"There's Gotta Be A Way Out Of This!" "I Gotta Do It." "What?! Don't Do This! Are You Crazy?" "Trust

Mine fell on Phillip, Tipples, and Flora 💀

Kill, kill, and kill? It can be that option? Because that is my only answer.

Spin the wheel and answer..

Lilith + characters that were minors during the show airing are excluded

I can't stop thinking about how Stan Pines, a man who was kicked out of his home at a young age by his abusive father, turned his own home into such a safe space for not just the twins, but his employees and the kids friends as well.

First of all, we know Wendy frequently slacks off on her shifts, she has her roof top hideaway but she also reads magazines and flat out refuses to do certain tasks. Like when Stan asked her to put up a sign and she just said she couldn't reach it, or telling Stan "absolutely not" when he asked her and Soos to clean the bathrooms. Not only could Stan fire her, he could take away her magazines or stop her from going on the roof. We see that Stan is more observant than he lets on, you're telling me he didn't notice her dragging a cooler and a lawn chair up there? And she's either bringing her own pop and ice to fill that cooler or she's taking his.

And then there's Soos, who Stan cares about so much he got himself on the no-fly list trying to get his birthday removed from calendars, just because it made him upset. We know Soos cares about the Mystery Shack, he feels comfortable there, and he respects and adores Stan. Soos also volunteered to DJ for free at Stans summer party.

We also frequently see Soos and Wendy hanging out with the twins, so either they're slacking off during working hours or they're coming over after their shifts just to hang out. In an after credits scene, we see Mabel and Dipper turn Soos into a disco ball and they're clearly in the residential part of the shack. So either Soos buggered off during working hours to hang out with the twins or he's off shift just chilling. Either way, Stan is fine with him being in the actual house part of the shack.

Wendy also helps Mabel try and make Stan more 'desirable' to Lazy Susan, which I'll get into later, but she's not working and she also in the house part of the shack. We also see Soos and Wendy watching television with Stan, Mabel, and Dipper during the Summerween episode. They aren't on shift! They're just chilling. Wendy hits Stan in the face with a water balloon while working as a lifeguard. She's comfortable teasing him.

Soos tags along with Stan, Dipper, and Mabel when they break into the golf course after hours. He brings his shirts to cut Ws into. He doesn't have to be there, he just is. Wendy goes hunting with Mabel and her friends for unicorns. Mabel wins a pig at the fair and Stan lets her keep it, the pig needs food, who do you think is footing that bill?

Now let's talk about friends. Mabel often has Candy and Grenda over, we know she has loud sleepover with them. Do you think Mabel would bring her friends over if she wasn't comfortable in the house? Do you think Candy and Grenda would keep coming over if they didn't feel safe? Not to mention, they literally ambush Stan in the bathroom and give him a make over. Which he allows, we see him fight off the undead, punch bald eagles, and catch the twins when they fell from the nose of that monument. The man is strong, he could get three preteen girls off him if he wanted to, he was 100% playing along.

Candy and Grenda also invite themselves along on their road trip. And Stan lets them come!! Mr cheap stake agrees to feed and care for two extra kids who aren't his family.

Dipper sneaks around trying to see his tattoo, he feels safe enough with Stan to push those boundaries. He literally pulled the Memory Gun on Ford during the basement scene, if he wasn't comfortable with Stan, he wouldn't try to get that close to him. He calls Stan when he and Mabel are trapped in a haunted convenience store (he doesn't answer but still, he called him).

Now let's talk about Gideon, because I will stand by the Stan had some fondness for the kid. We know Stan has been annoyed with Gideon for a while, we know Gideon has been gunning for Stan for a while. And Stan just... Keeps letting this happen. He never involves the police, he plays along with Gideons attempts, even when Gideon is laughing uncontrollably, Stan just assured him that "you'll get me one day kid". Even when Gideon climbs in THROUGH THE WINDOW all Stan does is aggressively sweep at his feet. Correct me if I'm wrong, but Stan never gets rough with Gideon.

I'm just, I'm weeping over the knowledge that Stan Pines, who wasn't safe in his own home, made his home a safe place for kids as an adult.

do you ever think about the implications of stanley going by "stan"?

like. he and his brother both share that name. "stan."

but Ford- who wanted more individuality- chose to go by a nickname.

Stan could have gone by Lee.

but. why would he want to?

"Lee" would mean separation from Ford. And Stan wanted them to stay together.

"Stan" is the name that binds them together. It's a literal representation of how Stan did not let his brother go at any point after 40 years. How no matter how many fake names he took on, they all started with "St-" because he wanted to keep his brother as close as possible.

i'm ill dont fucking look at me

Circe: But everyone's true colours are revealed in acts of lust Odysseus who very proudly saved his virginity for Penelope: I'm not sure I follow

Man, we have got to stop treating art like it has an expiration date. That show stopped airing? Doesn’t mean it can’t haunt your every waking thought. Everybody’s into this album, but you don’t have the energy for new music right now? It’ll be waiting for you when you’re ready. That movie’s fifty years old and indie as shit? Incredible, you have the chance to share it with folks who might never otherwise feel that particular punch of delight. Books don’t go bad. Shows inspire fandoms decades after they’ve wrapped up. We’re still looking at cave paintings and statue work from ancient times and letting the joy of creation bring tears to our eyes. That’s the point of art. It’s as close to immortality as we ever get. Why try to give that magic a shelf life?

Here's some edits cause I always wondered what Hunter's expressions were under the mask😭

i saw the original post and i knew i had to do this

I’M STILL HERE (2024) dir. by Walter Salles

Some people don't get it, but for me, like a BIG part of why I actually ship Billford in a specifically romantic fashion is because well... It just makes everything SO MUCH worse and more painful, doesn't it?

Like the fact that Bill CARED about Ford (and this part is certainly cannon, the romanticness of it might be up for debate, but Bill CARED, Bill LIKED him), the concept that Bill LOVED and still LOVES Ford even after all those years, the fact that Ford is the one person in trillions of years that Bill is open with, and that he can relate to, the one person in the entire multiverse he wants to keep, the one person he loves...

And yet, Bill still hurts him, he still betrays him, he still haunts and abuses him...

It just makes Bill so much worse

He CAN care, he CAN love

But that won't stop him from doing awful, violent, twisted things, even to the one person in the whole universe that actually MATTERS to him.

And that just makes it so much more horrifying and honest to goodness tragic