Fire, Death, Light, Dark. There Are Many Such Abilities Beholden To The Awakened. Those Powerful Souls

“I was never really welcome here, was I?”

The darkened study was lined with bookshelves against three of the walls, with a stained-glass window on the far wall from the door providing red, green and blue light across the room in an image of the virgin mother. In front of the window was a desk of polished ebony. The atmosphere in the room was tense enough to cut air, and the man leaning over the desk, short and squat, with white hair and a priest’s frock, laughed bitterly.

“Of course not, you stupid boy. You may have your father’s power, but you have your mother’s naivete.”

The boy, dressed in a white shirt, a leather jacket and blue jeans, looked normal enough, but he was positioning himself to flee if he had to. In his hand he clutched the locket containing the greatest secret his mother had ever kept – one known only to a few. The priest before him was one of them.

“Why? If all this time you meant to kill me then why haven’t you done it?”

The priest drew a cross from his belt and said solemnly, “We weren’t allowed to kill you in the womb. Papal sanction. We weren’t allowed to kill you as an infant – for you seemed normal enough. But as time wore on, I knew your father’s influence would get to you – and that would be our demise. But it seems there is still time to slay you before you betray us. Still time to do the right thing.”

From the door sprinted two younger priests, each gripping one of the boy’s arms. The priest approached, holding the cross at arms-length towards the boy, and drawing from the desk’s top drawer a pistol. He got to within an arm’s length of the boy, and held the gun to the boy’s forehead. “God forgive me for what I’m about to do.” He said coldly, pulling back the hammer of the pistol with his thumb.

It was then, for the first time, in a moment of rage and panic, the boy felt his father’s presence in his soul, and the power within his body. With a shout somewhere between a scream of anger and a growl, the gun was thrown backwards from the priest’s hand, through the stained-glass window that was the only source of light for the room. Clear light poured in through the hole.

Like a surge of adrenaline, great strength and powerful instinct over took the boy, as he threw the two grown men pinning him bodily against the bookshelves on either side of the room, knocking them apart. Books fell on the ground, scattering the floor with ritual literature and apocrypha. The priest backed away, knocking into the front of the desk and holding the cross at arm’s length still, beginning the Litany of the Saints.

At this the boy laughed, a harsh bark that sounded only vaguely human. “Old man,” he said in a guttural tone, different from the voice of the boy who had spoken moments ago. He waved his hand, and the cross flew out of the priest’s hand, into a pile of broken and splintered bookshelves.

He raised his hand, and the priest’s did likewise, gripping himself by the throat. As the boy clenched his fist, the priest gagged and choked as he strangled himself. The priest’s last moments were as pathetic as a dying fish’s, kicking and squirming on the floor as he fought for air. Once the priest had ceased moving, the boy relented, and the strange power faded from him.

The boy looked at what he had done. The dead priest, laying against his own desk, his aged hand still gripping his own throat. Against each wall were another priest, either unconscious or dead, he could not tell.

He went behind the desk and searched through the drawers, finding the things he was looking for. Another pistol, this one set in silver, and a pile of cash. He ran back, out of the room, and into his room in the orphanage. Gathering a bag of clothes, he sighed, and let reality sink in. It really was true. He was… he was…

He looked at the amulet again. Gripping it tight, he slipped it into his pocket. He’d think on that another time. For now, he needed to get far away from here. Once he had as many of his things as he could carry – it wasn’t much, nor, he figured, would much be needed – he ran for the door, and out of the orphanage.

He ran down the street, and didn’t stop running until he had made it across town, to his ‘friend’s’ home. A well-built two-story on the more affluent side of town, he knew his friend could help. He knocked on the door, a steady banging until the person he was looking for answered. “What’s up, Daelyn? You look like you’re… wait, is that… blood?”

Looking down and silently cursing himself, he saw that he did indeed have some small portion of blood on his shirt, from either the priests he sent flying across from the room or somehow from the man he had choke himself to death he did not know. “Zeke, I don’t have time to explain. I need a shirt, and I need to get a fake ID or two. Out of state ones, too.”

Zeke looked scared. As well he should, Daelyn supposed. How would he respond if one of his friends showed up on his doorstep, drenched in sweat and bloodstained.

