Alright But Jokes Aside, Wanna Guess My Favorite Spiderverse Character? X'D

What is a Christine Jorgensen

The real reason it’s a fucking travesty Peter Parker is “straight” is that he would have a fucking field day making gay jokes. Imagine Spiderman wit mixed with millennial gay humour. He’d be unstoppable

KIRISHIMA’S HERO OUTFIT IS TOPLESS BC HE WANTS TO SHOW OFF HIS SURGERY SCARS SO OTHER PPL (especially smaller kids bc lets be real: there are probably kids who watch the news and see some of the students from U.A fighting occasionally) DONT FEEL ASHAMED OF THEIR SCARS OR OF BEING TRANS BC SHARP TOOTH BOI WANTS TO ENCOURAGE EVERYONE TO BE THEMSELVES PASS THE WORD

Kirishima eijirou is a trans icon!

A man is driving down the road and breaks down near a monastery. He goes to the monastery, knocks on the door, and says, “My car broke down. Do you think I could stay the night?” The monks graciously accept him, feed him dinner, even fix his car. As the man tries to fall asleep, he hears a strange sound. The next morning, he asks the monks what the sound was, but they say, “We can’t tell you. You’re not a monk.” The man is disappointed but thanks them anyway and goes about his merry way. Some years later, the same man breaks down in front of the same monastery. The monks accept him, feed him, even fix his car. That night, he hears the same strange noise that he had heard years earlier. The next morning, he asks what it is, but the monks reply, “We can’t tell you. You’re not a monk.” The man says, “All right, all right. I’m *dying* to know. If the only way I can find out what that sound was is to become a monk, how do I become a monk?” The monks reply, “You must travel the earth and tell us how many blades of grass there are and the exact number of sand pebbles. When you find these numbers, you will become a monk.” The man sets about his task. Forty-five years later, he returns and knocks on the door of the monastery. He says, “I have traveled the earth and have found what you have asked for. There are 145,236,284,232 blades of grass and 231,281,219,999,129,382 sand pebbles on the earth.” The monks reply, “Congratulations. You are now a monk. We shall now show you the way to the sound.” The monks lead the man to a wooden door, where the head monk says, “The sound is right behind that door.” The man reaches for the knob, but the door is locked. He says, “Real funny. May I have the key?” The monks give him the key, and he opens the door. Behind the wooden door is another door made of stone. The man demands the key to the stone door. The monks give him the key, and he opens it, only to find a door made of ruby. He demands another key from the monks, who provide it. Behind that door is another door, this one made of sapphire. So it went until the man had gone through doors of emerald, silver, topaz, and amethyst. Finally, the monks say, “This is the last key to the last door.” The man is relieved to no end. He unlocks the door, turns the knob, and behind that door he is amazed to find the source of that strange sound. But I can’t tell you what it is because you’re not a monk

100% EXCITED!!! (LOUD)

things that never fail to bring me unbridled joy: when characters in su spontaneously do a goofy ass walk cycle

😇💘👿

This photo

Of Phillip with a cardinal 

Belos calling Hunter his nephew (aka son of his brother)

“Big Plans”

Grimwalker literally meaning “the dead walking”

Wild magic “took” Belos’ family

Hunter is definitely a clone, but not of Belos, methinks…

I love how mob psycho 100 has absolutely zero time for that your 'i love violence twisted fucking cyclepath' types, your 'i want to destroy everything because i CAN' type villains, and just stawartly refuses to portray them as mysterious or compelling as other shounen action anime does, refusing to present it as anything but dumb and pathetic and quite frankly, extremely childish. like they are called out quite explicitly by its protagonists, by reigen in s1 and then mob in s2 (testament to mob's character growth tbh that he can do this by s2) for never maturing past the logic of middle schooler. like the central philospphy of the show is that to grow as people you have to recognise the worth and value of others & your bonds with them, and for that reason so many of the antagonists come across as stunted children and immature adults. like even the antagonists that quickly heel turn towards joining the main cast (e.g. teru, dimple to some extent) have these most ridiculous god complexes that are defeated partially by being revealed as at core as ridiculous and are thus ridiculed to learn a degree of humility (dimple becomes a little snot gremlin spirit, teru has his hair journehy) before they can grow. often this ridicule is achieved by a character saying 'why the fuck are you fighting a middle schooler. you're a grown adult. this is ridiculous loser behaviour' but sometimes it's way more visible, e.g. the 7th division leader getting their mask pulled off to reveal an aged adult (far older than the kid we expected, from their voice) who then has a literal *tantrum* about how the world shoild be theirs, it's mine it's mine it's mine, where the discrepancy between their age and behaviour is striking. like this egoistic mindset is ultimately a child's mindset - little children are self-centred, still see the world in terms of 'me me me', and while we allow little children this to a degree because they're still learning about the world, in an adult it is truly just pathetic. they are losers! and it's not afraid of saying it!!

what's interesting is that mob psycho actually adds nuance to this perspective outlined in season 1 during the mogami arc where mob gets to experience a version of life where he is isolated, and lonely, and has no one to turn to, and there is sympathy for why middle schoolers might develop a certain misanthrophic outlook where they want to see the whole world burn, to resort to violence and to prioritise selfish desires - but it is still ultimately *wrong*, and mob just has to be reminded of the existence of kindness to believe so. that experience if anything allows mob to develop his compassion for others and confidence in his convinctions (rather than repeating reigen's teachings - good teachings, mind - about not using powers against others as he did in s1) than before, and he tries to grow from that painful experience, eventually reaching a level where the villains by the end of s2 appear less emotionally mature and grounded then the teenage protagonist. they're still pathetic, but it's less a site of ridicule and more a site of pity now, a shift from comedy to drama.

anyway. it's philosophy towards villains and refusal to like, let them be cool because they like hurting people (wtf) or want to destroy the world (wtf) for some unhinged reason and just calls them out for being total losers is SO refreshing in a genre which likes to go 'oooh look at my fucked up creepy antagonist who likes pain'. it's a breath of fresh air.