When queer media is actually censored Proshippers/dead dove: I cannot see nor care When abusive material and media is gratifying to parafiles gets censored Proshippers/dead dove: FACISM!! COPS!! DISGUSTING PURITANS!!!
Australia: commits genocide and does actually facist shit Proshippers/darkshippers: eyes closed Australia: Arrests woman/other people for being attracted to minors and making media where children are abuse and its portrayed as hot and sexy Proshippers/darkshippers: FACISM !!!!
*When CSA/SA victims commit acts and promote material that furthers the abuse cycle and contributes to rape culture* Proshippers/dead dove/"Anti harassment": YASSS QUEEN/KING, KEEP DOING THAT AND PUTTING YOURSELF AND OTHERS IN DANGER!!! **When CSA/SA survivors admit to the healing process being messy and some coping mechanisms not being healthy, and are against the creation and distribution of gratifying/glorifying material of their shared experiences** Proshippers/dead dove/"Anti harassment": YOU DISGUSTING WHORE, YOU DESERVED EVERYTHING THAT HAPPENED TO YOU, HOW DARE YOU NOT ENABLE US AND THE RAPE CULTURE WE LIVE IN!!! GO ENTER THE TRAUMA OLYMPICS YOU FACIST PURITEEN
(The amount of effort that went into this joke and now it feels like a ‘you had to be there’ moment… oh well, enjoy this Smol Akaza gazing up in wonder at Big Kyojuro)
kokudouzan office auu.. MIDDLE AGED YAOIII ! ! ! <333
Now I recently saw a post going on about how people dislike Deku becoming a teacher in chapter 430. And another user chalked it up to Westerners' disrespect for teachers vs Japan's great revere for them, plus shipping discourse
And while I feel that those definitely don't help, I do feel that that isn't the balk of why a lot of us hate it. It also reads as one of those elitist takes in fandom where they are talking down to those who don't agree with them
Now I'm a Westerner, and I hate Deku becoming a teacher. It's not because I don't respect teachers, and when it happened in Assassination Classroom I was all for Nagisa Shiota becoming a teacher. I would have preferred to see him and/ or Karma become assassins but I was still satisfied with how it ended. So why is that? Especially because we know Hori was a fan of Assassination Classroom, prototype Bakugou was based on Karma for crying out loud.
Achieved vs Happenstance
A big part of it is framing, everyone in 1A, 1B, and basically everyone else explicitly want to be heroes, or at least something adjacent to it. That's why they are in the hero course, and Izuku Midoriya especially has a one-track mind for heroes until the surprise reveal. He was constantly told no, pick something else, for a decade but was still hyper-focused on being a hero leading up to the show. Nor do we see or otherwise learn that he has other developing interests. There's a ton of fanfics and headcanons of him helping his classmates with school work or even just their quirks, but there's nothing in canon. The only character who does anything like that is Momo Yaoyorozu. The vast majority of 1A and once again especially Izuku Midoriya are only interested in being heroes. Izuku is also the only one who didn't become a hero (until years later) despite the need for them totally going down and them being paid per arrest.
Meanwhile, no one in 3E the end class, chose to be an assassin, Kuro Sensei just decided that he was going to teach that class, and the world needed him dead. A lot of students explicitly have other interests and none of them have a personal interest in being an assassin past killing Kuro Sensei. Yes, Nagisa Shiota is shown throughout to be surprisingly good at assassination work, and he is explicitly given an offer to join the world as an assassin. But when he gets the offer he asks himself do I really want to do this. We also learn via the little girl who suggests the career to him in the first place, that he has been tutoring her. We also get to see how he takes the uniqueness and skills from 3E into his teaching job.
So in short the premise of Assassination Classroom is much better suited to have it's characters enter very different fields to begin with.
