entire cast, Viktor is confronted with the most drastic life-changing choices and changes.
We meet Viktor as a competitive figure skater who has reached a point in his life many people eventually end up. The initial excitement for your profession has long since withered away and you're stuck in a life that is making you miserable. You're only staying out of convenience, the fear of change, the fear of taking a risk, or due to a lack of opportunity—or a combination thereof.
That's where Viktor is in episode 1. You can read the misery in his fake smiles and in his empty expression when he skates—an activity that once has been his passion (we know because creating your own programmes demands a creativity that is the result of passion). There are rumours that he might retire, and when being asked about his future plans, we see again the empty expression of a man who has lost his purpose. He has accumulated quite a fortune through sponsorships if his expensive clothes are any indication of that, but money can't buy happiness.
For twenty years, Viktor has lived for his sport and neglected his private life over it. His body might keep up for a couple of more seasons, but his mind is weary and his creativity is running dry. Twenty years is a long enough time to make even a decisive person think that that one thing is all you will ever be good at.
When you're stuck like that, maybe even to the point that it affects your mental health, it's hard to make it out of the slump on your own. Having someone showing you an alternative can work wonders to shift your perspective and enable you to take matters into your own hands again. For Viktor, this shift comes in form of a cute and utterly drunk fellow skater who not only seems to have a crush on him but very explicitly voices his wish that Viktor becomes his coach.
Viktor is a master of his craft. He choreographs his own programmes, he has music composed for these, and he has twenty years of experience in figure skating. Before that fateful banquet, Viktor already showed low-level coaching tendencies like when he gives (unsolicited) advice to his younger rinkmate...
or when he encourages him to become junior world champion without a quad jump and agrees to choreograph his first senior programmes.
These examples indicate that Viktor has a hidden skill he might not have been aware of during his active career as a skater. He could build on that if the sets his mind to it.
While it's true that Viktor only decided to become a coach when he saw that video (see Sayo Yamamoto's episode commentary), his feelings for Yuuri played a major role his decision because he felt a connection. That's important because feelings ignite passion and provide you with new purpose. It's tempting to assume that Viktor went to Japan for a booty call, but this totally disregards the complexity of his situation and the key role feelings play in igniting passion in someone and giving them new purpose.
"People shine brightest when they understand what kind of love sustains them."
Turning your life upside down and leaving behind the safety and convenience of a job you're good at but that you learned to hate, comes with fears and requires a certain readiness to take risks. Many people don't go to such lengths unless 1) their current situation is insufferable and 2) they have a very strong motivator to start all over. Like love or passion. As both stem from the same place, I'm equating them in the following.
Taking your first step into the uncharted territory of your new future IS scary. It can be one of the hardest things you have ever done. Especially if it means a complete reorientation. But burning for this future—be it out of love for your new subject/field, a specific person you will work with etc.—is a truly inspiring experience that fills you with the confidence that you can actually do it. So far, Viktor has been on the receiving end of coaching, but his feelings for Yuuri, his experience as a skater, and his resulting dedication to the task ultimately turn him into a good coach for Yuuri and help him succeed where Celestino failed. And it's obvious that Viktor really loves being Yuuri's coach.
Viktor Nikiforov is a true inspiration for everyone who faces the choice of staying on in a life or work situation that is making them miserable or going full risk by following one's heart. I cannot thank Sayo Yamamoto and Mitsurou Kubo enough for creating a show with so many mature characters that are dealing with realistic adult issues and I'm happy that one of my favourite YOI characters is one of them. I wish that Viktor would receive more appreciation for this.
I want to thank the reader of Thousand Spotlights whose comment about my portrayal of Viktor inspired me to finally write this post 🩷 Also many thanks to @cecebeanie for reading over it in advance 🩷
Please note:
In some cultures, changing your job frequently is normal and thus not a big thing for people, but the concept I've discussed is the universal.
This meta doesn't attempt to be a comprehensive analysis of Viktor's situation as this would have gone beyond the cope of this post (I have written other metas that discuss some of these). Viktor shows signs of depression and/or creative burnout that might or might not have to do with focusing on skating for most of his life. Depression can manifest itself differently in different people and no one's experience is less valid than someone else's.
If you enjoyed this meta, please consider giving me a follow or checking out my works on AO3 (link in bio), which build upon my analyses.
hes soooo real for this wtf
OMG, I opened tumblr after a whole day of stuff going on to rest a bit and I forgot that yoi's suffering was still on. I'm once again sobbing in a corner...
I just gotta say, before leaving the app for today because I can't cope with the pain, that Yuri!!! On Ice is one of the fucking best shows i've seen and had stolen my heart in the sweetest of ways.
I think we're all so devastated at the news of IceAdo's cancelation. It was an incredible anime not only because it was groundbreaking for the queer community in terms of quality, but also in terms of how intimately the relationship was depicted without being vulgar or explicit, which many other such anime depend on to gain an audience. The profound devotion Yuuri and Victor had towards each other and figure skating was palatable and it just sucked you in. A lot of times, it even felt like you were intruding on a private moment between them, especially as Yuuri got more comfortable around Victor and started being more open about his anxiety, which was also a focal point of the show, also masterfully depicted.
It was such a beautiful experience, that we wanted more of it, which is what we thought we were going to get. But for 8 years, we were strung along, our hope exploited, until finally, the cancelation, which we all realized, after a certain point, was coming.
The pain of not being able to sink in to the world of Yuuri!!! On Ice once more is very deep, because that kind of magic is something you just crave once it has entered your life, BUT!!!!
