In The Mansion. Straight Up “blanching It”. And By “it”. Haha, Well. Let’s Justr Say. Girl

Did some doodles

MAJOR SPOILERS BELOW

SUPER IMPORTANT

Him baby

blackquill decides that a little bit of possible jail time is worth it to break out the katana at work

I'm so tired of hearing that Phoenix saved Miles without hearing about any of its implications.

Because Phoenix's savior complex is a major problem not a solution. Because Wrightworth is not about Phoenix saving Miles, it's about them saving each other. Because in Farewell My Turnabout, Miles Edgeworth said "We aren't some sort of heroes. We're only human." and he was right.

not a big fan of AI but this is a top 10 video of all time for me

This clip will live rent free in my mind for 3000-5000 business days.

this show is so fucking funny

Simon: A Relic of Time

I'm pretty sure I'm just becoming an AT/FC account, and y'know what? I'm just gonna roll with it. I was going to do a more thematic analysis today, but since it's my birthday and I only have so much time, I'm just doing a short one. I think it's interesting how Simon was once an archeologist/antiquities collector; and his character arc began in FC with him on display like the very same artifacts that he once collected. As an anthropology major, the whole idea of taking artifacts of long-gone civilizations to study is seen as normal, but it's also a hot button issue in the field. What right does one human have for the sake of science, yknow? Specifically, though, I find it interesting because it seems that the scene was meant to be taken less literally? Maybe I'm over thinking it, but I think the very idea of being put on display for the whole world to see, like a caged-up animal in a zoo, goes to show just how disconnected Simon felt with Ooo at the start of the series. He didn't feel like he belonged in anything other than a museum. Perhaps he tells himself that it's purely for the sake of authenticity and preserving the history of humanity as much as possible; but really, it's just another way that his past has left him chained and trapped in despair. The crown was never Simon's biggest threat, he was.

Yknow, at first, when I saw the latest episode, I had been a bit disappointed with the route that they took Simon and Betty's romance; but after thinking it over quite a bit, I think I appreciate the route they took, despite how differently it makes me see the characters. Sometimes, the right thing for a story isn't always the best thing, just like how in life, not everyone makes the right choices all the time. Emotions make life beautiful, but they also muddle things up.

I've never been one for a teacher x student type romance. That whole power imbalance always leaves a sour taste in my mouth. Since Simon was just a guest speaker, it wasn't quite the same, but I think a lot of people, including myself, saw those parallels. But, I think the whole idea of unhealthy/obsessive/codependent love has always been centeral to their relationship.

Unlike some may assume, the unhealthiness doesn't stem from that part, though. Yes, there's a small age gap. Yes, Simon made a ton of mistakes. But with further analysis, nothing about it is painted as your stereotypical incredibly unhealthy teacher/student ship. Instead, it's their issues and strengths that create chaos.

There's nothing about their relationship that can be considered grooming, and I say this as someone who's personally been groomed. They didn't get into a relationship until after Betty tried to leave the second time, and there's absolutely nothing about Simon that screams "predator." You know how he is with Marcy and Finn, and pretty much every child he comes in contact with (when he isn't throwing away their favorite books). Hell, even Ice King had standards and lines he wouldn't cross. Their issues stem from their insecurities as professional nerds, and as two broken, lonely, people.

When you're a student, especially one who's passionate about the subject matter you're learning about, you can't help but put your teachers (the good ones, I mean), on a pedestal. They're these untouchable gods who have somehow cracked the answers to questions you haven't even asked yet and who are there to guide you. And as a teacher, you want nothing more than to see a student thrive, be happy, and enjoy your lessons. There's nothing more satisfying than seeing your student take your lesson, and run with it, and go farther than you ever could. From the start, these two towed the lines of codependency.

Simon was laughed at by his fellow professors and other archeologists for believing that the Enchiridion existed; which couldn't have been a good feeling as a professional. Sure, after the expedition with Betty, he was rewarded with all the glory one could wish for; but that isolation must've been horrible. He must've been seen along the same veins as the "Ancient Aliens" guys, as a crackpot conspiracy theorist, barely deserving of his PHD. I can imagine just how much of a relief it'd be to have someone so brilliant as Betty agree with your findings, and be willing to help you prove once and for all, that you aren't crazy.

