FROG EYE KOKUSHIBO

oh how i love pretty ladies

So I found this comment in a poll asking which is more overrated: anime or videogames, and I think this comment applies pretty well to the state mha is in. Emphasis on the explosions part.

Dating Muzan Aesthetic

Bro as someone who uses a walking aid (a cane) and is disabled seeing the new trailer for Miraculous Ladybug makes me absolutely furious. I have never felt so much hatred for a fictional character before and yet here we are. I didn't like Marinette before but like, this just. This hits way too close to home and I know Astruc is going to frame it in a way that makes Marinette the good guy. But NOTHING excuses touching a disability aid without permission, especially fooling around with it and sabotaging it. And the fact that a younger generation is going to see this, I absolutely can't. I feel so bad for disabled children who will see this scene on TV and have their feelings be in the wrong, shown that they are the bad guys for getting upset, or heavens forbid being disabled. Screw you Astruc.

proship adults need to be searched

like i cant. i expect this from a teenager but a damn near grown adult… this is weird justification. if ur using two creeps to JUSTIFY ur interests, find a new interest 😭 holy shit.

like even if ur a pro shipper this is weird. someone give this woman medical attention like now

by gettymuseum

Ugghh been consuming some bnha stuff and I'm reminded of why I largely prefer fanfiction over the actual story. I have so much hate and pettiness within me. Even so, I am never going to change my mind on how much I hate how bnha is just an amalgamation of wasted potention. Search the definition of wasted potential up and there's just an image of bnha.

I remember watching it as the first season was coming about because it was made by Bones and I just have to watch it in that case. I watched episode one and was so excited.

We have our mc, Midoriya Izuku, being powerless in a world full of quirks.

His childhood friend turned bully, Bakugou Katsuki, is shown to be favoured by literally everyone and this feeds into his ego.

All Might, the number one hero, is jaded and powerless for 21 hours of the day because of a fight nobody knew existed. Izuku is attacked and helpless, but saved by All Might. All Might tells him he can't become a hero. A much needed reality check because Izuku didn't work out a single bit before then and it's so incredibly hard to fight someone who has something you lack.

Then Bakugou is attacked and helpless. Bakugou, who is so much stronger and who people love, is left useless, only able to make the situation worse with his explosions creating a fire hazard. The pro-heroes can't do anything. All Might and Izuku both hate themselves for the part they played and how useless they are. Then Izuku sees how scared Bakugou is. He runs in, inspiring All Might as he mocks himself for breaking Izuku's dream yet forgetting the core of heroism.

Then, after all is said and done, All Might goes back to Izuku. And he tells him he can become a hero.

...

Then he offers him One for All. Now, when I was watching this for the first time, I was so disappointed. You set up a powerless mc in a world full of powers and you just give him the power of the strongest hero? Great. But, I kept watching.

I watched Izuku work to get his power, struggle even after getting a quirk. I watched as Izuku finally stood up for himself and win against Bakugou. I watched as the series went on and I... I started noticing more and more missed opportunities.

See, bnha is supposed to be a zero to hero story. It's supposed to be about the mc going from powerless to powerful. But it does it so quickly. Suddenly, it's not about Izuku finding his own form of strength, or realising how being quirkless may not give any advantages but it also has no disadvantages, or even any commentary on quirk discrimination or fantastic racism or anything.

It turns into a story about controlling your power. It's not what I signed up for.

That's just one missed potential. There's so many more. Horikoshi clearly tries to make some commentary on quirk discrimination and female heroes/sexism in the workplace and entertainment over peace. There's some effort put into making a comment on how heroes are glorified and people don't see them as public workers, they see them as celebreties.

But it's never delved into. We don't see how bad people with mutant or 'villainous' quirks are treated, and we don't see how people with weak quirks are treated, or how the quirkless are treated (because the only reason Izuku was treated so horribly was because of Bakugou). We don't see how female heroes need to have a bit of allure in their personas to have any sort of support.

Yuuei is literally a camp for making child soldiers, yet there's no controversy over it? There's no such things as heroes having to take lethal action and no moral dilemmas over it? There's nobody speaking out about how Midnight flirts with students?

We have literally no information about how heroes work. We don't know how their salaries are decided, how they're ranked, how undergound heroes work. if twilight heroes are a thing, how anybody but Rock Lock feels about bringing children into adult matters, (seriously, why do people hate Rock Lock for being rightfully worried about having 15 year olds in a raid against the yakuza), we don't know how villains work and how to decide if one's a criminal or a villain.

Heck, the only laws we know of are fanon, and the canon stupid idea that you can't use your quirk in self-defense.

