Staud Fw19 Rtw

Mariano Fortuny sage green pleated silk Delphos gown circa 1930

Bellini #5, Robert Rauschenberg, 1989, MoMA: Drawings and Prints

Gift of Emily Fisher Landau Medium: Photoetching and aquatint

http://www.moma.org/collection/works/62835

Suffering itself is a piece of self-knowing. In responding to a loss with anguish, we are grasping our love. The love is not some separate fact about us that is signaled by the impression; the impression reveals the love by constituting it. Love is not a structure in the heart waiting to be discovered; it is embodied in, made up out of, experiences of suffering.

Martha Nussbaum, Love’s Knowledge (via philosophybits)

Robert Rauschenberg, “Recall” (1990), photolithograph, 32 x 22 inches; printed by Universal Limited Art Editions; published by Whitney Museum of American Art; in situ (image courtesy Matt Magee) via Hyperallergic

Kazimierz Sichulski (Polish, 1879-1942), Białe maki [White Poppies], 1920. Watercolour, mixed media, and pastel on paper, 80 x 62 cm.

Hoyeon on what Squid Game taught her about life i-D The Out Of Body Issue, no. 367, Spring 2022 Photography Colin Dodgson

Who What Wear

All Dressed Up With Nowhere to Go: A Zoom Photo Shoot With Laura Harrier

Animation test for personal project during the lock down. It is enjoyable to paint frame by frame, stress free. follow my instagram: https://www.instagram.com/elliscky/

Untitled [double Rauschenberg], 1950, Robert Rauschenberg

https://www.wikiart.org/en/robert-rauschenberg/untitled-double-rauschenberg-1950