Zeke looked around the neighborhood, the empty street, and then sighed. “Get in the house, dumbass.”

“I never really was welcome here… was I?”

by Anastasia Fedorova

He sat upon a hilltop, watching out over the plane of existence he lived in. He was a demon, minor lord of a plane of Hell. Unfortunately, he was melancholic about his life and the position he was in.

His father was Lucifer, the king of fallen angels, and lord of all of Hell. His mother was Lilith, the first human. In this sense, he was closer to humanity than any of his siblings; the only child of the cursed, immortal woman who had never truly fallen – at least not in the sense that man had.

He had dark, curly hair, short horns growing from his forehead, and black, leathery wings. He wore only a simple tunic, with a belt tied at the waist. He needed no shoes, and he was discontent with his lot in life.

For he was a simple creature, in his own way – all he desired in life was to drink and be merry, to spend his existence harming none in his debauchery. But that was not his job – he was the child of Lucifer, the child of blue flame – he was to be a fearsome creature, a servant of darkness – but try as he might, he could never bring himself to harm a soul – even the blackest among the damned were spared his whip, for he was a gentle soul – despite his appearance and heritage.

He sighed deeply, as his brother came up from the other side of the hill. “Iscarbiel,” hailed the demon, “What are you doing?”

The demon, dressed similarly but with a blue skin and red eyes, pointed teeth and large, curling ram’s horns, a longsword strapped to his side, walked up and sat beside him. “Nothing, Jimarciel,” said Iscarbiel.

“Nothing,” said Jimarciel, gnashing his teeth, “Nothing seems to be all you do nowadays!”

Iscarbiel leaned back, onto the scorched black grass of Asphodel. “Leave me be, Jimarciel. You do enough evil for the both of us, is that not true?”

Jimarciel laughed, a haughty, unearthly rattle. “Indeed I do,” he ceded, “But it is not me that father cares about. You are his favorite, and he demands your presence. Good luck, little brother.”

Iscarbiel got up, stretched, and began walking down the hill, towards the blackened hellscape through the fields of the damned, towards the black castle atop a mountain. His ears numb to the screams of the tortured, he flapped his wings once, twice, and was lifted, flying upwards towards the castle in which he lived, and hated with almost every fiber of his being.

Landing on a parapet encasing a balcony, avoiding the wickedly-pointed spears every couple of feet, and climbing down, he walked into his room, down the stairs and into the throne-room of his father.

His father looked much the same as him, with pale skin and a goatee, but with straight hair kept short, and nearly three times the height of a normal man. Sitting on a throne of dragon-bone and cushioned with blackened fabric, he walked forward, between tables where demons and fallen angels sat feasting on roasted animal carcasses, drinking wine of finest vintage.

Lucifer was angry. Iscarbiel walked slowly forward, to stand in front of his father.

His father glared at him, and began to speak in a voice, deep as the fathoms of the ocean and booming like thunder. “My son… you are weak.”

The assembled court laughed at this, as they continued their feast. Slamming the butt of his pitchfork, the symbol of his rule, into the ground, Lucifer bellowed, “Silence!”

“You have not tasted blood. You are not a torturer, like Jimarciel, or a general of great renown like Falzlynnel. You are not a magus, like Arunic, or a soldier, like Varysin. You are… weak.”

Loathing dripped from every word he spoke.

“But there is hope for you yet, my whelp, for our guards have caught something that you can… play with.”

Iscarbiel would sweat, if his body could, and fear crept into him like a poisoned dagger. What would his father have him do?

“An angel, sent by my father, to spy on me. Caught by Jimarciel, and brought alive to our dungeons. You will torture it until it swears allegiance to me, and then slaughter it. This is my command; carry it out and your rewards will be great. But be warned,” he almost whispered, in a sibilant hiss, ‘If you fail me, your screams will be far louder and greater than any that now resound across my plane.”

Iscarbiel kneeled, silently, trying to think of a way out of this. None was forthcoming, unfortunately.

“Lonchoriel! Show him to his prey.”

A fallen angel, dressed in fine, purple robes, stood, bowed before Lucifer, and spoke, “Thank you, my lord.”

