Expanding A Thought From A Conversation This Morning:

Expanding a thought from a conversation this morning:

In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.

A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.

In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.

More Posts from Gojosusedthong and Others

1 year ago

reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something

1 year ago

i think cute and handsome people like me should be able to teleport

1 year ago

Me, trying to write some sweet, fluff story with a happy ending to heal my soul: and then they hugged and-

My brain:

Me, Trying To Write Some Sweet, Fluff Story With A Happy Ending To Heal My Soul: And Then They Hugged
1 year ago
Crying While Reading The Day I Picked Up Dazai ;;; (side B Never Existed)

crying while reading the day i picked up dazai ;;; (side b never existed)

1 year ago
A Burst Of Light, Audre Lorde

A Burst of Light, Audre Lorde

1 year ago
Virginia Woolf, From A Letter To Lady Robert Cecil Written C. January 1907

Virginia Woolf, from a letter to Lady Robert Cecil written c. January 1907

1 year ago

Villain things I want to see more of

Actually funny. Not making jokes at other people's expense, not the butt of the joke, just villains that have absurd senses of humour and top-notch intentional comedic timing,

CHARISMA!!! Please, can we have more charming villains, villains that can sway a crowd, villains that get away with things because their too polite, too well-spoken, too funny to possibly to evil.

Respected. Villains whose villainous deeds have led them to success and made them widely respected members of society. To be clear, this isn't respected person who is secretly evil. No. I mean, the bad things they've done are the reason they're respected.

Let them win. Let them win because their plan succeeded. Not because the protagonists fucked up, not by pure luck. Let them earn their victories.

Supporters! Lots of them. The more powerful your villain is, the more supporters they are going to need. If the evil king is unpopular with everyone he's not going to stay king for long. He needs allies, lots of them, especially if he's a tyrant.

Knows how to play the game. Manipulative villains who say whatever they have to to get their way, chose their allies and enemies carefully, bribe and blackmail, play the victim, the hero, or even the innocent when it suits them. Make it hard for your protagonists to convince anyone they are a villain at all.

Cold Steel. Give me villains that don't get angry easy, that laugh things off, that kill because it's efficient and for no other reason.

Clever and creative. Strategists who always have a trick up their sleeve and problem solvers with personal flare.

Show other characters reacting with fear. Nothing rams home how terrifying a villain is quite like watching other powerful characters fall to their knees--fast--when they walk in the room.

Irredeemable despite their tragic backstories. For the love of god people, tragic backstories do not justify a villain's actions. You can have empathy for what they've endured while still expecting them to take responsibility for what they've become.

Unconventionally attractive. Take this however you want. I, for one, would like to see more tortured bad boys who aren't white and shredded. But also, villains whose attractiveness lies in how they talk, their body language and facial expressions, and their outfits. Why do y'all think smirking is such a popular word??

Love. Let them love their spouses, their children, their friends. Not in an abusive way either. Let them have healthy relationships with their still living wives, daughters, sons, comrades in arms etc.

Kind. Give me villains who tip well, who put their own garbage away even though the servants could do it, who remember their henchmen's names, who are good with kids, who donate to charity and not just for the tax incentives

1 year ago
The morning of a red-skied May 1948 / Could've been today. / They knocked the doors down, / claimed life as their own. / The chances of their staying fragile. / But now look: / houses are in ruins, keys around necks, / odds far from even, / far from running water. // Ramadan villages retired singing, / rifles sang instead, / announcing declaring / an anticipated empire on the ruins of another. // Seven decades later
they harvest organs of the martyred, / feed their warriors our own. / The people of Haifa left. / Some fled after news some stayed, / gave coffee to massacre. / Some walked a straight line into the sea / back to their city / refused to be martyred / refused to exit. // They were one with Haifa, / drowned / in this life, / soaked in salt. // My grandmother—Rifqa— / was chased away from the city, / leaving behind / the vine of roses in the front yard. / Sometime when youth was / more than just yearning, / She left poetry. / What I write is an almost. / I write an attempt. // She left behind clothes folded ready to be worn again; / her suitcases / did not declare departure. // Rifqa left Haifa to go to Haifa / to go to Haifa. / Rifqa walked solid. / "We'll return once things cool down,"
and she believed, / wore her key / until her key her neck her memory / became the same color.

Mohammed El-Kurd, from Rifqa

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