In the first few volumes, we see so much of a couple epitomising the many subtle ways of showing intimacy. As the volume progresses, we can also see the clarity of the veil that is within Emma and Aleksander's relationship- that is, the love that is continually blossoming yet still somehow confined by this veil. There’s sooo much love embedded in Emma & Aleksander’s subtlest, tiniest gestures that scream “I love the nearnesss of you.”
I always say how much I love Kotteri drawing gestures esp the sequences of their hand movements– hands with so much tenderness & warmth reaching out til their fingertips touch & fall down into the skin of another.
Volume 4 looks to me like an emphasis on Aleksander’s gaze to Emma; how Emma’s grasps allow him to surrender to her touch, leaving him to stare at her ‘to his heart’s content’. His eyes emanating with admiration over her beauty, wandering around as he starts to unravel her habits. Frustration of wanting to touch her & this ‘veil’ comes in between.
Kotteri said there are scenes we feel the veil tremble slightly & I think scene 39 highlights that the most. Veil that is used to describe their relationship, intimacy & closeness & familiarity & sometimes the restraints.
One of my favourite parts in Volume 5 is Aleksander & Emma verbosely addressing their relationship that is still fringed by a thin veil yet both, so outwardly, holding onto the same fondness for each other that keeps growing. I really think that is the allure of their special connection.
Aleksander talking abt Emma, grasping the glass as he thinks of how she sees & familiarises by her touch. How Emma relishes at the mere presence of Aleksander & his ornate ways of describing her. They are just so so magnetically intimate with each other I’m so in love with them.
In Volume 6, we see what is, indeed, the first compendious dive on Emma’s inner introspection about not being able to see. We have always known that Emma sees best through the touch that come from her gentle hands, & this chapter has reiterated that more than ever.
What I love the most is reverting to this very fact; Emma was starting to see her world with dull colours, then we see Aleksander extending his hands & painting Emma with warmth, the way she has always viewed the world. Really stunning how essentially the colours were used here.
This is all just so, so beautiful! We see so much of their shared vulnerabilities to their own worries, & each time they see through another & show their admiration in their own language: which I think are all a testament to their blossoming relationship. I love them so much.
They totally leaned way too hard on the framing of their incredibly complex and loving relationship with literally so many beats that has subliminally been this underlying cornerstone of the whole series since as early as season 4-5 as this "totally definitetly more on the toxic side + is totally unchangeable and unfixable" which isn't entirely deniable but its tone feels way more antagonistic than necesary
obviously the tragedy and unhealthiness in their relationship is their cycle of self-sacrifice for the other + undervaluing themselves, but that love and that compatibility was still there! It majorly ignored how mutual the incredibly long chain of both simon and betty spending ages trying to see/save the other, and I'm glad that betty's perspective is elaborated on slightly (again the last episodes had really rushed pacing and didn't take advantage of all of its incredibly unique cast, concepts, settings and universe, etc) but it overviewed everything they had together and created this really tone-deaf take that simon didn't appreciate her as much as he should as if he hasn't been spending next-to-forever grieving over all of her sacrifice and how much he knows and loves her. Their relationship is wonderful and complex and has so much depth, and I'm worried about the kind of misinterpretations of them and their characters that could stem from this ending.
Also, it was probably intentional, but it also just felt incredibly anticlimatic, especially compared to the A-plot in fionna's world. This isn't like when ships don't get together in other media either, after all of this series focusing on how this specific relationship between these two subliminally being the key defining factor to the entire universe existing the way it did, they just break up so easily without so much as a single struggle or tears or anything? and then they're just fine afterwards so easily never seeing each other again despite the love that shaped and impacted and rewrote the entire planes of existence they lived in. You're going to tell me there's literally no way in this magical multiverse with curses and dieties and paradoxes and everything imaginable that there is no way they can be safe and happy together. that's what's impossible? My tone's really salty but the buildup vs the execution is unbelievable. that doesn't feel like well-written tragedy, more like a climax that wasn't really thought through fully. I thought I was satisfied with the ending initially, and while it feels alright on the surface, actually thinking about it for more than five minutes really has me feeling dissapointed. They deserved so much more and so much better.
imagine saying this to a 6 year old orphan
Cause some people asked me how to do that 3D effect
OH that hoodie is reffed off that octopus hoodie that has been going around tumblr
Hope this wa s HELPFUL
some of my favorite panels
rest in peace miura, thank you for all the good memories
A comma splice walks into a bar, it has a drink and then leaves.
A question mark walks into a bar?
Two quotation marks “Walk into” a bar.
A gerund and an infinitive walk into a bar, drinking to drink.
The bar was walked into by a passive voice.
Three intransitive verbs walk into a bar. They sit. They drink. They leave.
“A collection of common glyphs of the poorly understood Memeorite civilization of the Second Silicon Age. Memeorite glyphs possess multiple conflicting interpretations and a complexity of meaning impossible to capture in a few short words. These are rough translations only.”
Source: https://twitter.com/beach_fox/status/1325668490431246336 (which include more “memeorite glyphs”
“Ah, Perry the platypus!”
“What an unexpected -“
“WAIT, WAIT, WAIT!”
“You’re trapped!”
“By societal convention!”
“Look! We’re in a fine dining environment. Everyone knows not to throw a scene in a fancy restaurant!”
“That’s right. You’re trapped. Sit down.”
If you press the clitoris and the g-spot at the same time the vagina takes a screenshot
look, I’m just saying that if Phoenix Wright can go through a shabby hobo pianist period and come out as some sort of immortal lawyer dilf on the other side, then you can get through whatever it is you’re going through right now