Lonchoriel lead Iscarbiel down a spiral staircase to the left of the throne room, not speaking as he walked down, down into the depths, beyond the castle and into the bowels of the mountain. Finally, they entered the dungeons, darkened cells where his father’s prisoners were kept. Down the hallway to the very end, where a large door was chained shut. Whispering the password to the door, a word in a language only pronounceable by demons and the damned,  he turned and walked back down the hallway, speaking a simple warning. “Do not fail your father.”

With Lonchoriel gone, Iscarbiel gulped, and walked into the room, not knowing what to expect. He had never left his father’s realm – he had never waged war on the heavens, and he had never seen an angel. From the words of Jimarciel he expected an alien, monstrous entity – something of fire and death, whose hatred of the hells knew no bounds. Something awful, no doubt.

But walking into the torture chamber, he saw something he had never expected to see.

She seemed so… normal. Inhumanly beautiful, with amber hair – but still, alike to his mother and to him. Human in appearance, but with the feathered wings of a pure-white dove, folded behind her. Chained to the ceiling, kneeling on the ground but with her hands suspended above her head, she appeared barely conscious, with superficial bruises and cuts probably incurred in her capture. Upon his entrance, she looked up, and he saw her eyes – humanlike, but with orange irises that matched the shade of her hair. She spat on the ground – blood, red like a human’s, mixed in with the saliva. “Do your worst, demon,” she hissed.

Iscarbiel was dumbstruck. Moving to stand before her, he began to try and sound intimidating, “Fear me, angel, for I am the son of Lucifer – the Morningstar, the Blue Flame, the Lord of Hell – fear me because I am here to –,” he stopped, slapping his forehead. “Oh, enough talk.”

He pulled a tray of torture implements towards him. He was pretty sure how most of them worked – or, at least some of them. Picking up a scalpel, he moved towards her, and she glared at him, looking him in the eyes, unflinching as he moved the scalpel towards the flesh below her right eye. Just as it was about to touch skin, he stopped, stood up, put it down, hyperventilating. “Nine hells damn it all,” he exclaimed.

“You aren’t very good at this,” she observed, watching him closely.

“No, no I am not,” he concurred, staring down at the tray and shaking his head. “I’m Iscarbiel.”

“Anabiel.”

“Charmed, I’m sure.”

They stood there in silence for a couple moments, neither speaking, wondering what they should do. He couldn’t bring himself to torture her, and she knew it. His father was right. He was… weak.

“So, Iscarbiel, what do we do now?”

“I don’t know, Anabiel, what do we do?”

“You could let me go,” she said, cheekily.

“You have absolutely no idea how impossible that would be,” he sighed. “My father doesn’t trust me to do this, and I’m damned sure he’ll check in before the night is done.”

“Have you ever tortured someone before?” she inquired.

“Nope. Never before in my life have I done something like this. I mostly hung around his courts, listening to my older brothers’ tales of glory, how they torture the damned and kill angels – no offense.”

“I’d be lying if I said I wasn’t offended just a little bit.”

“Well, in either case – I never had the stomach for this sort of thing. I’m a fan of decadence, I take to the wine a little more than most, but I’m not a torturer. Any recommendations?”

“Well, torture doesn’t normally come with this much banter.”

“I figured as much,” he said, sitting down in front of her, pushing the wheeled cart aside.

“What will I do,” he pondered, half to himself. “I can’t torture anything, never have, probably never will. But if I don’t my father will torture me.”

“He’d torture his own flesh and blood?”

Iscarbiel laughed, and pulled down the front of his tunic a little to reveal a score of scars, aged and healed whip-scars. “it wouldn’t be the first time.”

Anabiel went quiet. “I’m sorry about your father,” she paused, as if shocked that she had said something like that. “I didn’t think I’d ever say that to a demon,” she explained.

“Well, I’ve never met an angel in my existence, so I think we’re both in rather uncharted territory.”

“Shouldn’t we loathe each other with every fiber of our existences?”

“Probably,” he said, “But I’ve never been particularly demonic or malicious, even for a demon. Especially for a demon,” he paused, then the questions came pouring out, “Why did you come to Hell? If I left, I’d never come back. Ever. Why risk it?”

