Do You Know We Love You, Laika? From A Million Miles Away? Though We Did Not Treat You Right I Really

THE MENU 2022, dir. Mark Mylod

as much as i love tendou with abandonment issues due to not having friends before and being terrified of them leaving him i believe we need to give more attention to wakatoshi with abandonment issues. i can't see his mother as the loving type. his father was probably his only pillar of emotional support and comfort growing up and when he moved to america, wakatoshi had all of that ripped away from him, thus the fear of the people he loves leaving him behind. i can imagine wakatoshi in tears grabbing tendou by the wrist as he's boarding the plane to paris, saying in a voice too broken for the man he appears to be that he doesn't want tendou to leave him.

I love doodling

Tendou being really good at close up magic for no particular reason and sort of just using it as a party trick except for that one time at a tournament when Oikawa came over to pre-game shit talk them and Tendou reduced him to near hysteria by pulling a seemingly endless supply of coins out of his ear

i have no energy left for anything

penelope, to unsub: if looking good was a crime, you'd be a law abiding citizen.

tendou "i'm not good enough for you, why haven't you left me?" satori and ushijima "i'm not good enough for you, but please don't leave me" wakatoshi

BPD culture is feeling embarrassed when you stop masking and show how you really are feeling. When all your insecurities come to the surface, you feel vulnerable, even lost for speaking about them.

as much as I love Ushiten as like... "Ushijima doesnt process/is unphased by Tendou's weirdness" i think its MUCH BETTER to consider that Tendou is just Ushijima's type. Like its not a "i dont see why people would call you freaky" situation but rather a "FINALLY someone freaky and fucked up time to make him my husband."

being alive hurts.