The misinterpretation of the vogue article
Hetlors and Swifties claim this article is her saying she’s straight which is interesting because she never actually says that. Here’s what this statement and article actually means in the most simplest sense. It’s time for a little debunk.
She talks about advocating for a specific part of the lgbtq community and how she didn’t realise it until recently that she could.
This was In 2019 but go back a couple years which I remember during the 1989 maybe even earlier she advocated for LGBTQ people on multiple occasions. See examples below
So it’s definitely not the first occasion of her advocating so why did she say in 2019 she only realised she could recently?
Because she has advocated for bi, queer, lesbian and gay people in the past but never for trans, drag and gender queer people.
During the lover era she advocated for this specific part of the queer community heavily which she has never done.
She only realised now (2019) she could advocate for this part of the community which as a woman she isn’t apart of. She never denies being queer in some way herself but rather states I can advocate for others in this community aside from what and how I identify myself as. Or who I have only advocated for in the past.
So when Hetlors use this as a anti-Gaylor Claim they completely miss the point of this article and statement, the evidence is there it’s clear she never denies she’s queer and never asserts herself as straight. Hope this clears up the misunderstandings.
This is a lesbian and no one can convince me otherwise.
It’s the way she try’s to tone it down at first but absolutely decides “fuck it” and starts singing about a woman’s cherry chapstick 😘🍒
🤭🥵 Faye,the woman that you are
Blank the Series 2x3 - Part 3/3
Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.
Deep dive below and also thank you gif makers for your work 🙏🏽
(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)
So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.
Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.
When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.
At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.
Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.
Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.
As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.
Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.
From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).
They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.
As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.
The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.
They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,
"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."
For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.
So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.
Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.
So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.
They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?
If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.
I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.
It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.
ARCANE LEAGUE OF LESBIANS: 2x08 - “Killing is a Cycle”
I finished Swiftgronalysing the 1989 vault tracks. Links for anyone interested. 😊✌️
Slut
Say Don't Go
Now That We Don't Talk
Suburban Legends
Is It Over Now
alright!!!!!
https://www.reddit.com/r/GaylorSwift/s/NqaA7M6PPm 🫣 it's just insane how Taylor's PRomance machine has been working so well for years and all the people really believe she was in love with all those men and wrote all those love songs about them.
Link
It’s a good post isn’t it?
There’s no doubt about Travlor, it’s the most obvious PR ship ever. Even if I believed it was real, I couldn’t doubt they’ve been milking the hell out of it since day one.
No seriously, she literally is singing “lately she’s been dressing for revenge” like how much fucking louder does she have to be?!
Also I don’t know who said it on here but in my head she’s saying “picture me fingers deep in your ex wife” instead of “picture me thick as thieves with your ex wife” because literally there is nothing more badass revenge wise than fucking the ex wife of one of the men who controlled and manipulated her during her career.
The way she deepened her voice when she sang “your ex wife” and then goes on to have a high pitch ending when she sings “and she looks so pretty” like hello?! Her winking to the mostly female fan base after she drags her fucking hand down her body while making the hottest fucking face. Like I’m sorry but you can’t convince me that Taylor Swift is straight. This is fucking gay as hell and there is no straight explanation for it.
"Rights are being stripped from basically everyone who isn't a straight white cisgender male," she tells Vogue, when asked about why she chose to, all of a sudden, stand up for LGBTQ+ rights. "I didn't realize until recently that I could advocate for a community that I'm not a part of."
Source: https://www.out.com/news/2019/8/08/taylor-swift-says-shes-straight-despite-all-bisexual-rumors#toggle-gdpr
I was waiting for this to come through my inbox lol. (There was more then one ask about this but I'm only responding to the first.)
There's lots to unpack here but the first and foremost thing is: She doesn't actually say here, "I'm straight." It was a perfect opportunity. It was the ideal conversation. She punted. Why?
Why did she instead give this vague, circuitous, carefully couched answer?
She calls out communities encompassing sexuality, race, and gender, followed by saying, "a community that I'm not a part of." There are lots of communities that she could have been referring to, but she crafted the sentence in such a way that makes it unclear which one. She could have been talking about the trans community. She could have been talking about the poc community. She could have been talking about the ace community. She could have been talking about the gay male community. There are lots of possibilities. In this carefully worded sentence, she deliberately avoided naming the specific community she's talking about.
Another thing to consider is that many, many closeted people don't consider themselves part of the queer community. They don't feel like they belong because they're not out and proud. And even once people come out, it often still takes time before they feel like they're part of the queer community. That was certainly my personal experience. Cara Delevingne said something similar in her Hulu show when discussing her own coming out.
Let's move on. The link anon provided isn't the source. It's an article quoting the source. The actual source is the 2019 Vogue cover article. And the full article is important because there are lots of interesting things that give context to this quote.
First, there's a great deal of conversation about gay stuff and lgbtq+ rights. And the writer makes a point of saying about this subject matter that Taylor seems to enjoy that part of the conversation "as much as she’d enjoy a root canal." Wouldn't a straight ally be eager to discuss this? They would. And a closeted queer person would be uncomfortable and panicking at the thought of having to talk so blatantly about this subject. The writer also makes a point of saying that once the conversation changes to music, Taylor lights up and her demeanor and speech patterns relax dramatically.
The other important context that the Vogue article discusses is Taylor's very long history of supporting lgbtq+ rights. Everything from the Mean mv of a gay boy being bullied to the "boys and boys and girls and girls" line in WTNY to donations to lgbtq+ organizations to giving out queer awards to queer people to dedicating Dress to Loie Fuller, an openly gay artist. There are plenty of other examples of Taylor advocating for the queer community that aren't mentioned. All the way back in 2008 she participated in the LOGO queer anti-bullying PSA. In 2009 she was in Seventeen magazine taking a stand against the slaying of a teenager for being gay.
Why is this important? Because it proves that Taylor is lying in the quote in question. "I didn't realize until recently that I could advocate…" girl yes you did. You've been advocating for years and years at this point. She's lying. She's lying. She's covering herself up. She's hiding in the closet and hoping desperately that no one notices.
And this isn't the first time she's done this either. During the 1989 press tour she gave an interview where she was asked about the "And you can want who you want / Boys and boys and girls and girls" line. As the interviewer is starting to speak about this, a look of pure panic immediately takes over Taylor's face:
And then she starts stumbling around trying to give a coherent answer. At one point she stutters out, "And also I wrote this song, um, I wrote this song, kind of, kind of following, the, uh, when gay marriage became legal in New York." This interview was in October 2014. Gay marriage had been legal in New York since June 2011. Sooo three years later is "kind of following." Right. Sure, Taylor. Nice closeting. You really nailed it.
Okay let's review. She doesn't actually say she's straight even though this was a perfect opportunity to do so. She doesn't name the actual community she's talking about, giving herself cover if she ever comes out. She's closeted and probably doesn't think she's part of the queer community anyways. She full-on lies about not knowing she can advocate for others. And the writer states Taylor seems deeply uncomfortable talking about lgbtq+ things even though the context of the article was that blondie wanted to make it clear how much of an ally she is.
None of this remotely adds up to hetero. And none of this comes even close to Taylor saying that she's straight.