The Rengoku siblings~~
People like to pain Aizawa as someone who wouldn't have dismissed Izuku's dream. Who would be upset if he found out about what All Might said in the first episode.
I think it's complete bullshit.
Aizawa was more or less ready to expel whoever came in last for the training on the first day.
I think he would have been equally as bad, of not worse.
Fanon aizawa would be mad at all might and would support Izuku's dream of being a hero as a quirkless individual.
However, canon aizawa would not.
First of all canon aizawa very much based the potential of his students on the way they can use their quirks and handle themselves in battle. He was ready to expell them if they made it dead last and he was ready to expell anyone who didn't meet his criteria. Aizawa also has his own internalised issues about strength that stemmed from oboro's death and how he wasn't capable or strong enough to protect everyone so yeah I don't think he would support Izuku's dream.
There's also the fact that aizawa has only helped people with a "weak" quirk or a quirk that wasnt inherently suitable for heroics like shinsou other than that aizawa has a very internalised belief that quirks do actually make or influence a person and we see this in canon with how he treats bakugo and how he seems to take pity on shinsou because he reminds him of himself.
The writers have made a big deal about how French the show is and how only French writers could write it even though it does nothing to really route the viewer in France outside of the general setting. There's no cultural exchange going on here. In fact, the show will straight up ignore things like French laws in order to make a plot work! Everything I've learned about France has come from research done for writing fanfic and not anything from the actual show.
Wouldn't it have been cool if that's why they introduced Zoe, though? If they brought on a foreign character specifically so that they could slip in little facts about French culture? I would have loved that and totally forgiven them for how much of a Mary Sue she is.
Sukunella 🖖🏻🎃
Metafiction - a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.
Often most closely associated with postmodern prose, it involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.
This kind of fictional writing can appear in novels, short stories, plays, video games, film, and television.
Breaking the fourth wall: Breaking this boundary between writer and reader blurs the lines between real life and fiction. Metafiction often directly addresses the reader, openly questioning the narrator’s own story.
Self-reflexive: Authors use self-reflexivity, or self-consciousness, to reflect on their own artistic processes, drawing the audience’s attention away from the story and allowing them to question the content of the text itself.
Experimental: Metafiction is often experimental in nature, fusing a number of different techniques together to create an unconventional narrative. Metafiction can also experiment with the role of the narrator and their relationship to the fictional characters in the story.
The main purpose of metafiction is to highlight the dichotomy between the real world and the fictional world of a novel.
Metafiction can be used to parody literary genre conventions, subvert expectations, reveal truths, or offer a view of the human condition.
Often used in postmodernist fiction to comment on the world that our character inhabits, metafiction helps give a work of text more significance by providing an outward, exploratory look of a self-contained world.
The Canterbury Tales (1387): Geoffrey Chaucer’s classic anthology of interconnected stories that parody the conventional elements of fiction. Chaucer blends linguistic styles and rhetorical devices to craft a collection of stories within the overall story, regularly breaking the fourth wall to address the audience directly and apologize for any offense the narrative may cause.
Don Quixote (1605): Miguel de Cervantes Don Quixote is essentially a book about books. In the prologue, Cervantes breaks the fourth wall by commenting on his process of writing the book, in which he urges the reader to make up their own mind about the written text. The ensuing novel discusses the adventures of the protagonist, Don Quixote, who has gone mad from reading too many chivalric romance stories.
Giles Goat-Boy (1966): John Barth’s fourth novel is a prime example of the metafiction characteristic of postmodernism, featuring several fictional disclaimers in the beginning and end, arguing that the book was not written by the author and was instead given to the author on a tape or written by a computer.
The French Lieutenant's Woman (1969): Written by John Fowles, The French Lieutenant’s Woman is a historiographic metafiction novel about a love story between a gentleman and a governess in the Victorian era. The book features a narrator who becomes part of the story and offers several different ways to end the story.
Slaughterhouse Five (1969): In Slaughterhouse Five, Kurt Vonnegut includes his own voice as a character in this non-linear narrative. The main character has been “unstuck in time,” oscillating between the present and the past with no control over his movement, emphasizing the senseless nature of war.
