I Feel Like If He Had A Dog He'd Be So Caught Off Guard. Does The Dog Want To Play Volleyball?? Can Dogs

as much as i love tendou with abandonment issues due to not having friends before and being terrified of them leaving him i believe we need to give more attention to wakatoshi with abandonment issues. i can't see his mother as the loving type. his father was probably his only pillar of emotional support and comfort growing up and when he moved to america, wakatoshi had all of that ripped away from him, thus the fear of the people he loves leaving him behind. i can imagine wakatoshi in tears grabbing tendou by the wrist as he's boarding the plane to paris, saying in a voice too broken for the man he appears to be that he doesn't want tendou to leave him.

Saltburn is not a film about class, right? at least, not really. like. Oliver is well off. maybe not living in Downton Abbey well off suuuurre, but he is middle to upper-middle class. this is not a movie about the working class sticking it to the wealthy. it's a movie about desire and obsession. it's actually super interesting that it is set in 2006 (or 2005? i can't remember), because what it is exploring is the way that a lot of us interact with people now. we watch them. on our phones. on our screens. we watch their beautiful lives and we obsess over them, and obsess over everything they have that we don't. Venetia in her speech in the bathtub to Oliver talks about how Oliver actually didn't know Felix at all, really just met him, and yet somehow Felix had become the centre of Oliver's whole fucking universe, in a way that i think you can compare to parasocial relationships people have now with celebrities etc. it is a movie that explores how far desire and obsession can go. in like, obviously a very campy way that is super fun and great. but it's not about class. it's the wealthy and the more wealthy eating each other.

emily: man, im going to hell in every religion

Ive been playing around with a fic idea for a really long time that doesnt really have a plot (hence why I havent written it) but would be a slice of life or episodic "lesson learning" story where the premise is Daichi's father getting a fancy job across Japan, so they have to move, but because he's so close to graduating (and they might make it to nationals!) he really doesnt want to go with them, and knowing how important he is to the team and they are to him, Ukai decides to let him stay in a spare room above the shop/live with him, and it would really focus on Ukai's POV of like - sure daichi is functionally just renting a room, but Ukai legally becomes his guardian/proxy for school/medicial issues etc but he's not worried because "I was a trouble teen and got into shit but this kid is so put together and normal, I dont really need to worry he can probably handle himself" and in fact in terms of father figures Daichi spends a lot of his time lecturing Ukai on proper cleaning and house maitenance, he's a really handy guy, very on top of things, and Ukai makes the joke about how Daichi is clearly the more adult one of the two but then *that* starts to weigh on him as he realizes there's something unsettling in that idea and he starts fighting back against Daichi's very mature persona and unravelling what had essentially been years of (unintentional) emotional neglect and having been forced to grow up really fast and its just a general fluffy vibe of "everyone has something to teach" where Daichi helps Ukai shake off the last of his teenage bad habits and Ukai helps Daichi develop at least one teenage bad habit before he graduates. I think this also means that Ukai walks in on Daichi and Suga making out on the couch and is incredibly conflicted over whether or not he should yell at him or be proud of him.

“are you seeing anyone” you mean like a hallucination??

goddamn right it is

little chef and secret agent

why would u say this to me...

being alive hurts.