She bristled, and then began to speak, “I can’t tell you that. Is this your endgame? Pretend to be incompetent and then hope that gets me to spill all the answers? I have to admit, that’s clever.”

“No, nothing like that! Honest!”

She spat on the ground again. “A likely story. Get out of here!”

He got up, a little in shock, and walked out of the room. Outside, he found someone waiting for him. Jimarciel was standing there, a disgusted look on his face. “I knew you couldn’t do it. Father’s right, you’re weak.”

He pushed Iscarbiel aside, and with a wave of his hand, disguised himself perfectly as Iscarbiel. “Leave,” he said. “I’m going to make her talk, and you’ll get the credit for it. I hate your weakness,” he growled, “But you are my blood, for better or for worse.”

As Jimarciel turned to the door, Iscarbiel grabbed his shoulder. “Don’t do it, Jii.”

Jimarciel turned back, and pushed Iscarbiel across the hall, to the base of the stairs. “And what will you do to stop me, whelp? You are a weakling. You can’t even torture a human soul – how could father have trusted you to torture an angel?”

Iscarbiel got up, shakily. And walked forward. “Back away, Jimarciel. I’m warning you.”

Jimarciel laughed and drew his longsword, blackened, infernal steel hissing with the evil with which it had been tempered. “Warning me, now, are you? Run away, you little fool, before I destroy you.”

Iscarbiel took a stumbling step forward, unarmed. Jimarciel laughed and took a stance, with his blade in position so it would be ready to strike. The air smelled of ozone as the blade crackled. “Don’t hurt her,” said Iscarbiel, shakily but resolute.

“Don’t hurt her,” mocked Jimarciel. “She’s an angel. She’s our enemy. Given the power, she would destroy us all. Don’t you care for your flesh and blood? Turn and flee, cur. It’s what you’re good at.”

A million memories flooded Iscarbiel’s mind. Of being bullied by his brothers, of Jimarciel and Falzlynnel laughing at him, beating him into a pulp and him being afraid to speak back. “Not anymore.”

Iscarbiel charged. He did not know what he had planned, but Jimarciel was ready. Driving the blade towards Iscarbiel, he expected an easy kill. But Iscarbiel was not so obliging. Diving into a roll, he went beside the blade, punching Jimarciel in the throat with all of his meager might.

Jimarciel gagged, a hiss, as his blade cleaved into the floor. Running into the cell, Iscarbiel grabbed a blade from the rolling cart of torture equipment. He looked at it, a simple enough dagger, and he readied himself to fight. Jimarciel growled, ripping his blade from the ground and turning to Iscarbiel.

“What will you do now, little one,” he hissed, “What will you do now that you’ve cornered yourself? I will take no mercy on you now.”

“I expected as much,” muttered Iscarbiel, readying himself to die.

Jimarciel laughed and charged forward, bloodlust making him foolish. This time he made sure to be ready for a quick dodge, but this time Iscarbiel was not going to dodge. Throwing himself onto the blade, he drove his dagger into Jimarciel’s heart. “What...?”

Jimarciel let go of his sword, looking down at the blade that had pierced his chest. The blade was of hell-forged steel, like his own. Pulling it out, he watched blackened ichor pour from the wound. Kneeling, then falling over, he moved no more.

Walking over to his brother’s corpse, with the longsword stuck through the right side of his stomach, ichor leaking from his pierced side. Groaning, he groped around on his brother’s corpse, finally finding it. His master key. Walking over to the angel, he unlocked her shackles. “Go,” he said, falling over and leaning on the ground, pain overwhelming, “Run. You can escape.”

Anabiel knelt next to him, lifting his head. “Go!” he hissed, barely able to breathe.

She put her hand to the base of the wound, then, reaching up, pulled it free from his stomach. He screamed, but she covered his mouth. Putting an ichor-soaked finger to her mouth, indicating silence, she put a hand on the wound, whispered a word in Enochian, and it stitched itself shut. “Come with me,” she whispered.

Catching his breath, he nodded.

They made their way up the stairs as quietly as possible, and he whispered to her, “At the top of this staircase is my father’s throne room. If I distract them, you can escape out the balcony at the back of the room. You can still fly, can’t you?”

