Gendhb - Untitled

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version

As you like it: you'll find here an outdoor stage adaptation and here the BBC version

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston

Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.

Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.

Measure for Measure: BBC version here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version

Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)

Romeo and Juliet: here's the 1988 BBC version.

The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

Just so we're all on the same page with the writer's strike.

If during the strike, it's announced about AI generated shows. We are not watching them. Not even out of curiosity. Let them fail every AI generated show they try make.

The human voice can not be replaced by AI. Don't let them try.

he didnt even try. like jack black actually made his voice fit bowser you almost can't tell its him and then you have mario whos like "hey in case you forgot i am voiced by chris pratt who didnt even fucking try and i will talk like this for two hours"

Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: That she was a greedy bitch who didn't respect people who needed to stay at home during the pandemic (I believe the word "ableist" was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed. What was literally in her contract!!! And where everyone who took more than a couple minutes to actually look into and think about the situation could figure out that her issue wasn't with streaming itself, but with how little streaming was allowed to get away with paying her and other actors. But of course, a lot of people just saw the chance to dunk on a rich woman, and didn't think about it beyond readying some snarky tags and hit reblog. And in doing so, threw their support behind a much wealthier, greedier studio head who is already using similar language to describe the current strike.

Anyway we're going to see a lot of that from studios now, especially now that actors have joined the WGA and it's easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don't fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you're a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something decades ago but haven't done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don't get distracted by propaganda aping progressive-sounding language about wealthy celebrities. Focus on the real enemy, the truly greedy fat cats who care more about money than people and art: the studios.

attention to all dashcon attendees

someone urinated into the ballpit while it was empty and posted it in the tag

stay out of the ballpit

listen to me. thoughts do not have moral weight. a thought will never hurt anyone. the actions you take because of a thought can hurt yourself or other people, but the thought itself is powerless and there is no such thing as thought crime.

"but i have thoughts about being violent towards people! towards children! surely that makes me dangerous!" are you being violent? for real? with your actions? if not, then you are not actually hurting anyone

"but i have thoughts that are offensive and hurtful! they're bigoted, or they're horribly rude, or they're invalidating to others! i'm a horrible person." and what are you doing with those thoughts, exactly? are you taking bigoted actions, or saying those rude things, or taking steps to actually invalidate people? no? well then. no one is getting hurt. and in the meantime, if it really bothers you, doing things like helping unlearn your biases (both against minorities and just, like, against furries and theatre kids and shit) might help some of those thoughts go away, but sometimes you just get shitty thoughts.

"but i have horrific thoughts about sex!" are you hurting people. are you forcing people to do things they don't consent to. or are you just playing the upsetting possibility in your mind over and over again, and acting like that's even remotely the same thing?

thought. crime. is. not. real. OCD. is. hell. (and anything else that may cause intrusive thoughts.) but it does not define you. your thoughts will always, always come secondary to your actions. you're gonna be fine.

The amount of mask-off antisemitism coming out around the Kanye West and Kyrie Irving situations is genuinely making me feel sick and I’m not even Jewish. Jewish followers/people reading this post, I’m so fucking sorry, y’all don’t deserve this shit. I wish people would finally leave you the fuck alone.

If you’re trying to defend Kanye or whatever by saying “well maybe he has a point about the Jews,” genuinely go fuck yourself to the deepest pits of hell.

you’re just some twerp little faggot pretending to know things abt the real world

i’m obsessed with the way this is worded, reblog if you’re just a twerp little faggot

since I already reblogged about it here's a less informal, more concise way of putting it:

THE INTERNET ARCHIVE IS NOT GOING TO DIE. ONLY CERTAIN BOOKS ARE AT STAKE NOTHING ELSE. DONATE WHAT YOU CAN FOR THEIR COURT COSTS. THEY STILL HAVE AN APPEAL TO GIVE

who give a shit *goes back to old fandoms*