Better Focus on Academics
Yes, My Hero Academia takes place largely in a school, but they don't put any focus on the school part. Whenever they're doing something in class it's either big combat test or self-directed training. And in the later seasons, more and more time got taken up by the big-name pro-hero fights. The two teachers we see the most of, both have bad teacher tags on Ao3 and I have seen numerous takedowns of their teaching skills accurately citing the series.
Assassination Classroom however has school and studying as a constant theme throughout the series. We see 1E being taught both standard school stuff, and learning various assassination techniques to achieve their goal. Kuro Sensei also makes it very clear that if they are just going to bank their futures on killing him and winning the money, then he sees no point in staying around for them to do it.
Getting it Regardless vs Earning Respect
One ongoing issue I have with MHA is that I largely got into the series because I thought that it was going to criticize societal issues. Instead, it ended up doing a 180. Now this mostly applies to the pro-hero worship, largely because once again there is barely any time dedicated to the actual academic part of the show. But with both the teachers and pro heroes their failures and shit behaviours aren't treated as reasons to lose respect, making any respect for them empty. This also leans into the very real issue of roles that come with unconditional respect, will attract people who will abuse it.
Meanwhile, 3E came into the show without this innate revere for teachers, because their past teachers especially in their school have actively screwed them over at every turn. Karma is even elated at the idea of killing a teacher after his last one betrayed him. Nagisa Shiota was being very blatantly abused at home, and Kuro Sensei is the first teacher to stand up for him. The teachers of 3E have to earn the students' trust and respect. When Bitch Sensei treats them like shit when she first joins, the students return the favour, she has to apologize for her poor behaviour for the class to give her a second chance. So when it ends with the students having a deep connection to their teachers and a renewed appreciation for school it's because that respect was fucking earned. Also, the principal who created this system set up 3E to be abused and sabotaged them every chance he got, got fired for his shit leadership aka actions have consequences. They also didn't feel the need to excuse the bullies shit behaviour either
So in one setting, we have authority figures constantly being shit but being revered anyway. And the other, where the respect has been lost and needs to be earned back, thus the respect they get has a much stronger foundation.
Side notes
Deku sucks at explaining, I've said it both on my main and AU blog, but Deku is horrible at explaining. One of the main aspects of teaching, and he sucks at it because he overcomplicates and goes off on tangents, plus mumbling. If it was just his thought process, it would be a mildly annoying but harmless habit, but he does it when talking to people
Also, Assassination Classroom has a way less bloated cast, allowing us to actually get closer to the characters.
Rengoku Shinjurou - born 1873, married in 1891; current head of household; former Flame Hashira
Rengoku Ruka ( nee Kūran) - born 1873, married in 1891, died 1904; wife of Shinjurou and mother of 2 children
Rengoku Kyoujurou - born 1895; first son; current Flame Hashira
Rengoku Senjurou - born 1899; second son
Rengoku Tokujurou - born 1843, died 1891; former head of household; alcoholic; former Flame Hashira; second son of Kinjurou (see below)
Rengoku Yua - born 1845, died 1889; miko prior to marriage; wife of Tokujurou and mother of 3 children
Rengoku Tsuyojurou - born 1861, died 1899; first son of Tokujurou; former Flame Hashira; married to Kamai Akane (1859-1881) who passed away from maternal death along with their child
Rengoku Ryoujurou - born 1863, died 1889; second son of Tokujurou
Rengoku Kinjurou - born 1822, died 1860; former head of household; former Flame Hashira; second son of Yūjijurou (see below)
Rengoku Sayuri - born 1823, died 1855; was killed in the Edo earthquake of 1855; wife of Kinjurou and mother of 5 children
Rengoku Takujurou - born 1842, died 1854; presummed dead by 23 December 1854 Tōkai Tsunami; first son of Kinjurou
Rengoku Haurjurou - born 1845, died 1859; third son of Kinjurou
Rengoku Yorijurou - born 1846, died 1855; was killed in the Edo earthquake of 1855 with his mother; fourth son of Kinjurou