She nodded. “What about you?”

“Don’t worry about me. I’ll guard your escape and follow if I can.”

She looked worried.

“Don’t concern yourself with me,” he whispered. “I’m demonspawn, remember? I’m not capable of redemption.”

They reached the top of the stairs, and Iscarbiel ran into the center of the room, quite a sight, covered in black ichor as he was, both his own and his brother’s.

“Father!” he screamed. Lucifer rose from his throne, holding his pitchfork resolutely. “I’m tired, father. I’m tired of my brothers. I’m tired of this court. I’m tired of you.”

“Watch your tongue, boy! I have fought gods! Destroyed nations! What have you done, apart from embarrass my bloodline?”

Iscarbiel saw Anabiel sneak out the back, and he laughed back at his father. “Embarrass your bloodline? Don’t make me laugh! You were defeated, what have your fights wrought you but this wretched place?”

Lucifer howled, his appearance shifting as he took a more suitable size, similar to his son’s. His skin was black as coal and his face a triple, with one on each side save the back. The eyes of each face glowed crimson, and his wings burnt black and skeletal. “Know your place, boy!”

Iscarbiel drew his blade into a ready stance, ready to fight. Lucifer charged, his attack pattern more sophisticated than Jimarciel’s. Within seconds, he had gripped Iscarbiel by the throat, lifting him into the air. “What has the angel brought out of you, boy? What hidden nature is this?”

Iscarbiel saw Anabiel, wings spread, flying off of the balcony and away, further and further, into the distance.

“Love, father.” Iscarbiel choked out.

“Love,” sneered Lucifer.

Dropping the boy, he struck forward with the pitchfork, driving it through Iscarbiel’s chest.

“Love will not save you, boy.”

Iscarbiel lay back onto the floor as ichor drained from his body, and he blacked out, and saw no more.

 ---Epilogue---

Iscarbiel awoke in a white, formless landscape. Standing across from him was a muscled angel, who seemed normal enough, save for the third eye in the center of his forehead. Getting quickly to his feet, he stood in a defensive stance.

“Fear not, worm. I am not here to harm you. I’m here to save you, per my sister’s request.”

“Who?” Iscarbiel began.

“Don’t be rude, Metatron,” spoke a familiar voice behind him. Turning, he saw Anabiel.

“Anabiel! How-,” Iscarbiel stopped himself before he said it. How was he not dead?

“I petitioned my father for your return. He sent Metatron to draw you out of the void. I accompanied.”

“Why?”

“I saw something in you, Iscarbiel. Something no demon has shown before.”

Metatron began to speak. “I see all, boy. I was there when your father betrayed his, and his brethren like me. I see in you what was in him before he turned from the light. Bravery. Honor,” here he paused, “Love.”

“Your bravery in offering your life to save an angel was enough to make you an anomaly; expecting nothing in return made you a hero. And heroes deserve heaven’s blessings, regardless of their father’s sins.”

Anabiel gripped Iscarbiel’s hand. “Follow me,” she said, and lead him into paradise.

You’re a demon. A pretty awful one, might I add. You should have been an angel instead. The other demons constantly harass you for not fitting in or being like them. You end up falling in love with an angel and you have to convince her that you’re not like the others.

plot feeling a little empty in the middle? here’s some food for thought.

actions have consequences. things that your characters do inevitably can affect other people around them. what might they have done in the past that could come back and serve as an obstacle? or, maybe, what could they do now that could possibly raise the stakes just a little bit more?

subplots! be mindful of the subplots you’re adding - but sometimes it might be a good idea to include one if your plot is feeling a little bit empty. not only can it tie back into the overarching struggle, but it could also serve as a way to explore one of your characters or points further.

character exploration. get to know your characters a little bit better! let your readers find out something new. connecting and understanding the people within your story is important if you want your readers to grow attached to them.

world exploration. similar to the previous point, with the addition of creating a greater sense of familiarity of the circumstances that your story is taking place in. remember that nobody else knows the world of your wip as well as you do - illustrate it even further so everyone else can grasp it even better.

let your characters bond! maybe there’s a lull in the plot. if your characters have the chance to take a breather and get to know the people around them, let them! it might help flesh out or even realistically advance their relationships with each other.

oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.