It's just. Incredibly infuriating.

Also, analysis as a whole is so under-utilised. Both Izuku and Shigaraki are deemed creepy for their analysis, which is such a useful tool. I mean, Izuku accurately guesses Stain's quirk, which is useful because, otherwise, they wouldn't be wary about Stain licking their blood or cutting them. Shigaraki accurately guesses the time intervals between Aizawa's blinks, which helps him a shit ton.

But is it ever used outside of these situations? No. The thing is, quirks are scientific in nature, not magic. Therefore, they're not restricted like magic is. Fire doesn't always have to be fire, it can be smoke or just heat. Ice can be water or steam. Acid can melt through anything or just be used as a mario kart banana peel.

There was so much missed potential and that's exactly why there's so much fan content.

Horikoshi leaves so much out, and everything he misses tends to be the interesting parts. He willfully explains Bakugou's quirk in detail, but everyone else? Nah. Fuck them.

I mean, let's look at Ochako's quirk.

Gravity negation. Or is it? See, if it were just gravity negation, then two things, in particular, would happen. First of all, Izuku would have fucking died when she saved him from falling. Second of all, she would not have been able to get infinity in the ball throw.

Negating gravity does not negate the forces. Therefore, when she saved Izuku from falling, he would have still been affected by the force of his fall. It would have been no different from hitting the concrete. Additionally, when she threw the ball, it kept going. Air drag would have made it so that she couldn't possibly get an infinity.

More accurately, rather than force negation as some fanfics suggests, she's telekinetically accelerating whatever she touches. She telekinetically accelerates Izuku's body to stop him falling, and does the reverse for the ball, making it so that it continues to accelerate after she throws it.

See what I mean? Because Horikoshi gave Bakugou's quirk a scientific explanation with him sweating a nitroglycerin-like substance and being able to spark it, you have to look at every quirk with scientific knowledge. He could have said 'oh, yeah, I store energy from my quirk in these gauntlets' but Hori just had to be a smartass.

By the way, because of Bakugou's explanation, it's possible that his quirk is not what is named. Yes, it's possible to have two sides of a quirk, as we see in Shouto, but Bakugou's quirk isn't explained in the same way.

Rather than his quirk being creating explosions, his quirk is more like creating sparks in his palms. Why? Well, you see. Bnha never delves into actual quirk theory, but there's more than enough canon evidence that you have one main quirk and then one or more quirk mutations. For example, Ashido Mina's quirk is secreting acid that she can manipulate the acidity and viscocity of. Her appearance is not related to her quirk at all, meaning it's a quirk mutation from her parents. Same with Tokoyami Fumikage. Quirk is Dark Shadow, so there's no need for the bird head.

Why does this relate to Bakugou? Let me explain: Bakugou explains that he recieved a mutation from his parents with his mother secreting glycerin and his father sweating acid with combustive properties. In other words, Bakugou inherited nitroglycerin-like sweat from his parents, but his actual quirk is being able to create sparks.

His quirk is 'Sparks'. Not Explosions.

Why am I ranting about this? Because bnha completely misses all of this! It makes no sense which is a shame because the concept is so interesting! But then it throws away any scraps of potential left when it becomes 'My Kacchan Academia'.

Seriously, why do people and why does Horikoshi love abusive pieces of shit so much? Why did he throw away the potential to look into Shouto and his siblings' feeling about Endeavour? Why did he make Dabi's plot all about Endeavour instead of Shouto?

It's so easy to compare the ways Dabi and Shouto handle their trauma and their ways of revenge. It's so easy to look at Dabi and think about how easy it would have been for Shouto to become like him.

Shouto was transfixed on Endeavour. Everything he did related back to his hate for Endeavour. Using his quirk, fighting, grades, social interaction, everything. His only reason for becoming a hero is to spite Endeavour. It's only because Izuku reaches out to him and saves him from his own toxic mindset that he's able to move one and do things for himself.

Dabi, or Touya, on the other hand, doesn't get that. He doesn't get that person who recognises how far he's gone, how, in trying to spite Enveavour, he's living a life centred on him. How he's jealous of his little brother for being abused and tormented.

While Shouto became a hero to spite Endeavour, Dabi became a villain.

They're both full of hatred at first, but Shouto is saved from that spiral. Izuku helps him. Dabi doesn't have that. It would have been so interesting to see these two face of as parellels, but nope. It's all about Endeavour. Shouto is nothing more than an accessory.

I understand Dabi being hung up on Endeavour, but to outright replace Shouto with the abusive flaming trashbag? No.

