Man I really can’t stand people who actively complain about a show not going the way they want it currently. Like, hypothesize the hell out of it, analyze, search for clues, and hopes, but once canon comes out, that’s canon. Deal with it I guess, sorry if the people you ship together had an argument and aren’t getting along. You might think it’s unrealistic but you’re not the creator? Sorry if your fan theory was contradicted, you’re not the creator? Sorry if you were positive about this characters personality but turned out to be wrong, you’re not the creator? Sorry if your favourite character that you thought would be central to the show died, but you’re not the creator. Make aus and have fun with it but don’t…..dismiss canon. If you didn’t have canon you literally wouldn’t have your show at all. You wouldn’t have the characters, or the memories.
Last but not least, stop complaining about lack of screen time for a clear background character. if you fall in love with a character that is clearly a background character, who is destined for limited screen time, own it. Wish for more, hope, enjoy what you get but don’t angrily demand more content that you are not entitled to.
Remember that every story has a writer. Every story has a beginning, middle, and end, dictated by the one who created it. And you have literally no say in that. People are gonna tell the story they tell. That’s that.
(Normally I’d want to be more polite about this but I’ve seen too many posts like this today, TOO MANY)
Pamela Andrews: [is a teenage servant girl who is continually sexually harassed by her boss, escalating into flat-out kidnapping, and is subject to repeated rape attempts which she only (and somewhat implausibly) escapes by repeated fainting fits]
Pamela Andrews: [ends up agreeing to marry this creep once he sees the error of his ways and “reforms”, whereupon Mr. Creep gives her patronizing marital advice and graciously forgives the hapless servants, clergymen, etc. who pissed him off by trying to help her]
Me in college reading Pamela, or Virtue Rewarded: Hmm, so this early novel not only had a raving fandom, but a raving hatedom. I can see why -
Antipamelists: I’ll say! He actually married a servant! How obscene!
Me: Hang on -
Antipamelists, Henry Fielding front and center: Okay but what if Pamela was actually a gold-digging conniving hussy who was playing the victim all along -
Me: Oh, fuck you too.
They probably will in later seasons. She did NOT get on well with her youngest daughter Marguerite or her youngest son Hercule (also called Francis). Both children went on to rebel against her. So much family drama!
Sure she had to run the country while these two were growing up, but still...things got tense between them.
i wish they expanded on catherine being a deadbeat mother. this is where series bias in her favor is showing imo (or is it catherine storytelling bias? either way it's unsatisfactory.) because none of her scenes with her children explain why francis is so bitter and untrusting with her. i believe he had strong reasons to act that way and him leaning on mary who was always here for him makes complete sense. unlike his mother who i suspect secretly liked to spent time busy with court intrigues instead of wasting her lively brain energy on clueless little kids. she's like one of those fathers who prefer to only acknowledge their kid when they are old enough to hold adequate conversation not bothering to form any kind of bond with them beforehand. but i am sure catherine will fix that mistake with little charles.
After watching House of the Dragon, I’m not sure I’d want ANY of these characters on the throne.
Rhaenerya - I know we’re supposed to sympathize with her, but she keeps making terrible choices.
Aegon II - Nope. Just nope.
Daemon - He’s all about getting power, not about using it. Clearly not trustworthy. (Is he going to steal someone’s dragon? Is that why he sang to one of the dragons in the finale?)
Alicent & Otto - If these two worked as a team to support a better claimant than Aegon (ugh) I’d like them more, but they chose Aegon...clearly not a smart move.
By way of processing the shock of watching Notre Dame burn in Paris on Monday, I turned away from social media, where livestreams of the spreading flames were sadly plentiful, and turned on the latest adaptation of “Les Misérables,” currently airing on PBS’s “Masterpiece.”
This was mainly out of obligation, to be honest. The six-part series aired its first episode Sunday, the same night as the debut of a certain show starring zombies, dragons and queens. It is currently streaming online and via video on demand. Scheduling new installments of the “Masterpiece” epic as time-slot competition to the most popular show on the planet is pure folly; then again, something has to air at 9 p.m. Sundays. If you can’t serve up the flashiest show on television, might as well come in second.
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I can’t wait for the final books to come out and everyone will realize this was George R.R. Martin’s plan the entire time.
Hey I’m as mad as anyone about Dany going crazy… but if you read the books and watch the show you can see this is NOT something completely out of left field for her. She sees herself going mad. She asks the people she trusts to watch her. She tells herself she’s not her father or brother. Now take her baseline and add 2 dead kids and a dead best friend. This is what Dany was going to become.
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Some favourite staging moments in productions of Shakespeare plays:
Clarence actually getting drowned in a barrel of wine on stage in Richard III; it was a small barrel, they stuck his head into it as he struggled, pulled him out for an instant as he gasped for air and screamed, his head was wet and sopping, his face all red
Macbeth clutching his empty hands to hold an imaginary child, casting a clawed shadow on the wall
Ophelia ripping out hanks of her hair to give to people during her ‘flowers’ scene (obviously fake hair in real life)
Benedict in Much Ado About Nothing hiding from Claudio, Leonato and Don Pedro, taking a swig from a can of beer that happened to be full of cigarette butts and spit-taking it all over Don Pedro and Leonato
who then awkwardly pretend to check if it’s raining
Angelo in Measure for Measure taking off a bloody cilice belt from around his thigh while saying ‘Blood, thou art blood’
Also a really good bit where Angelo shows up in a two way mirror later on when the Duke’s speaking to himself and cursing him; the Duke turns to point at the mirror and there’s Angelo, in the chain of office, pointing back, accusing the Duke as much as the Duke does to him
The moment in Julius Caesar where Brutus asks his servant Strato - who’s been sitting with his back to the audience and wearing a hat with a wide brim - to help him commit suicide; Strato stands while taking off his hat to reveal that he’s played by Caesar’s actor
(a collective gasp went around the theatre; really lent a whole new meaning to ‘Caesar, now be still. I killed not thee with half so good a will’)
After a frantic chase scene in The Comedy of Errors which ends with all the cast collapsed across the stage in exhaustion and the scenery itself falling to bits…a pair of underpants falls from the ceiling, and Dromio of Ephesus (who’d tried in vain to retrieve them at the start of the play) crawls over several other characters, seizes them and screams in triumph