Gravity’s Rainbow (1973): This story by Thomas Pynchon is the poster child of postmodern literature, using a complex, fragmented structure to cover various subjects such as culture, science, social science, profanity, and literary propriety. In this particular narrative, Pynchon questions history and how it gets created, and also how it affects both society and the individual.
Source ⚜ More: References ⚜ Writing Resources PDFs
Papercraft Tome for day 2 of GirlWeek!!
I might have to write a story about Tianami, AKA, Nanami (JJK) and Taina (Princess and the Frog)
My three reasons
I dislike Naveen now
Nanami is perfect for Taina
They hot together
(bonus) because I don't remember what happened in Shibuya...
I will inform all when posted
هام: غزة – لأصحاب الحملات الموثقة والموجودين في قائمة انتظار التوثيق
هذا المنشور يتناول النقاط التالية:
1. طلبات التوثيق الجديدة: الآلية المتبعة للتوثيق السريع.
لضمان السرعة والسهولة في إضافة الحملات إلى قوائمنا، مع الحفاظ على المصداقية في التحقق، سنعتمد أسلوبًا جديدًا في التوثيق، كالآتي:
كيفية تقديم الطلب:
يُرجى إرسال رسالة لحسابنا في @gazavetters تتضمن التفاصيل التالية:
✓ اسم صاحب الحملة (باللغة الإنجليزية)
✓ رقم الجوال أو الهوية الوطنية
✓ رابط الحملة
✓ جديد: صورة حديثة تجمع الأشخاص المذكورين في تفاصيل الحملة (لا يشترط ظهور جميع الأفراد، لكن يُفضل أن تكون الصورة تمثل نصف الأشخاص المذكورين في الحملة على الأقل). يجب أن تكون الصورة في مكان معلوم مثل خيمتك، منزلك، أو أي مكان له علاقة بتفاصيل الحملة. كما يُشترط وجود ورقة مكتوب عليها gazavetters وتاريخ اليوم.
ملاحظة مهمة : الاشخاص الي يرسلون صور مرة بدون ورقة ومرة ورقة لحالها .. يقراء هالشىء ١٠مرات
صورة حديثة للاشخاص المذكورين بالقصة في الخيمة او بيت او اية مكان يوحي ويثبت انك في غزة مع ورقة مكتوب عليها تاريخ اليوم واسم gazavetters في نفس الصورة والصورة بالاسفل اشبه للكلام الي مش مفهوم للبعض
ملاحظة مهمة:
يُرجى إرسال جميع البيانات المذكورة أعلاه متتالية في رسالة واحدة. سنعمل بسرعة كبيرة على توثيق الحملات المرسلة إلينا والموجودة في قوائم الانتظار.
2. القواعد والقوانين وضوابط الاستخدام السليم للتطبيق: لتجنب الإضرار بالآخرين أو الإساءة لأي شخص، وما يترتب على المخالفين من عقوبات. (على الأقل للقائمة الخاصة بنا، وسنسعى لتطبيقها أيضًا على القوائم الموثوقة الأخرى بالتنسيق مع أصدقائنا المسؤولين عنها).
وذلك لحماية الحملات وضمان احترام الآخرين وعدم الإضرار بالمجتمع الداعم، نُؤكد على الالتزام بالقواعد التالية:
1. عدم التعليق بطلب المساعدة في منشورات الآخرين:
لا يجوز استخدام منشورات الآخرين، سواء المتعلقة بفلسطين أو بموضوعات أخرى، لنشر تعليقات استغاثة أو طلب مساعدة. هذا السلوك يضر بالجميع، وقد يؤدي إلى حظر أصحاب الحملات أو إغلاق التعليقات على المنشورات، مما يسيء إلى صورة الحملات الفلسطينية عامة.
2. عدم ابتزاز المدونات الداعمة وغير الداعمة:
تلقينا شكاوى من مدونات أجنبية حول محاولات ابتزاز وشتم. أي شخص يثبت قيامه بذلك سيُعاقب بتدابير صارمة لضمان عدم تكرار هذه السلوكيات.