Betty seemed to struggle with connecting with her peers. I'm mostly gathering this from how willing she was to sacrifice everything for Simon, I'd bet he was the only genuine close relationship, romantic or otherwise, that she had. We (or at least I) don't know much about Betty's backstory, but I think at least that much can be surmised. In Ep 8 FC, she mentions her mother, and in season 9 or 10, we see her calling someone before she met Simon... But, that's about all we have for close relationships. How many people would you jump through a portal for? Become god for? Sacrifice your sanity for? To have someone you admire, think that you're basically the strongest, bravest person they ever met in the world and to actually be needed by them... From what we know about Betty, she definitely had a savior complex of some sorts. Happens to the best of us, but still. She got so used to sacrificing things for Simon that she never thought about going back to Australia with him to continue her study, or both studying different things together, just helping him.

They both gave each other what the world deprived them of: validation, love, and respect. But because neither of them had anyone else to rely upon, to provide them with those bare necessities, they became unhealthy for one another. Neither of them has truly lived without the other because they were eachothers home. Their food, water, and shelter.

So, in a lot of ways, I think it was for the best they added this extra layer. It helps you truly understand the imperfections of their relationship, just how desperate both of them were as two nerdy little archeologists, to find and keep the love they had alive.

Would anyone be interested in an Owl House Fangame RPG? (Spoilers for finale insuing)

I'm considering turning my old fanfic plots into a playable fangame, but I wanna make sure that's something that people would actually, yknow, play. So, here's my ideas!

1. Season 4 "The Game"

This would primarily be a game focused on wrapping up some unfinished storylines/rebuilding the Isles. I believe one of the main bosses would likely be the Titan Trappers since they were puppetted in WAD.

I think this would be the closest to a traditional rpg game, but I'm leaning more towards an unconventional combat style considering the way magic works in TOH. Regardless, combat wouldn't be a primary focus of the game. It'd be more exploration based and decision based, fleshing out the other areas of The Boiling Isles and all that jazz.

Possibly, the final boss may be the other archivists? I think in this one, by the end, you'll have the Collector in your party.

2. Side Stories

This would be more so a collection of routes trying to tell the stories that, sadly, The Owl House team never got the time to tell. These likely wouldn't actually be RPG games, but they're RPG maker, but I'm not sure how many of them there'd be, but I do have a few ideas for various routes, like:

-Wittebros Backstory (You play as Caleb, and it covers bits and pieces over the years up until... Well, you know the rest.)

-Hunter, Dale, and The Bat Queen (Focuses on two different interconnected plots. One is a story about The Golden Guard being tasked to find the last known Palistrom forest, only for those plans to get detailed by one sweet old man. Yadda yadda, learning ensues. And, the other is a story focused on Hunter going into the Palistrom forest with a few friends to start on some conservation efforts, facing his past, and him getting a new job.)

-Divorce Simulator (I think you know what this one's about :) )

-Vee (Have no idea what this one would be about, other than a game adaption of that MorningMark concept of Cabin ???- or one focusing on just her adapting to the human realm.)

3. TOH/GF/Amphibia Crossover

Okay, so I know probably nobody will vote for this one, but it's one that I have too many ideas for!

Basically, it's just going off the idea that after The Collector got that gross green stuff on him, from Belos, he was affected by Titian magic; screwing up his magic a little and making him semi-immortal rather than fully immortal. The Collector says they're going off to "grow up," but really, their main goal is to just find their siblings and find out what's going on with them.

This leads the little guy to the last known whereabouts of one of his siblings, Gravity Falls. Again, the dude's magic is kind of iffy, and he ends up crashlanding near the Mystery Shack and gets taken in by the new Mr. And Mrs. Mystery... Who... Somehow, are way more connected to Luz than he thought.

This is the closest thing to an RPG out of all of them because the main focus of the game is basically trying to stop the multiverse from splitting entirely. It'd be the casts from both TOH and GF; with a healthy addition of amphibia references.

In this universe, all of the archivists are just God's from other Disney Channel cartoons. And yeah. Told ya I had a lot of ideas!

Btw if anyone would be down to help either with writing, art, or music- please dm me! I can totally do it on my own, but I thought it might be nice to put it out there.