Yeah, that is a good question - why do some scifi twist endings fail?

As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.

The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked. 

My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.

According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion. 

The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story. 

One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised. 

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

Writing tool for your fight scenes.

This began as a response to a writing prompt, but it’s deviated enough from the premise to post without it.

She was walking down the crowded street to her secret laboratory, a street with merchant stalls and strange smells from the Yggdras caravans who brought great foreign cuisine and creatures for those whose purses were heavier than their heads.

She was not such a one.

She was a Dravidii, the caste of those magical metal-smiths who could make clockwork golems; strange entities of bronze, steam and the mystic chemical of aether that granted them life. But this science was not without flaw or risk; to create a clockwork golem could take years of effort, effort which could be wasted if a single part was out of order or the incantation to bind the will of the creator to metal and aether.

And this art is expensive, so she kept moving, ignoring the temptations of the sights and sounds; to a mind such as hers it was almost torture, for inquisitiveness was her favor and her foible, her birthright and her curse. Such is the flawed nature of the Dravidii.

Closing her eyes and focusing on her destination, she took a second to gather herself and, opening her eyes anew, she struck forward.

That is, until thirty seconds later, when she heard a voice emerging from a thickly perfumed stall to her right. A Yggdras woman dressed in a thick shawl that did little to hide her figure, holding an amulet in her right hand and a dagger in her left, was speaking to her. “Come here, Ivana.”

Dumbstruck by both the woman and by the woman’s knowledge of her name, she stepped towards the stall. “For fifty dras, this master-crafted amulet could be yours.”

Ivana looked at the amulet for a few seconds, sizing it up. It was definitely of Dravidii make, a net of bronze around a core of aether. She had never seen anything like it, and it was indeed finely wrought. To own it would be to own a piece of not just beauty, but power. Who knows what secrets it could contain. What she could learn from its workings.

Wide-eyed and a little mesmerized, she broke her gaze long enough to look down at herself.

She saw her formal clothing, plain and cheap as it was – with what little flair a Dravidii could add to it. Glued-on gears on her simple cap, some red cloth wrapped around her waist as a garnish for her belt on simple brown trousers, a matching, threadbare coat – fifty dras would be enough to starve her for another week or two, and she wasn’t sure she could make it through that. Not again.

As the thoughts whirred through her head like the bronze gears of her project, she finally came to her decision. Closing her eyes, she shook her head no, and turned on her heels to return to her path.

“Wait, girl.”

She turned back to the woman, who had taken a half-step towards her and outstretched a hand. Upon Ivana looking back, she regained composure. Whispering a little under her breath in a foreign tongue, the Yggdras woman began again, “I was rude. I apologize.”

Cocking a single eyebrow, Ivana stood silently. She had some inkling of what this was about; it was rumored that some Yggdras had the second sight, the ability to perceive some wisp of the future before it occurred. Each caste had their own magic, after all – the Dravidii the ability to bend metal to their will, the Yggdras the ability to perceive the future – but each must hone their ability, and not all had it to the extent of others.

“Learning the name of another to attempt to sell them a bauble is hardly a fair tactic,” said Ivana, somewhat feigning annoyance. Who knew, maybe she could get a discount.

The Yggdras woman nodded. “Let me offer you two things then.”

This time the raised eyebrow went a little higher. An offer freely made by a Yggdras merchant was a rare thing, after all.

“I offer you this bauble,” she said, taking three steps to stand in front of Ivana, and handing it to her. “And this,” she said, leaning forward, so that their lips brushed together into a subtle kiss.

Ivana blushed at this, and began stammering a little, “I… not… my…”

Putting the bauble into her coat pocket, she looked down at her feet, managed to mumble a quick thanks, and began off on her way at double-pace, without looking back at the (now, very confused) Yggdras.

She made it to her destination, after turning down an alleyway and about hallway towards the end, opening a hidden door with the touch of a button, disguised as an outwardly-pointed brick.