3. الامتناع عن الإشارة (منشن) إلى المدونات المُغلقة للتواصل:
عند الحاجة، يُمكنك ذكر المدونات في منشوراتك فقط وبطريقة محترمة، دون إحراج أو تهديد.
4. عدم نشر منشورات تهديد أو اتهام للمدونات:
لا يحق لك اتهام أو تهديد أي مدونة لم تستجب لطلبك.
عقوبات المخالفين:
في حال مخالفة القواعد، سيتم وضع ملاحظات بجانب اسم الحملة في القوائم، مثل:
"احذر التعامل مع هذه الحملة بسبب سوابق ابتزاز الناشرين".
"احذر التعامل مع هذه الحملة بسبب سوابق إزعاج الناشرين المتكرر".
"احذر التعامل مع هذه الحملة بسبب سوابق نشر استغاثته على منشورات الآخرين".
"احذر التعامل مع هذه الحملة بسبب سوابق تهديد الأشخاص".
ستُكتب هذه الملاحظات باللون الأحمر وبوضوح.
الالتزام بهذه القواعد يُساهم في تقديم صورة محترمة ومشرّفة عن فلسطين وغزة. كن داعمًا بطريقة تليق بحاجتك للمساعدة دون الإضرار بسمعتك أو سمعة بلدك.
Important: Gaza – For Verified Campaign Owners and Those on the Verification Waiting List
This post addresses the following points:
1. New Verification Requests: Streamlined Verification Process
To ensure speed and ease in adding campaigns to our lists while maintaining credibility, we are introducing a new verification method as follows:
How to Submit Your Request:
Please send a message to our account on "gazavetters" containing the following details:
✓ The campaign owner's name (in English).
✓ Phone number or national ID.
✓ Campaign link.
✓ New Requirement: A recent photo showing the individuals mentioned in the campaign details. (It is not necessary to include all individuals, but the photo should represent at least half of the people mentioned.) The photo should be taken in a recognizable location, such as your tent, home, or any place related to the campaign details. Additionally, a piece of paper with "GazaVetters" and today's date written on it must be visible in the photo.
Important Note:
Please send all the above-mentioned details in one message. We will expedite the verification process for campaigns submitted to us, especially those on the waiting list.
2. Rules, Regulations, and Proper Use of the Platform
To avoid harm or offense to others and to ensure fairness, the following rules must be adhered to. Violators may face penalties within our list, and we will coordinate with trusted lists to extend enforcement:
1. No Commenting to Seek Assistance on Others' Posts:
It is prohibited to use others’ posts, whether about Palestine or other topics, to comment with pleas or requests for help. This behavior harms everyone and could result in campaign owners being banned or comment sections being closed, tarnishing the reputation of Palestinian campaigns in general.
2. No Harassment or Blackmailing of Supporting or Non-Supporting Accounts:
We have received complaints from foreign accounts about attempts at blackmail or insults. Anyone found guilty of such behavior will face strict penalties to prevent recurrence.
3. Do Not Tag (Mention) Closed Accounts to Communicate:
If necessary, you may mention accounts respectfully in your posts without embarrassment or threats.
4. Do Not Post Threatening or Accusatory Content About Accounts:
You are not allowed to accuse or threaten any account that has not responded to your request.
Penalties for Violations:
If any of these rules are violated, notes will be added beside the campaign's name in the lists, such as:
"Avoid this campaign due to prior incidents of blackmailing publishers."
"Avoid this campaign due to repeated nuisance to publishers."
"Avoid this campaign due to prior incidents of seeking help in others' posts."
"Avoid this campaign due to previous threats to individuals."
These notes will be written in red and clearly displayed.
May I offer you a rarepair
Leaders that have scarred faces with wives who can stare into your soul
Speaking of staring…
You're my angel! 🪽 sticker sheet
Dating Muzan Aesthetic
She / Her 21+ | May reblog suggestive content, viewer discretion is advisedDO NOT FOLLOW: Proship & Under 20yrsNo socials
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