If It Wasn’t Obvious That I Fucking Love Bassists Yet, Here Are Cliff Burton And Jason Newsted Because

Songs of the Week (3)

1. Junkhead (Alice in Chains)

This was definitely an Alice in Chains week for me. Seasonal depression or whatever people choose to call it had me playing Dirt on repeat, and Junkhead is such an obvious standout (for me personally) that I just had to include it here. This song is so confident in what it wants to be that every listen feels different and it’s impossible to get tired of. Lyrical content and context aside, it’s a positive and enjoyable listen every single time.

2. Fist (Deftones)

Since Adrenaline’s 29th anniversary was a couple weeks ago and I forgot to make a post about it, I’m honoring it here. Besides, it was about time I added a Deftones song to one of these; just because there’s less of them in my daily rotation doesn’t mean I love the band any less. Fist is technically a hidden track, meaning that many forget about it when talking about Adrenaline, which I think is incredibly unfair. Fist is absolutely bewitching, a beautiful track that doesn’t really fit with the rest of the album, but it’s such a gorgeous addition that I could never have the heart to critique it.

3. Mic Check (Rage Against the Machine)

Is it obvious that I love the Battle of Los Angeles yet? I love how inventive this song is, what is done with the guitar and the vocal effects. It’s a little too out there to play in the car or public places, but god is it beautiful. One of the best tracks off the album.

4. Riders On The Storm (The Doors)

I’m switching it up a little this week. I don’t know what it is, maybe it’s the weather, but for some reason this song easily made it into my daily rotation. I don’t listen to The Doors much so this feels like a very welcome change. It’s so charming and confident and beautiful that sometimes I put it on just to calm myself down.

5. I Know Something (Alice in Chains)

I fucking love Facelift and this song is one of the main reasons why. I adore the bass on this one and the way it blends with Jerry Cantrell’s guitar is insane. It’s weirdly positive and upbeat for this album and Alice in Chains in general but in the best way possible; it brings a kind of funkness (is that even a word) to their work I really appreciate. An overall amazing listen, so captivating.

6. Jimmy Recard (Drapht)

This song was introduced to me by my stepdad and it’s actually one of the biggest reasons I love it so much. Music is one of our main bonding points and it’s just always so beautiful to have people you love give you a glimpse of their music taste (especially if the taste is stellar). I tend to gravitate towards music that’s a little different from Drapht, which only makes songs like these all the more interesting to me. Absolute banger.

7. Sober (TOOL)

Sober is this week’s TOOL song because apparently I need to have one on every single one of these. If I’m being completely honest, I haven’t checked out any other tracks from Undertow, but if Sober is anything to go by this album fucking rocks. As always, the lyrics are amazing, the vocals are as intense as can be, the atmosphere is transcendental, and the passion is out of this world. I have such a deep appreciation for this track because let’s be honest, there’s nothing like TOOL out there and this is an integral part of their origins.

This video is literally a piece of art.

I rarely connect with something on such an intense level, but in this case I can confidently say that I agree with like 99% of the things that were said.

I’m going to be honest here and admit that I was never really interested in The Beatles; that is not to say that I hate their music, it’s just that I don’t actively go out of my way to listen to it. I was also never really into the whole Yoko controversy, mostly because I felt like I didn’t know enough about the whole situation to take part in the discourse or to make my own claims. However, this video still really did it for me, mostly because while it does talk (in depth) about the intricacies of the breakup and assassination, it focuses mostly on the twisted narrative of ‘the evil woman that manipulated and destroyed the genius of a sensitive and accomplished man.’ I never really thought about how often we fall for it as a society or how popular it really is in today’s pop culture.

I absolutely loved the segment about Kurt Cobain and the ‘Courtney killed him’ conspiracy, as well as how passionate the author is about defending women in the industry by calling out those that villainise them without idealising these women in the process. I guess what I’m trying to say is that the overall argument is very cohesive and balanced and doesn’t let it sway too much in one direction.

