"goddamnit I Have To Go To My Grandparents' Again," 2023

stamps for communicating with the best friends (i want to eat them)

Suspicious Man

Hello, today is my birthday, and I would like to share a comic I made in the last year with you. It's called Broomistega and Thrinaxodon.

This comic was originally printed with yellow, fluorescent pink, light teal, and violet risograph inks. Physical copies are available in my shop.

drops this archive.org link casually

THERE IS. a website. that takes 3D models with seams and pulls it apart to make a plushie pattern and informs you where things need to be edited or darts added for the best effect. and then it lets you scale it and print off your pattern. and I want to lose my MIND because I've lost steam halfway through so many plushie patterns in the mind numbing in betweens of unwrapping, copying all of the meshes down as pieces, transferring those, testing them, then finding obvious tweaks... like... this would eradicate 99% of my trial and error workflow for 3D models to plushies & MAYBE ILL FINALLY FINISH SCREAMTAIL...

✨Compilation of Natural Styles✨

Pinterest

hair references on Pinterest

Explore a hand-picked collection of Pins about hair references on Pinterest.

A huge shout out to @moodr1ng for compiling this list of natural styles and looks for Black people on Pinterest!

I am an avid proponent of natural and protective hairstyles on Black characters. Not because there's anything wrong with us having straightened hair- it's fine- but because what I want is for everyone to grow an appreciation for the beauty and effort it takes. Our hair is beautiful, powerful, and versatile. Please take some time to look through!

Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.

Morpho Fat and Skin Folds on Archive.org (for free!)

by storyboard supervisor Erik Fountain

A few years ago, Erik put together these updated AT storyboard guidelines for new board artists and revisionists.

We build bases on the moon. Colonize the planets of the gas giants, terraform Mars and Venus, build orbital habitats around everything with enough gravity to hold it up. We invent FTL, and send ships named after dreams to every star we have cataloged. We have rulebooks and plans and endless ideas of what we do when finally we meet another spacefairing race, but it never happens. We don't hail any vulcan cruisers above the skies of Epsilon Eridani and get in no laser battles with a star destroyer in the scarlet light of Wolf 359. No one responds to our endless messages sent to the heavens.

Life? We find that everywhere. If a rock is big enough to hold onto enough atmosphere, we find something growing there. Maybe just a moss or some protokarotic slime, but there'll be something growing there. We spend centuries cataloging the flora and fauna (and everything in between) of a million stars, and never meet anyone who can say hello back.

Not yet at least. In the unending sunset of the Mu Herculis system there's the Peterson's Mermaids who are just developing language and starting on metallurgy. The vampires of Fomalhaut b have begun to write down numbers, and we expect them to have a full language sometime within the next hundred thousand years. There's no animal life on Gliese 499 d, but we have reason to suspect the clonal organism inhabiting most of the northern forest is verging on sapience. And we don't even have time to get into the theory that 55 Cancri B (the red dwarf orbiting the star Copernicus) is a living being in it's own right.

There's plenty of life to study. Lots to learn. But we never meet anyone we can greet in friendship, and there's no star gods out here in the black. We've looked everywhere.

Humanity takes decades to come to terms with the reality of the situation. But we do, of course. We can't give up now.

We searched endlessly for the ancient aliens with all the answers, who built hyperspace portal networks before our sun even burnt, and couldn't find them. We settled for locating our brothers and sisters amongst the stars, another race that had fought their way up from the trees and into the stars, and couldn't find them either.

We always dreamed of finding a parent we could look up to, or a sibling we could share the sky with. They weren't there.

Humanity settles into their role. It wasn't what we hoped for, but we'll be the big brother/big sister to the life of the universe. Not the parent, no. We didn't create them, and we don't control them, but we'll protect them. We'll help them when they fall, and let them make their own mistakes when they need to. But we're here to be the role model and the helper and the partner in crime, the one we wanted but never had.

We keep searching, of course. And our observers on a thousand planets report that there are hints of an ancient race, older than writing, mentioned in the myths of endless cultures. Gods from the skies who stopped the flood, who ended the plague, who taught them to plant a new crop, who stopped the war just as the bombs began to fall, and who led them to a new land when the star began to flare.

We investigate these rumors and myths and stories, just in case we missed the Ancients we always wanted to find. But at the heart of these stories, there's always a description of the helpers: bipedal, two arms, two eyes, no fur, no wings. And if the species has developed art and writing, there'll often be a drawing of a figure, standing alongside a local god or great leader, and nearby the legend will read "humans".

Art historians and religious studies scholars are amused at how often they give us halos. Someone even suggests redesigning our force-suit geometry to reinforce the impression, but cooler heads prevail. We're not doing this for praise or worship. We're doing this because no one could do it for us.

Millenia later after we've been joined among the stars by our sibling races, a mermaid and a vampire are idly chatting while they wait for their turn through the portal network around Fornax A. "What drove the humans to do all this? Why did they take it upon themselves to search every corner of the universe and decide to protect and shelter and guide the many younger races of the stars?". The mermaid shrugs, which is hard to do without shoulders. "I think they just wanted friends."

The vampire looks out the observation window, at the thousands of ships from hundreds of spacefairing races, waiting in line or jumping through phase gates to the other side of the cosmos. "Well, they've got them now."

There's a beep from a console, and a warning light activates as the ship accelerates towards a shimmering gate. Our children play among the stars, without fear of the dark. There's no monsters there, we checked. There's only us.

Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!

You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!

Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!