They should invent a room where I have to write a certain amount of words every day (on my fanfics, book I’m working on, poems, etc) and I’m not allowed out of the room until I’ve done that certain amount each day.
Also I get paid a livable wage for it.
Also I have a person there to give me feedback anytime I ask.
Also I have a person there to correct all my typos.
I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not
your love for geto suguru is measured in bodies.
skin over muscle over bone, hands on knees, knees on the floor, cold. thirteen corpses, colder. tongue unmoving, eyes closed, blood still. frozen forever in a state of perfect decay.
to curse users, death is family. you know, intimately, the way it feels in your lungs, the way it settles like a fine dark dust at the end of a struggle. the stench sticks to the back of your throat and tells you that you are home.
suguru presses his face into your neck and breathes out.
you did your best, he says. you did so well.
(this is love returned.)
perhaps there was a time when you loved differently, in the way that he wanted, but you are not your past. you are your present, and this is your only gift. and he accepts it, arms wrapped around you like ribs around an unbeating heart.
your love for geto suguru is measured in bodies.
the first one was yours.
when I want to write and desperately need to write and am aching to write because my body feels all wrong if I don't write and I still end up not touching my fucking Google Docs
hey so we put your morally grey character in a fandom. yeah half the fanbase makes them into a perfect angel who did nothing wrong and the other half depicts them as a cartoonishly evil villain who hurts people for fun. no we dont know how to explain that people can do bad things for good reasons or good things for bad reasons. sorry man
As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:
* Raised eyebrows: Surprise, disbelief, or curiosity.
* Furrowed brow: Concentration, confusion, or frustration.
* Smiling: Happiness, amusement, or friendliness.
* Frowning: Disapproval, sadness, or concern.
* Lip biting: Nervousness, anticipation, or tension.
* Eye contact: Confidence, interest, or honesty.
* Avoiding eye contact: Shyness, guilt, or deception.
* Narrowed eyes: Suspicion, skepticism, or concentration.
* Wide eyes: Shock, fear, or surprise.
* Rolling eyes: Exasperation, annoyance, or disbelief.
* Crossing arms: Defensiveness, disagreement, or discomfort.
* Nervous fidgeting: Anxiety, restlessness, or impatience.
* Pointing: Assertiveness, emphasis, or accusation.
* Open palms: Honesty, openness, or sincerity.
* Hand on chin: Deep thought, contemplation, or evaluation.
* Slumped shoulders: Defeat, sadness, or fatigue.
* Upright posture: Confidence, attentiveness, or authority.
* Pacing: Restlessness, agitation, or contemplation.
* Tapping foot: Impatience, annoyance, or frustration.
* Leaning in: Interest, engagement, or curiosity.
* Hugging: Affection, comfort, or warmth.
* Handshake: Greeting, introduction, or agreement.
* Patting on the back: Encouragement, praise, or camaraderie.
* Clenched fists: Anger, determination, or frustration.
* Brushing hair behind the ear: Nervousness, coyness, or flirtation.
* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.
* A subtle nod can convey agreement, understanding, or encouragement.
* Crossed legs can indicate relaxation or a casual, nonchalant attitude.
* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.
* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.
- Tilting the head:
* Tilting the head to the side can suggest curiosity, attentiveness, or interest.
* Rubbing the temples can indicate stress, fatigue, or a headache.
* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.
* This posture can indicate authority, confidence, or a composed demeanor.
* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.
* Nail-biting can reveal anxiety, nervousness, or tension.
* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.
* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.
* Shifting weight can imply discomfort, unease, or anticipation.
* This gesture can indicate hesitation, embarrassment, or the desire to hide something.
Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.
Happy writing!
every gojo fucker is a potential geto fucker. every nanami fucker is a potential choso fucker and every toji fucker is a potential sukuna fucker
Love the person who tries their best to understand you.
East Of Eden, John Steinbeck // Bungou Stray Dogs, Asagiri Kafka
writer | character analysis| poems | opinion ✮ digital brain dumpster ✮
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