Also, if Horikoshi wanted Dabi to be seen as sympathetic or redeemable, don't make him kill innocent people. Don't make it so that he unlocks an ice aspect to his quirk in a life-or-death situation because all that means is that Endeavour was right to hurt Touya the way he did. All that says is Endeavour should have hurt him more.

AND DON'T EVEN GET ME STARTED ON BAKUGOU.

This piece of shit bullied Izuku relentlessly for years, used his quirk on him (yes that is canon), told him to end his life, tried to assault him in Yuuei, tried to kill him, threw a tantrum at an abused kid for not being magically okay with using a quirk that reminded him of his abusive father, assaults Izuku when he tries to work together but still magically gets a pass for being carried out unconcious which Sero was failed for, and the list just keeps growing.

Oh, but my bad. He has a sad backstory. You see, he fell in a river.

Everyone has their demons…

(and Kyojuro’s is very persistent)

I did not come up with this joke - I could not for the life of me find the post that inspired this (even though I swore I saved it because it had me cackling).

First one to find it for me so I can credit them wins!

Writing Notes: Metafiction

Metafiction - a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.

Often most closely associated with postmodern prose, it involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.

This kind of fictional writing can appear in novels, short stories, plays, video games, film, and television.

Characteristics of Metafiction

Breaking the fourth wall: Breaking this boundary between writer and reader blurs the lines between real life and fiction. Metafiction often directly addresses the reader, openly questioning the narrator’s own story.

Self-reflexive: Authors use self-reflexivity, or self-consciousness, to reflect on their own artistic processes, drawing the audience’s attention away from the story and allowing them to question the content of the text itself.

Experimental: Metafiction is often experimental in nature, fusing a number of different techniques together to create an unconventional narrative. Metafiction can also experiment with the role of the narrator and their relationship to the fictional characters in the story.

The main purpose of metafiction is to highlight the dichotomy between the real world and the fictional world of a novel.

Metafiction can be used to parody literary genre conventions, subvert expectations, reveal truths, or offer a view of the human condition.

Often used in postmodernist fiction to comment on the world that our character inhabits, metafiction helps give a work of text more significance by providing an outward, exploratory look of a self-contained world.

Examples of Metafiction in Literature

The Canterbury Tales (1387): Geoffrey Chaucer’s classic anthology of interconnected stories that parody the conventional elements of fiction. Chaucer blends linguistic styles and rhetorical devices to craft a collection of stories within the overall story, regularly breaking the fourth wall to address the audience directly and apologize for any offense the narrative may cause.

Don Quixote (1605): Miguel de Cervantes Don Quixote is essentially a book about books. In the prologue, Cervantes breaks the fourth wall by commenting on his process of writing the book, in which he urges the reader to make up their own mind about the written text. The ensuing novel discusses the adventures of the protagonist, Don Quixote, who has gone mad from reading too many chivalric romance stories.

Giles Goat-Boy (1966): John Barth’s fourth novel is a prime example of the metafiction characteristic of postmodernism, featuring several fictional disclaimers in the beginning and end, arguing that the book was not written by the author and was instead given to the author on a tape or written by a computer.

The French Lieutenant's Woman (1969): Written by John Fowles, The French Lieutenant’s Woman is a historiographic metafiction novel about a love story between a gentleman and a governess in the Victorian era. The book features a narrator who becomes part of the story and offers several different ways to end the story.

Slaughterhouse Five (1969): In Slaughterhouse Five, Kurt Vonnegut includes his own voice as a character in this non-linear narrative. The main character has been “unstuck in time,” oscillating between the present and the past with no control over his movement, emphasizing the senseless nature of war.

Gravity’s Rainbow (1973): This story by Thomas Pynchon is the poster child of postmodern literature, using a complex, fragmented structure to cover various subjects such as culture, science, social science, profanity, and literary propriety. In this particular narrative, Pynchon questions history and how it gets created, and also how it affects both society and the individual.

Source ⚜ More: References ⚜ Writing Resources PDFs

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Dear humanity,

Please Help Me – My Son May Die at Any Moment.

I'm Amal, a mother of three children, living under the weight of the genocide taking place in Gaza. 🍉

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My son is suffering from a severe and life-threatening injury after being shot by Israeli drones. He urgently needs medical treatment outside Gaza.

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I beg you, i kiss your feet, to help my son. My son may die at any moment.

I lost most of my family. I'm afraid to lose my son too 🥺

Mohammed deserves to live a happy and healthy life, just like every other child on this earth.

So I humbly ask you to donate even a little or at least reblog this appeal.

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Donate pls!