Entering the facility, she looked around, taking stock of her equipment and checking for changes. Her chair at the worktable was as she had left it, and the half-built golem lay on the table there, each finely-made piece interlocking to form a frame. Sitting herself down at the table, she leaned back and let out a heavy and self-exasperated sigh. She probably could’ve handled the merchant with a bit more tact, after all. Pulling out the bauble, she was surprised to see a bit of paper wrapped around it.

Extracting the paper, she found that it had writing on it. Reading it, she found it said only two things.

My name is Yvi, if you wondered

And beneath that, somewhat hastily scrawled as if done quickly out of embarrassment.

Dinner?

Looking down at her worktable, and her half-finished project, she weighed her options. Awkward as she was, she was loathe to turn down the opportunity to repay Yvi for both the gift… and (blushing at the thought anew) the kiss.

She looked at the bauble again, and began to work. The easiest way to clear her mind, after all, she supposed. Maybe the answer would be written plain in gears and screws.

Tinkering with the bauble, she found it had no catch or secrets, it simply existed as a finely-wrought artpiece. She knew it hid secrets, but how to gain them was a mystery. So, she fixed a chain to the amulet, and put it around her neck. Where better to keep it safe, after all.

She began anew on her golem, using her abilities to work bronze into proper shape, attach metal ligaments, wire the ‘nerves’ of the thing, and test the steam capacity, all the while, reminiscing of the history of this place, and of her family.

Her father had been a Vanis, whose abilities were charm and manipulation, but who had honestly fallen for her mother, a Dravidii that she had taken after moreso than her frankly foppish father. Her mother had been a clockwork golem-maker as well, working alongside her brother, Ivana’s uncle.

Her father had wandered into her mother’s shop one day, and began asking questions about how one makes a clockwork golem. Her brother had been intent on kicking the wayfarer out of the shop, despite his pretty features, but she was honestly transfixed by the curiosity she found in his eyes. He would show up daily, listening to her for hours about how the art of golem-building was partly a magical and partly a physical craft; a body could be made to the letter from a blueprint, but without the binding of a Dravidii’s will to the metal, there was no hope of it ever coming alive.

Ivana’s father returned day after day until he finally worked up the courage to ask her mother out to dinner. From there, a romance quickly blossomed. Ivana’s mother’s parents were long-since dead, so her brother, Ivana’s uncle, stepped in at a couple points to ensure Ivana’s mother’s fair treatment. And indeed, her father treated her well, though Ivana’s uncle would oft boast over dinner about almost breaking the fop’s nose a couple times to set him straight.

A year later, he proposed. A year after that, Ivana was born. But the pregnancy was hard on her mother – she never quite recovered her full health after, and bout after bout of illness took their toll, and finally her life by the time Ivana was eleven. Her father tried to comfort her, but Ivana spent the days in her mother’s study, until her father realized what he must do. Entrusting Ivana to her uncle, Ivana learned the art her mother had so cherished – the art of making a golem.

Now it had been eight years, and Ivana was building her third golem. Among countless basic prototypes, she had made two working complex golems – not the basic toys she could sell for fifteen dras apiece to collectors and children, but those golems worth thousands upon thousands of dras, whose very worth could spare her from the poverty that had surely claimed her mother’s life, as plain as any illness.

Her uncle had left some year and a half ago, to find his own way, entrusting his secret workshop and business to Ivana. He had given her a few dras, and told her she could make her own way, and that he would return when he had finished his journey.

She had not heard from him since. She lived a lonely life, either spending her time here or at a rented room in a nearby inn. The owner charged her harshly, but fairly enough for a nearby stay to work. In truth, she had probably spent more nights sleeping in the workshop in her uncle’s old chair than at the inn, but she was close to a breakthrough.

A golem that could pass for a human. She had been in correspondence with her grandfather on her father’s side, and had gained insight into illusion and charm, those coveted abilities that those of Vanis blood possess. Though she did not have the blood – taking after her mother so she did – she managed to come up with a rudimentary formula to grant the golem a likeness of humanity, if done in conjunction with the proper aetheric mix and focals.

She spent the day working on the golem, but the breakthrough was not coming to her. It seemed she had reached an impasse, a block that hours at the table could not fix. Sighing in exasperated fashion, she got up. It was time to go back to the inn, rather than try to finish this work that seemed to be trying to evade her.