Rengoku Shunjurou - born 1847, died 1855; was plagued with illness and died due to it; fifth son of Kinjurou
Rengoku Yūjijurou - born 1799, died 1826; former head of household; former Hashira; former head of household; deaf in left ear and blind in right eye; third son of Tōrujurou (see below)
Rengoku Tsubame - born 1798, died 1845; wife of Yūjijurou and mother of 2 children; raised her children by herself after husband died from a Lower Moon Demon
Rengoku Rinjurou - born 1821, died 1837; was killed by the Tenpō famine; first son of Yūjijurou;
Rengoku Tōrujurou - born 1774, died 1817; former head of household; former Hashira; was gallantly killed in battle via a Demon who could change senses;
Rengoku Chie - born 1779, died 1824; wife of Tōrujurou and mother of 4 children
Rengoku Norijurou - born 1796, died 1819; married but no children; twin of Nobujurou; could never fully grasp all the forms of Flame Breathing, altering forms with twin
Rengoku Nobujurou - born 1796, died 1819; married but no children; twin of Norijurou; could never fully grasp all the forms of Flame Breathing, altering forms with twin
Rengoku Toyojurou - born 1798, died 1813; was killed in Final Selection
Direct Ancestor: Rengoku Hirojurou - the Demon Slayer who had helped out Yoriichi after his wife and unborn child died; would eventually become the first Flame Hashira
Yeah you could say I’m doing numbers on tumblr. And that numbers? One
My friend is celebrating his birthday today. A few days ago, I asked him to suggest something for me to draw for him, and he requested a drawing of Shinobu. This is definitely the most beautiful drawing I've ever made
Woke up, still obsessed with Sinners.
Seriously, if you ever wanted to ask/wondered:
What and why our music means so much to the Black community, the roots from the past to the present
Why it's so deeply insulting to deal with the cultural appropriation and disrespect of Black music, given the depth of that meaning
How we use language, history, and context to determine when somebody ain't kinfolk despite pretending
How you might be allowed to forget that you're white, but we aren't allowed to forget that you're white, and that frames our interactions with you
How your allyship can fall oh so uselessly flat, no matter how well intentioned you may be, if you refuse to understand your position within the game
Why what scares you as fantastical is often a living nightmare for people of color, and how that history and social context can weave a horror story that hits close to home (I have a whole lesson on that!)
And more, go watch that movie 🙏🏾
The way Muzan walks in this scene has been criticized for being “careless” or “rude,” and I see why people would say that considering his seeming disregard for the dead bodies, but I would like to propose an alternate theory. When I was watching this episode (and before I had seen anyone else comment on this scene), I noticed that his walk seemed oddly familiar to me and I think I’ve figured out why. It’s the way someone walks when they are actively thinking about how they’re walking.
I have an autoimmune joint condition that causes pain in my hips and back, and when it flares up, I have to force myself to stand up super straight and take really calculated steps when I walk to avoid doing things that cause the pain to get worse. I try take the straightest possible path, to not to change my steps by stepping over things to reduce variables that could make me “mess up” and move in a way that hurts. Muzan’s walk here looks a lot like my walk when I am doing this. He’s consistent, he’s stiff, he keeps a straight line, and he avoids stepping over or on things.
This makes sense given his backstory. Not only did he grow up chronically ill, he’s also permanently injured from Yoriichi’s past attacks on him. He’s probably in some amount of pain (or at least is very familiar with chronic pain). Even despite him becoming a demon and gaining a stronger body, you can still see it in the way he moves. He’s methodical about using his body in a way that only those who have suffered through chronic pain would be.
What was hound dog THINKING?!?!
There is a reason why izuku doesn't trust adults forcing him to trust them doesn't help?!?!.
I can't believe that hound dog is supposed to be the UA counsellor or therapist and it's literally canon that students fear him so what is UA thinking?
Why is UA even considered a good school?
OMFG NO BECAUSE LITERALLY
"The Capture of Samson" --Anthony van Dyck, 1630
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