Everytime I Set Out To Make Doodles I’m Like “but This Would Look So Much Better Rendered,,” And

I have SO much I want to draw… but school…..

Lil crochet cat I made :)!! I deviated a bit, but the pattern I followed is by @Chubbiesbyash on YouTube

What the fuck guys

We finish this together.

i know we joke about cis artists having the weirdest sense of anatomy, but also even when the anatomy is fine, no one seems to want to draw women doing normal things

You can survive almost anything through the right combination of:

Bitching and moaning

Hater-ology

Doing a goofy little bit about it

Having a buddy say "that's so fucked up" at intermittent points (you can also be your own buddy)

Destroying the cursed amulet you carry everywhere, why do you even have that thing

WHAT in the YAOI

I feel like Muir isn’t afraid to tell a story. In the sense that she writes like she doesn’t care what a reader thinks of her.

When I first read GtN, I found it as very average SF/F fare and my heart was barely in it. I felt like the ending was messy with its battle royale aspects and I wrote Gideon off as a standard edgy YA-style protagonist. The narrative sounded so simplistic and I didn’t feel attached to the cast of characters. On its surface, GtN is a very standard high-concept story with a stereotypical summary on goodreads. I was ready to write Muir off as an ok and middling debut writer.

Then I picked up Harrow.

It was like Muir was a sleeper agent and just blew my mind. I could see her skill in her craft and my investment did a complete 180. I had to reread GtN and realized all the things I missed and all the things that were planted from the start that were hidden by Gideon’s ignorance, flippancy, and naivety—the reasons why I wrote the book off. I underestimated Muir because I thought Gideon’s voice was her voice.

The writer is a liar, an illusionist, and a conman and I fell for Muir’s game. And that is so refreshing.

Ennis and Jack are kind of megop coded…