Store Worker: Would A “Lucifer” Please Come To The Front Desk?

Day 5: Secrets

Blitz has a scanned copy of if it to read later 👌🏽

Don’t use without permission, don’t repost, please. Ok to reblog! Thank you! 💛

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Artist : yatsuka834 (pixiv / twitter / IG)

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I’m sorry if no one’s explained this to you before but a content creator telling you that their work isn’t for minors and it’s not their responsibility to jump through hoops to keep it from you is an adult looking out for kids. they’re modeling good boundaries and setting the expectation that you’ll engage with the online community like a person and take responsibility for your choices. if you cannot understand that you need to look out for yourself and take people seriously when they say their work isn’t suitable for young audiences then you are not ready to be unsupervised on the internet.

As we see a barrage of evil executive orders come in, they are not immediately enforceable and will takes months or years to implement.

That’s still not great, but don’t let these pile up to the point of hopelessness. Take a breath, and look community leaders who will fight it every step of the way.

WHAT

Consent is important always in a relationship.

Consent is care and love.

Never let someone believe consent between you and your partner/friend/etc. Is suddenly not necessary if the relationship has been going on for awhile now.

Consent should always be considered and present between you and the other. Always.

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hiyao Miyazaki

You want to learn to write better dialogue? Become a bitch who has whole conversations and debates in her mind all the time and you'll become a natural.

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