One of the most important parts of writing MYSTERY is figuring out what to do with clues and red herrings - and how to use them effectively. Here’s some advice that’s never steered me wrong:
Hide the real clue before the false ones! Most people, so by extent your readers and your sleuth, tend to focus on the last piece of information presented to them. A good strategy is to mention/show your real clue and then quickly shift focus.
Do a clue cluster! Squeeze your real clue in among a whole pile of red herrings or other clues, effectively hiding it in plain sight. This works especially well with multiple suspect mysteries.
Struggling to think of what a clue could be? Try this list:
Physical objects: Letters, notes, tickets, emails, keepsakes, text messages, diaries, etc.
Dialogue: voicemail recordings, overheard conversations, hearsay, gossip, rumours. All of these can hold grains of truth!
Red herrings distract and confound your protagonist and your reader, so you should be careful not to overuse them. Well balanced, red herrings should lead your characters down false paths to create confusion, tension, and suspense.
Contradictions! Have characters claim they did so-and-so at such-and-such a time, but other characters have evidence that contradicts this.
Balance! Avoid a clue that’s so obvious it’s like a neon sign saying “Look at me, I’m a clue!” but don’t make it so obscure it’ll be missed entirely. A good clue should leave a reader saying “Damn, I should have noticed that”
what’s on your mane, dad
My how 2 make comics is out now, for anyone that wants to start a comic but has no idea how or where 🤓
Get it here! ☀️
I rlly love your art! I like to draw too but I'm having trouble with chubby/fat characters. Is there any advice you could give? (Sorry if this is weird or annoying, if so you don't gotta answer it.)
I get this question a lot, and for once I’m going to try to give a proper answer.
I what most people get wrong is how to distribute fat. People gain fat in different parts of their body, but no one gains fat in only one part. I often see people draw “fat” characters by just drawing a skinny character and making their belly stick out, like in the picture below.
as you can see, the first drawing looks kinda weird and unnatural, and it certainly does not look “fat”. in the second drawing the fat distribution is more natural, with fat on the characters’ sides and chest as well as the belly. if you want to get better at drawing fat you should practice adding fat to those areas, as well as the arms, face and neck. another thing that makes the first one look strange is how “hard” the fat looks. there’s a really visible border between the “skinny” part of the body and the “fat” part. fat doesn’t work the same way as muscle. fat is soft and doesn’t have any strenght - meaning that unless you physically lift it up its going to hang and sag. a lot of people are afraid of drawing fat that looks fat - as in fat that bulges, sags and gathers in rolls. that is a shame, because you can’t really skip that stuff if you want to draw natural looking fat.
like you see in the drawing above, adding rolls and visible sagging makes the fat look, well, fatter. all I can say is; don’t be afraid of making your fat look like real fat!
these are saimaa ringed seals, they are freshwater seals and the most endangered seals in the world with less than 400 remaining. they are descendants of ringed seals that were separated after the last ice age and live only on and around the banks of lake saimma
learning from the reblogs of that post that there's a lot of people out there under the impression that "kill your darlings" means "kill your characters" and that's the funniest possible interpretation of that phrase
“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
how to draw arms ? ?
Can you believe that there are people who live so close to the ocean that they can just think “hey, I should go to the ocean” and then they just do???
Hi it’s me puddleorganism if you’re confused why you got a billion hoops from me
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