She left the workshop and looked up and down the alley. She saw nothing, save a couple boys standing at the end of the alley. Walking towards them, she began to try to ask them where their parents were, until one of the boys ran towards her. As he did, she caught a better look at him. No older than eight, he was a speedy little creature, running up, jumping up and catching her newly-gained amulet by the bauble and tearing it loose, without breaking stride, and running.

Surprised and knocked aside, Ivana began to run after the boy, who was laughing at his newly-invented game of keep-away. Running down the alleyway and into the now-empty street, he looked back and bellowed, “You’ll never catch me!”

That is, just as a heeled shoe stretched out from the shadows beyond the edge of the alley, tripping him and bowling him flat.

“Gavroche, Gavroche, Gavroche,” cooed Yvi. “I thought mum had taught you not to take things that don’t belong to you,” she said as she leaned down, grabbed the amulet, and walked back towards Ivana.

“I was just playing,” said Gavroche, reddening at Yvi’s interference, whether from embarrassment or anger one could not tell.

“Sure you were, Gav, sure,” said Yvi, handing the amulet back to Yvi. “I’d like to apologize for little Gav’s actions. Our mother tried to raise him better,” she said, glaring sharply back at the boy who had barely managed to get back up into a sitting position, rubbing a skinned knee.

Looking back at Ivana and cracking a smile, she spoke again, this time in a cheerier tone, “In light of recent discoveries of the terrors that walk the night, allow me to walk you to your home.”

Wandering down the street towards the inn, they found themselves talking about their lives, a wonderful pastime for those with as interesting lives as these two, even if they did not know it themselves.

“I’m sorry about Gav. He’s been like that ever since pa died last spring. He’s been trying to earn enough money to help mum keep the house, as have I, but he’s young. Not too much work out there for him, and little of it honest.”

Ivana rubbed her hands together, to keep the could out. “It’s okay. It’s not like I had the thing that long, or that it would cost me anything if he had taken it, I suppose.”

Yvi laughed a little. Looking at her again, Ivana saw that the woman she had seen earlier wasn’t much older than herself – maybe a couple months, but most of the show at the stall had been simple makeup and legerdemain, to make her seem older and wiser.

“So, how did you wind up in a secret workshop in the middle of an abandoned alley?” asked Yvi.

Ivana was temporarily thrown, which seemed to be happening a lot that day. “I – it’s not – ummm… please don’t tell my uncle that you know that it exists?”

Yvi laughed. “Don’t worry, your secret’s safe with me, and I’ll make sure Gav doesn’t tell anyone either. But I’m fairly certain half the town knows it exists – neither you nor your uncle are very subtle, you know.”

Ivana shrugged. It was a fair criticism.

Before either had known it, they had reached the inn, and Ivana turned to speak. “This is where we go our separate ways, I think,” she spoke softly, not really wanting to leave.

Yvi quickly grabbed Ivana’s hands in her own. They were warm, which was odd enough, given the season. “You never answered my question.”

Ivana looked at her blankly.

Yvi sighed. “Dinner, Ivana.”

Ivana remembered the note and blushed. “I… may… be…?”

Yvi turned aside a little and muttered, “Well, it’s better than a no…” before turning back to Ivana.

“You have never once in your life been asked out on a date before, have you?”

“Well… no...,” said Ivana, blushing a shade redder than crimson. Most of the local boys were scared of her uncle, with good reason, and she’d never been asked by a girl before – or been confident enough to ask another.

“Well, I guess I should go,” said Yvi suddenly, turning to return the way she had came.

“Wait! Yvi…,” Ivana shouted, and then got a little quieter. Taking a deep breath, and then letting the words stream out in a single uninterrupted stream, “Would-you-like-to-go-out-to-dinner-with-me-please?”

Out of breath and blushing redder as the conversation wore on, Ivana began to hyperventilate as subtly as she could manage (which is to say, not very subtly at all).

Yvi laughed. “Of course, silly girl. Meet me at my stall tomorrow at twilight, and don’t you dare be late.”

She then ran off into the night, and Ivana, finally, saw the family resemblance between Yvi and the little rogue, Gavroche.

Sorry I haven’t been all that active these last few days

I’ve been kind of busy, but I should get to posting again soon.