Chapter 1 Midoriya(Post Sludge Villain) vs Chapter 430 Midoriya
Wanna talk about lack of character growth? How about regression? As a teacher, I'm pretty sure Midoriya could've used the UA facilities to stay fit. Instead, he's practically the same scrawny, quirkless boy who wants to be a hero he was at the start of the series.
His suit is loose on him. There's nothing filling it up. His muscle is gone.
He gave up.
Hero=Quirk
Nothing changed. All the fighting, the pain he went through, and it did nothing. Society as a whole is relying on heroes more than ever, despite leading a movement for acceptance of heteromorphs Shoji still hides his face with his mask, and you can't be a hero without a quirk.
Black ace culture is liking dances that have been made by us but are deemed as sexual (twerking, swiggling, body rolling, whining) but you are really just doing it for fun. ♠️
Exactly! We shouldn't be put off from taking part in our own cultures just because of the stereotypes that get placed on us (obviously if you're not comfortable to do these dances that's fine too). Our bodies will always be ours to do, move, travel and shake as we please 💜
I just need you to know that when I was reading the list of AO3’s top ships this year, I came across Bakudeku and wrinkled my nose on reflex. Then I was like, hold on, I have never seen or read MHA in my life and I have no fucking clue what it’s even about, why did I just do that…and then I realized I’ve absorbed all your anti Bakugou content via osmosis. Anyway I hope you know that your influence spreads FAR AND WIDE. Who’s Bakugou? Idk but I don’t care for him
OMG ECO PLS😭
This is the funniest thing I've ever read. The involuntary reaction to BakuDeku is sending me. This is the correct response to seeing it in the wild, especially on AO3. So good to know that me and my, what, 230 followers are making a positive difference in the world😌
Thank goodness im not the only one
shipping renkaza fucking sucks because you either get people who hate real enemies to lovers and call it toxic or pr*ship because they actually are enemies who want to kill each other instead of friends who bicker sometimes (these people are the weakest link and will not survive the winter)
or you get people who do ship it but only in the gooner dumbing-it-down-to-hardcore-porn way where they romanticize and get off to abuse and r*pe (these people are just gross sick individuals and i hope they go extinct)
and the few people who do see the emotional depth in the homoerotic minutes renkaza spent together and the potential in that for top tier doomed yaoi are few and far in between and i rarely find good fics that aren't just insanely ooc porn
hey! let’s talk about teru’s relationship with food!
all three of us get the feeling that food is a love language for teru, or at least, we feel like it’s important to consider how food plays a role in his story arc when doing a character study of him.
okay so first off, right from his introduction he is a foil to mob.
[ID: four manga panels featuring teru getting ready for school. from right to left: the first panel shows his hand and a pan frying an egg. the second is his hand holding a remote. the third shows a tv of a meteorologist saying: “today’s weather.” The forth panel is teru pulling on his school blazer, watching the tv. the meteorologist continues: “a lot of sunshine through the country, though the air is a bit unstable. /END ID]
when teru first appears, we as an audience don’t know it yet, but he lives alone and has been living alone without his parents for several years. here he is cooking his own breakfast and getting himself ready in his apartment by himself.
[ID: five manga panels of mob being woken up for school. from right to left: the first panels is a shot of the roof of the kageyama house. the second is mob, asleep on his futon. his mom is talking from off screen. she says: “shige, get up! you’re gonna be late!” the third is mob yawning and stretching his arms about his head. the forth panel is ritsu opening the door to mob’s room. he says “bro. mom said breakfast is ready.” the fifth panel shows ritsu looking at mob. mob is putting on a pair of pants saying: “yeah ritsu. let’s go.” /END ID]
meanwhile mob, is woken up by his mom and is checked on by his brother to make sure he was up in order to get a breakfast that was more than likely made by their parents.
when mob plans on confessing to tsubomi, teru brings up how homemade things tend to make him feel happy when someone confesses to him.
