Which One Of U Was Going To Tell Me That Tea Tastes Different If U Put It In Hot Water?

dealing with the worst case scenario

your condom breaks

you feel a lump on your breast

your friends are ignoring you

you’re stranded on an island 

you got rejected by a crush

you get into a car accident

you got stung by a bee/wasp

you got fired from your job

you’re in an earthquake

your tattoo gets infected

your house is on fire

you’re lost in the woods

you get arrested abroad

you get robbed

your partner cheated on you

you’re on a ship that’s sinking

you fall into ice

you’re stuck in an elevator

you hit a deer with your car

you have food poisoning

your pet passed away

you fall off of a horse

you or your friend has alcohol poisoning

you have toxic shock syndrome

your house has a gas leak

I simply think that if a company decides to remove a show from their platform entirely, they should have to give the rights and the digital copy of that show back to the creators. The fact that the creators of Infinity Train, OKKO, and Mao Mao have no access to the work they put so much money and effort into is completely absurd.

something holy inside you wants to get out but you can’t let it

Can we talk about how bizarre our experience with the new pjo series is

A tiny essay on how this series is special.

Like. We're all super hyped because we know this series intrinsically that we forget that we know this show intrinsically

How bizarre is that?? We don't merely get spoilers on our dashes from episodes we haven't watched yet, we know what will happen at the end, at the end of the next season, in eight years

It's hilarious! It's rediculous! It's like Neil Gaiman would start an open Google doc so we could all watch as he wrote the next Good Omens episode! Only EVEN MORE

"aw this scene will look so cute when they are a couple in college" when the show itself has not even HINTED AT A CRUSH

"damn too bad Luke's the bad guy" WE SAY 3 EPISODES ON

Think about it, people! This is a fandom experience with no ship wars! No headcannons we desperately hope don't collide with cannon! We know every. Single. Thing. That will happen.

And we still watch it.

I have a point with this. Remember how Marvel movies would be 👉this close👈 to murdering an actor over spoilers? There's a great post here somewhere on how that's because of the low quality of modern day superhero movies. It's supposed to be a quick hit, a rush of dopamine and special effects and one liners exploding into colour until you walk out of the cinema so dazed you only remember days later that the movie itself wasn't actually that good. These movies aren't built for rewatching, or becoming cult classics. It's fast food. Delicious for the moment, satisfying a certain itch, but not wholesome or precious.

And this. This beautiful series launched with the full knowledge that almost the ENTIRE FANBASE know exactly what was coming, every step. What are premier day spoilers against years of finished arcs.

And still, we watch. We love. We laugh and cry and post about it.

I guess what I'm trying to say is #hopepunk. They think we don't need beautiful, nurturing adaptations? That they've wrecked our mental health so bad we can't concentrate on smth unless the special effects are forcefully grabbing our attention? That older things get forgotten as quickly as Tick Tock trends? They were wrong. We love, and we care. Not everything bows to the rules of fast production capitalism. We aren't a predicted consumer statistic.

We love Percy Jackson.

refseek.com

www.worldcat.org/

link.springer.com

http://bioline.org.br/

repec.org

science.gov

pdfdrive.com

Rereading the Lord of the Rings series recently, and it's so fascinating to me how much the series is a denial of the typical juvenile power-fantasy that is associated with the fantasy genre.

Like, the power-fantasy is the temptation the Ring uses against people It tempts Boromir with becoming the "one true king" that could save his people with fantastic power. It tempts Sam with being the savior of Middle Earth and turning the ruin that is Mordor into a great garden. It tempts Gandalf and Galadriel with being the messianic figure of legend who brings salvation to Middle Earth and great glory to herself.

The things the Ring tempts people with are becoming the typical protagonists of fantasy stories that we expect to see. and over and over we see that accepting that role, that fantasy of being the benevolent all-powerful hero, is a bad thing. LotR is about how power, even power wielded with benevolent intent, is corrupting.

And its so fascinating how so much of modern fantasy buys into the very fantasy LotR denies. Most modern fantasy is about being that Heroic power-fantasy. About good amassing power to rival evil. But LotR dares not to. It dares to be honest that there is no world where anyone amasses that power and remains good.

I guess that's one of the reasons its so compelling.

Basically: WHY IS ALL THE PUBLIC OUTREACH ABOUT CLIMATE CHANGE ALL "YOU HAVE TO GIVE UP ANOTHER PLEASURE OF YOUR LIFE TO FIX CLIMATE CHANGE" and not "SEE LOOK HOW WE'RE RULED BY A GROTESQUELY ILLOGICAL DEATH CULT"

Want to learn something new in 2022??

Absolute beginner adult ballet series (fabulous beginning teacher)

40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)

Excellent basic crochet video series

Basic knitting (probably the best how to knit video out there)

Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)

How to draw character faces video (very funny, surprisingly instructive?)

Another drawing character faces video

Literally my favorite art pose hack

Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??

Introduction to flying small aircrafts

French/Dutch/Fishtail braiding

Playing the guitar for beginners (well paced and excellent instructor)

Playing the violin for beginners (really good practical tips mixed in)

Color theory in digital art (not of the children’s hospital variety)

Retake classes you hated but now there’s zero stakes:

Calculus 1 (full semester class)

Learn basic statistics (free textbook)

Introduction to college physics (free textbook)

Introduction to accounting (free textbook)

Learn a language:

Ancient Greek

Latin

Spanish

German

Japanese (grammar guide) (for dummies)

French

Russian (pretty good cyrillic guide!)

something about everything neil gaiman has ever done feels like the root of a broken tooth. sometimes it’s this sort of jarring delight: it’s being six and shoving the tip of your tongue into the hole where your tooth was and tasting the metal of your own pink, enflamed flesh. sometimes it’s viscerally horrific: it’s shattered bits of bone embedded deep in an exposed nerve that you didn’t even really believe you had until just now. sometimes it’s indescribable but somehow universally acknowledged: it’s the taste of your own mouth and knowing something only by feel and the exposure of the parts of you that weren’t ever supposed to know air. the situation adapts, the formats change, the experience shifts, but the core experience of it is always the same