Ice adolescence being cancelled is like the ultimate betrayal by mappa. Mappa's first BIG big hit, its magnum opus, was never jjk or csm or aot. It was Yuri on Ice. It's time they remember their roots, for those roots are gay.
One thing that has been bothering me a lot over the past few days is seeing all these RIP YOI, RIP IceAdo, Remember YOI etc. posts. As someone who discovered YOI later, I'm watching this unfold from the sidelines and I'm seriously worrying what this is going to do to the fandom. I understand that you are sad because the movie was cancelled, everyone has the right to be sad about such a thing, and I'm not trying to invalidate your pain. But, and I'm saying this with all kindness and my best intentions, and hell, I'm not even the first one saying this, but please hear me out:
YOI IS NOT DEAD.
It did not die last Friday. And it doesn't die because there won't be a movie. No story in human history has ever died because someone decided it was over. Stories are forever. They live in the hearts of the people. And so has YOI been living in the hearts of its fans since October 6th 2016, and will continue to live there for as long as we want.
Whenever I type "Yuri On Ice" into the search field of any social network, web archive, or search engine, I see hundreds of thousands of hits, most of them fanworks. Please take a moment to think about what that means:
In the 7.5 years since YOI aired, fans have made tons of art, written fanfiction and metas, cosplayed YOI characters, created fan videos, crafted all kinds of fan-made merch, and so much more. You are the ones who brought into being an endless multiverse centred around an anime that is already larger than life. You have already created so much more YOI than Sayo, Kubo, MAPPA etc. could ever create even if they made one hundred movies. And even if every country in the world turns fascist and bans YOI, it will survive because fans will always find ways to preserve it and the power its message holds. Only stories that nobody no longer talks and cares about fade in oblivion.
You hold all the power to keep YOI alive, but, and this is probably the hardest pill to swallow, that also makes you the only ones who are able to kill YOI - be it by stopping to create or talk about it, or by shouting its death from the rooftops because you fancy yourself dramatic, or by turning the fandom into a hate-infested toxic hellscape, whichever will occur first.
And I honestly don't know which of these I fear most.
If you truly love YOI, please do your share and continue to keep it alive.
Yuri on Ice aka Yuuri's free programme would never have been possible without the beach scene.
In the beach scene, Yuuri opens up to Viktor for the first time. While they have been unintentionally working against each other until that point (exuberant flirting from Viktor and Yuuri trying to avoid him), the conversation on the beach brought them on the same page. That conversation has reassured Yuuri that Viktor's motives and feelings towards him are sincere and he starts feeling safe enough to open up.
Which leads right to the next scene where Yuuri sits in his room and decides to open up more as he contacts the music student who composed the programme his former coach Celestino rejected.
Now fast-forward to Yuuri and Viktor creating Yuuri's new free programme:
Yuuri's free programme is about his skating career. But it's so much more than that. Yuri on Ice also tells the story of Yuuri and Viktor, expressed through the piano (Yuuri) and the violin (Viktor). At 0:55 min, which is quite early in the programme, the violin joins and it dominates the song. This part represents Viktor becoming his coach. (The entire song is 3:41 min, note that a free programme was 4:30 min at the time YOI aired, and that the creators shortened the songs due to time constraints).
Yes, that's right: Most of the story told in Yuuri's free programme, Viktor is Yuuri's coach. Yuuri's programme that is supposed to be about his life as a skater paraphrases his entire career so far in 55 seconds and then tells the story of Yuuri and Viktor.
Then there's this part in the middle where the violin falls silent and the piano slows down as Yuuri has a realisation about love. When the music picks up speed again, the violin re-joins, but instead of doing its own thing now it's support the piano, which can be interpreted as Yuuri and Viktor now being a team, Yuuri and Viktor being lovers (hence, the realisation about love), Yuuri and Viktor staying together (the instruments playing together until the end, these a nuance of Stammi Vicino in that imagery). To be precise, there are many interpretations as this song can be applied to every episode where Yuuri skates it.
Now, as Viktor is Yuuri's coach and choreographer, Yuuri needs to explain to him what he wants to express with this song, so that Viktor can turn this into choreography. Yuuri needs to explain what the instruments mean and how this translates into his story. I can only imagine how embarrassing this must have been for him, even though he has already decided to open up more--it's still an effort he must do and which will become easier the more often he does it. But that first time when he had to explain all this to Viktor, yes that must have been super awkward. He might have tried to water down some parts of the story because he couldn't voice them at this time, then, as Viktor kept prying because it didn't seem to fit the music, gradually had to disclose more.
And Yuuri had to explain all of this to that music student as well so that she could compose the song accordingly, and he had to do this AFTER that first awkward experience when he commissioned a song that got shelved.
Without Yuuri realising that opening up isn't a bad thing, that it's okay to make yourself vulnerable to people who don't judge you and don't see you as weak, nothing of this would have ever happened. Yuuri learning that Viktor is a safe person to be vulnerable with because Viktor is dedicated to give Yuuri his full support and that his goal isn't to get Yuuri laid but that his feelings for Yuuri are of a serious nature ("that's my way of showing my love"), is the start of Yuuri becoming confident and that enables him to create not just his first free programme on his own but a free programme that expresses the different kinds of love he is feeling, most of all his love for Viktor.
If you enjoy my meta posts, please consider giving my blog a follow or checking out my works on AO3 (link in bio). You will find the results of my meta musings in there!
hes soooo real for this wtf