[ID: manga panel of teru being offered a gift from a girl. it reads: “I tend to be on the receiving end of confessions, but…when someone gives me a handkerchief, or a letter, or homemade cookies or something, it makes me kinda happy, so…I was just thinking, there’s that kind of thing too.” /END ID]
also we see teru tend to overindulge when someone (reigen) is offering to buy food for him
[ID: panel from yakiniku omake. teru is ordering food. he says: I’ll have have 4 orders of top ribs, 2 orders of sakura yukhoe, 2 orders of choice salty beef tongue, the extra special zabuton-cut beef, the offal sampler, 3 orders of rice, a tomato salad, and the naengmyeon…and a green tea.” /END ID]
[ID: cropped screencap of official art. teru has finished two ice cream parfaits. the empty glasses sit in front of a third one, which he is using telekinesis to float the toppings near his face. /END ID]
this often played for laughs, but stick with us here…
in the fanbook teru is asked if he cooks for himself and he says yes, and mentions that he’s confident in his pasta making skills.
[ID: cropped screencap from the fanbook that reads: “Q1: do you make your own food? What are you good at cooking?” Teru answers: “I cook lots of different kinds of things! but what I’m confident in is my pasta.” /END ID]
at first this may seem like a very 14 year old answer…I mean, pasta is fairly easy to make. But knowing teru and how he tends to become and expert at the skills he learns, odds are pasta started off as something simple to throw together on a school night. Pasta is easy and convenient and kid friendly, but it is very easy to experiment with and eventually become a speciality.
and one thing we know about teru is that he has too many specialities to list.
this kid has been needing to make his own food 100% on his own since the start of middle school. we can infer he’s getting money from his parents, and we aren’t exactly sure how much or how he spends it regarding food, but the only time we seem him eating alone, he is making a meal for himself outside of something premade or takeout. he said it himself, he makes lots of different kinds of things! he knows how to cook!
but with all things teru something simple and silly comes with tragedy. while it’s nice fore a kid his age to know how to cook, he NEEDS to know because he doesn’t live with his parents. if he didn’t know how to cook he would be relying on others, and that’s just not what teru does. He is fully capable and learns for himself out of necessity. teru is responsible for all of his own meals.
so what happens when he is no longer responsible? it could be an issue with humbleness. it could also be just normal 14 year old boy hunger, but when reigen takes him out to eat there’s no limits. but here’s the thing…when’s the last time teru has had a home-cooked meal that was made for him by someone else? not from a restaurant, but someone making something for him?
this is why we have the omurice scene in backdraft. there’s a comfort in the domesticity of having food prepared for him in a familial setting that he has not realized he has been missing from his life.
we’ve focused on the fear of him getting cut off from his parents and how money scarcity turns into food scarcity. he’s always been in survival mood, it’s just that money was the breaking point for him.
going back to mob. he and his family are normally seen sitting at the dinner table together. a normal domestic setting.
[ID: screencap of the kageyama family eating omurice together]
something teru doesn’t have. he eats alone at a table in his apartment…one with multiple chairs around it.
[ID: screencap of teru in his apartment. In the background, he is getting ready, looking in a full length mirror. next to him is a tv showing the weather. in the foreground is a table with an empty plate, mug and saucer, and a basket with a single roll. two chairs are seen at the table. /END ID]
teru has not invited anyone into his apartment until mob got attacked by koyama.
who are those chairs for teru?
of course, in backdraft we have the restaurant scene that mirrors this. empty chairs for absent parents.
BUT ITS NOT ALL SAD
back to food being a love language and specialty to teru…imagine once he’s no longer in survival mode due to trauma. food as a comfort, not only receiving, but making it for others as well. tying into him wanting to be a teacher, sharing his skills with others…the fact it feels good creating and sharing something. no longer taking care of himself out of necessity, but learning what his skills and hobbies are and genuinely sharing them because they make him feel accomplished and happy! it just ties everything together with this dude.
in short, cooking is more than likely another speciality teru has developed due to needing to live on his own. since mp100 has themes that involve human connection and relationships with others, we feel food is something that brings people together and our boy teru here should experience that firsthand.
that is why it plays a big role in what we have so far in backdraft!