Classical Pieces You've Probably Heard but Might Not Remember the Name

William Tell Overture- Rossini (Most famous part at 8:45, but why not listen to the whole thing?) I’m adding hints, at least to the ones I recognized culturally. This one is “go, horsey, go!”

Also Sprach Zarathustra- Strauss Slow, dramatic entry scene, IN SPAAACE.

Eine Kleine Nachtmusik- Mozart People running out of a fancy wedding or something. Also known as DUN, dun DUN, dun DUN dun DUN dun DUUUUN.

Symphony 94, Mvt. 2 “Surprise Symphony”- Haydn ?

Toccata and Fugue in d Minor-Bach Halloween organ!

Nocturne Op. 9 No. 2- Chopin Picture a tiny old woman playing piano in a sunlit room with lots of flower vases, about the spill the tragic secrets of her past to some timid young visitor.

Rondo alla Turca- Mozart the babysitter from The Incredibles: “Time for some COGNITIVE ENRICHMENT!”

Sinfonie de Fanfares: Rondeau- Jean-Joseph Mouret Royalty is coming. Or someone is getting married. Or royalty is getting married. Also the PBS Masterpieces theme.

The Four Seasons: Spring- Vivaldi (I just linked to the whole thing because it’s great) Again, someone is getting married, but this one is strings instead and a lot less frumpy.

Jesu, Joy of Man’s Desiring- Bach That one that amateur guitarists love where the notes are all up and down but all the same length. Also used in movie weddings.

O Fortuna (from Carmina Burana)- Carl Orff SONG OF DOOM. Also song of “baby on fire!” in The Incredibles.

Funeral March- Chopin ?

Orpheus in the Underworld: Infernal Galop (A.K.A. Can Can)- Offenbach Well, “aka can-can” says it all.

Pomp and Circumstance (You probably graduated to this)- Elgar Oh yes, Baaaa dun dun dun duun duuuuun… Also if you were a bandie you had to play it for 3 years before graduating to it.

Gayane: Sabre Dance- Aram Khachaturian Comically hectic productivity, a circus clown juggling while standing on a ball, or perhaps a rapidly-approaching termite infestation. Could go any way, really.

A Midsummer Night’s Dream: Wedding March- Mendelssohn The song movies play right AFTER they both say “I do.”

Carmen: Les Toreadors- Bizet I can’t be the only one who remembers when ‘Hey Arnold’ did this. “Bullfights and swordfights, rolling in manuuure!”

The Ride of the Valkyries- Wagner Good song for a naval battle I guess? I can only think of the mini golf course I went to as a kid with the creepy castle on Hole 18 that played this.

Für Elise- Beethoven That one every amateur piano player loves to play because the beginning is just E and E-flat over and over. Also ballet and piano recital scenes in movies.

Dance of the Hours- Ponchielli Hello mudda, hello fadda, here I am at, Camp Granada…

Rigotello: La Donna e Mobile- Verdi More than a few sophisticated movie villains (or snobby good guys) have this playing on a Victrola. Also, tell me you don’t picture Pavaroti no matter who’s actually singing.

Night on Bald Mountain- Mussorgsky ?

Romeo and Juliet: Love Theme- Tchaikovsky More movie-love, usually building up to admitting they live each other.

Entry of the Gladiators- Julius Fucik I have one word for you: CIRCUS.

Lakmé: Flower Duet- Delibes OMG ALIAS. Nadia’s spy  backstory in Film Noir!

Peer Gynt: In the Hall of the Mountain King- Greig Mischievous Tiptoeing in Movies song. Also something growing out of control, slowly at first and then quickly, and (comically) exploding.

Rodeo: Hoedown- Copland The title says it all tbh.

Peer Gynt: Morning Mood- Greig Sunrise/waking up Movie Song du jour.

New World Symphony Mov. [2][4]- Dvorak Well now I’m thinking of “An American Tail” and I’m crying…

Ave Maria (You knew this, but did you know that it was by Schubert?) Nothing to add. I’m not a music snob, really, but if you didn’t know this, YOU SHOULD.

Canon in D- Pachelbel This is the one that the pretty Trans-Siberian Orchestra Christmas song comes from. :-)

Add others if you want! Have fun!