okay. you know there's this scene in chapter 275 where chu wanning rushes to the site of mo ran's trial on his cutesy "paper " dragon?
i love that scene so much.
cwn cries.
2ha is majorly from mo ran's pov, and before 275 you get plenty chances seeing mo ran wallow in guilt and struggle between loving cwn and confessing to cwn what unforgiveable things he did in his past life --
and cwn loves him, he's shy about his love, but since they established their relationship up till this chapter, cwn is mostly passive in the relationship -- i don't mean this as a bad thing, but you don't really see what cwn wants -- he's very very much permissive with whatever mo ran wants to do with him, and he doesn't say no.
but in 275, he fucking cries, he lies low on the cutesy paper dragon and weeps, because he fears for mo ran the judgement that would come onto him.
he tears up so little, like meatbun says everyone just thinks he's the unreachable "white moonlight" the most honourable person in the world -- but for mo ran he breaks down, gets really vulnerable, and at the end of the day he is just a lover freaking out for the atrocities their partner is about to suffer.
also in the scene where cwn consoles mo ran in his semi-confession/breakdown, and the ending scene where cwn flees back their home at the nanping mountains, cwn is leading taking charge in their relationship and it shows, how much he loves mo ran, how deep the love is.
their relationship and experiences are so fucked up but i love their love so much it's fucking beautiful.
chapter 7 doodles + a quick thought of levan?
i think it's very interesting that Malleus' name is a reference to the book Malleus Maleficarum, which outlined the dangers of sorcery and witchcraft, that was written by some guy name Heinrich Kramer. haha. not to be a lore nerd rn but........
boyfriend hoodie
i have this. reikao fic prompt that has been sitting in my drafts for nearly a year now which is like. kaoru attempting to flirt rei by doing things you would only see in some cliche shoujo manga (because kaoru is an avid shoujo manga reader like the nerd he is!!!!!!). maybe one day i'll get to finish it and upload it on ao3. but it's basically like:
koga: are you trying to seduce sakuma-senpai using cliché shoujo manga scenarios
kaoru: *silent*
koga:
koga: you got to be fucking kidding me
Recent main story updates have inspired me to make this evil freshmen relationships chart to visualize how I imagine their stuff lmao
Adeuce to Aceyuu one is inspired by the contents of the book 7 dreams
For the Malleus Silver one it's less of how it actually is and more both sharing the same thought about the other
Ortho didn't fit anymore + there was lowkey no point in putting him because it would only be "friends" for mostly everyone here and that's not evil enough
“Be careful. Don’t hit it again.” Chu Wanning’s voice was deep, like porcelain submerged in a creek, steady and dignified. It would have been a striking voice to listen to, if one weren’t listening to it through a shroud of hatred.”
most important part of the writing process actually is when you loop a single song on max volume and stare at the word document and imagine the characters doing things for 14 hours. this is known as getting in the zone
Pacing Through Sentence Length in Writing
You ever notice how a scene can feel like it’s dragging or speeding up based solely on the length of the sentences? Sentence length isn't just a technical detail—it’s a pacing tool. When used right, it can control the speed and tension of your story. Here’s how:
Short Sentences = Speed, Tension, Impact
Short, snappy sentences are like quick breaths, instantly pulling the reader’s attention. They mimic fast action, nervous energy, or urgent thoughts. They create momentum. Think of action scenes or emotional moments—often, less is more.
Example: The door slammed shut. His heart raced. She was gone.
In just three sentences, you feel the urgency, the chaos, and the emotional weight of the moment. It’s all about breaking up the narrative with these quick hits to keep the reader on edge.
Long Sentences = Build-up, Reflection, Depth
On the flip side, long sentences slow things down, adding complexity, reflection, or tension. They’re great for moments of introspection, world-building, or setting a scene in rich detail. These sentences create a flow, pulling the reader into the character’s headspace or the atmosphere of the moment.
Example: The wind howled through the narrow alley, carrying the distant sounds of a city that never seemed to sleep, never seemed to rest, and in that eternal hum, he wondered, not for the first time, if he would ever find peace here or if, like everyone else who tried to escape the shadows, he would simply become another part of the city’s endless noise.
Here, the length of the sentence mimics the complexity of the thoughts—heavy, reflective, almost hypnotic. It builds tension not with action but with an overwhelming feeling of being stuck or trapped in thought.
Combining Both = Dynamic Flow
The real magic happens when you mix short and long sentences. This creates a rhythm—suddenly, a break in the flow, a quick shock, and then back to a longer, more drawn-out moment. It reflects real life: quick bursts of action or emotion followed by moments of pause or thought.
Example: He reached for the door. It was locked. His heart pounded, each beat a reminder of how badly he needed this. There were no other options. There was no way out. The key could be anywhere. And he could not afford to wait any longer.
Long sentences = build tension, create depth, set mood. Short sentences = ramp up urgency, show action, make an impact. Mastering this flow is a game-changer for pacing!
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