How did spinel react when Steven decided to give himself up to Homeworld and went with aquamarine and topaz?
She did not see it as a self-sacrifice, she saw it as a mistake on her part for not getting rid of the problem soon enough. Let's just say there was alot of intense emotions going on when it happened and none of them were close to positive until Steven miraculously came back.
This is Spinel when she was somewhere in the triangle of anger, denial and bargaining during the period where Steven was gone.
I rarely post in these tags but tell me why those orange green heart broccoli explosion emoji combo whiners are trying to infiltrate the bnha critical tags just because their mid ship wasn’t confirmed official.
What actually made you believe bakugo and midoriya was ever going to get together? Like I need you to be serious for a second. Did it seriously take you this long, 8 entire damn years for you to finally get your wakeup call???
Like gtfo out of the tags with your delusional ao3 “”queerbaiting”” ass. I’m trying to see well informed written analysis and learn from Horikoshis mistakes on how not to fail as a writing enthusiast.
Go create your own tags or something like anyone gives a damn about your inherent power imbalance ship.
Kyojurou is the friend that gets adopted by the couple
Or he joins and also becomes part of the couple (Hakuji/Koyuki/Kyojurou supremacy)
Unintentionally toxic friend Kirishima. Kirishima is a good person but because he’s more of a follower type than a leader type despite setting a good example of how to be a positive and good person, by simply choosing to be friends with Bakugo, he unintentionally made 1-A subconsciously accept any of Bakugo’s and Aizawa’s abuses, especially towards Izuku. Perhaps due to some situation like a temporary class transfer with 1-B or other classes/schools to foster good connections for a few weeks, the 1-A students just stop interacting with Bakugo and seem a lot better until they come back together. And then they start arguing legitimate concerns against Bakugo.
I mean like... yes? I can see it. Kirishima who is so convinced things are fine, completely oblivious to how Midoriya flinches. I mean Bakugou is so manly and cool and like Aizawa is the teacher right?
However after an injury, Aizawa is temporarily out of the classroom (and this time has to stay out) letting a new teacher in who pegs Bakugou as a bully and Kirishima as an oblivious follower. They then make it clear the truth about Bakugou because the kids honestly don't seem to realize it.
For being the main antagonist of this series, there is a reason why people naturally gravitate more towards his Upper Moons, and that is the execution of his characterization. I’m sure many of you have come across posts explaining the references to natural disasters and his philosophy and also his constant claims to godhood, which are aspects that I do think Gotouge intended to share, but it’s not particularly delved into.
I have had complaints before that it was really difficult to relate to Muzan’s character in any way. Now, I realize that was the point Gotouge was intending to make, however this realization didn’t quite satisfy me like it should have. He’s arrogant, stubborn, and sometimes flat out childish, but at no point do we see any strengths. It’s not clear if he has a genuine passion for science. Or for learning in general. He doesn’t have a single likeable trait to contrast his faults, other than he’s charismatic, but we do not see that part of him nearly as much as we should.
His motivations for becoming the perfect Demon don’t have any plans afterwards, either. Like, what was he going to do after he accomplished his goal? We don’t know. And the fact that we really don’t know, when it should have been stated at some point, is not great, since again, this is our main antagonist. In a shounen.
I don’t know, I don’t doubt Gotouge had big ideas for Muzan, but it feels like they really bit off more than they could chew, and the genre that Muzan is placed in being action-focused didn’t do him any favors. I am a firm believer of the idea that he would have fared much better in some Edwardian era science horror where his philosophy and unique outlook on life would have been expected to be properly explored. But, yeah…
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