I wholeheartedly recommend anyone with 2 hours to spare to give this a watch. Even I with my fried attention span was able to enjoy it, and I also just think that it’s beautifully made.

CAN WE PLEASE TALK ABOUT THE I DISAPPEAR MV BECAUSE KIRK LOOKS SO DELICIOUS THERE IM TIRED OF DENYING IT

I wanted to attach a picture but unfortunately the stills are horrendous :((

I think I’m gonna start a little rubric with ‘songs of the week’ or something along those lines. I’ve been loving some artists a lot lately and need an outlet to share my favourites.

So starting this week, every Sunday I’ll be making a little post with 7 of my most listened to songs of that week. Hopefully I won’t abandon it and maybe some people will even find new tracks they’ll like.

Idk if it’s a good idea but I guess we’ll see.

cuties

I think people underestimate the significance of Chi Cheng to Deftones. While I believe Chino’s lyrics are the perfect fit for their music and he’s an incredibly talented lyricist, let’s not forget that it was Chi that studied English, it was Chi that was a poet (if you haven’t looked into The Bamboo Parachute yet PLEASE DO it is so worth it). In other words, Deftones always had someone to fall back on if Chino couldn’t deliver (I’m not saying he ever couldn’t, but just the added security Im sure meant volumes), and the only reason Chino was the primary lyricist was because Chi believed he was amazing (lost the interview he said this in but you know what I mean). I really do believe the world lost an incredibly bright soul when Chi died.

Never got the hype for jagged little pill. Maybe im just from the wrong generation to understand the impact of this album or maybe im overlooking something, but is it really good enough to be considered a top 100 album? Yes, its fun, but i feel like there should be more to it for it to be considered impactful for music as a whole. Also how is it possible that the lyrics to this song are absolutely DIABOLICAL but still come across as superficial?

Can we just collectively, once and for all, agree that this is the best album of the 90s. I’m sorry but it’s just genuinely perfect.

Wes Borland was such a blessing to Limp Bizkit. I’m not saying Fred Durst being such a character didn’t play a role in their success (I still absolutely despise him as a vocalist and lyricist though), but literally the only redeeming qualities about their music (at least to me) are Borland’s riffs and talent. The only reason Rollin or Break Stuff were such big hits was because he has the ability to play guitar in a way that makes you jump up from your seat and go insane.

All I’m saying is that there’s a reason Results May Vary sucked so bad.

HAPPY BIRTHDAY SLASH YOU SLUTTY MF!!!

I would talk about how amazing he is as a guitarist and his impact on music but that would take too long. Literally love him to death. That’s all I have to say.

HEYYY IT’S MY FAVOURITE AWKWARD GUY’S BIRTHDAY

Okay real talk rn though. As cringe and corny as it may sound, Deftones, and Chino in particular, were a literal saviour for me at some point. Again, I know that so many people say this on a daily basis, but I mean it when I say that these guys saved my life. I would not have survived had it not been for something I started to love this much, developed such a passion for. I fw Deftones on another level. Did 1.5 years ago and still do now.

In most interviews, Chino is described as an overly emotional guy. He’s a little weird (in a good way), sometimes awkward (specifically off-stage), and, especially at the beginning of his career, has some trouble explaining his line of thought or what it is he means when he says something. At least that’s the impression you get when you listen to him speak in an everyday setting. Needless to say, when I saw this dude talking so softly and with so much purpose and yet still getting lost in what point he wanted to get across, I was like “oh yeah that’s my guy.” He also made the best music that ever graced my ears, but that’s beside the point yk.

What I’m trying to say is that despite all of his faults, no matter how difficult other people find him to work with or how many questionable decisions he makes, I will always cite him as an inspiration or at the very least as someone that has made life significantly easier for me, letting me see a little of myself in someone whose talent and work I admire so much.

I know it seems like I just made a point of shitting all over Chino for no reason, but I swear that’s not true. Again, on a weird level, I relate to him and that makes his music mean even more to me. Thank you Chino for Deftones and thank you Chino for being such an amazing guy. Love him sm.

HAPPY BIRTHDAY CHINO!!!!