thinking about a sloppy maybe tipsy make out sesh with chad that turns into you riding his thigh….
fem!reader, thigh riding, 18+, unedited blurb
© msgorillagripcoochie , do not steal, post on third party sites or translate my work
the music is loud and the room smells of cheap booze and sweat but all you can really smell and feel is chad. "god, you're so pretty." is the words he groans before pressing you up against the wall.
it's a messy kiss, the drinks you guys had obviously getting the best of you as his tongue pushing against yours, his hands are in your hair tugging lightly on it causing you to whimper against his lips. he'd been trying to keep his hands off you all night but you just looked a little too perfect in your cowgirl costume i mean how could he resist?
"chad." you laughed against his lips, you can taste the shots the two of you had just taken. his arm wrapped around you pulling you impossibly closer to his warm skin as you placed your hands on his strong chest.
he dropped his head to your neck beginning to suck mark onto your skin your back arching when a moan slipped from your lips.
"chad, we're around a bunch of people." you gasp out but make no particular move to push him away.
his teeth graze your skin his hand dropping to your hips "you wanna go upstairs." he asked finally pulling back as you leaned your head back against the wall, he moved closer when someone said 'excuse me' so he was flush against you.
you think about it running your hands over his bare chest, your nails scratching lightly "i promised mindy we won't have sex." you sigh looking at him through your lashes "you know, horror movies rules and stuff." he groaned throwing his head back his cowboy hat almost slipping off his head. "don't do this to me."
"i'm sorry." you pout pressing a kiss under his jaw. "trust me any other circumstances, i'd have you in me in a second." he laughed looking back down at you shaking his head.
"we don't have to have sex, babe." he hummed his hands gripping your hips "i could always just make you feel good." he pushes his thigh in between your legs, his head dropping back down to your neck "i know how much you love when i do all the work." you let out a gasp when he pulls you to grind against his thigh in one swift moment "chad."
his lips are all over your neck nipping and sucking at your skin as he helps you grind against his thigh. to onlookers it looks like a couple cuddling in the corner, his broad shoulders blocking you from anyone looking. it shouldn't have turned you on as much as it did, you tried to keep quiet moaning softly in his ear.
he pushed his thigh harder against you as he makes due on his promise to do all the work, his hands moving you on his thick thigh. "there you go baby, that's my girl." he praised in your ear, your nails digging into his bicep the pressure against your pussy almost sending you over the edge.
it should be embarrassing but you think it's drinks making you more sensitive to chad's rough touch. you bury your face in the crook of his neck to hide your moans.
it isn't long before you're cumming on his thigh, you holding onto to him for dear life and he still moves you a little bit letting you ride through your high. he doesn't say much when he pulls back looking down seeing that little dreamy look in your eye.
"chad?" he has a smirk on his lips like he knew what you were going to say "yes, sweetheart?"
"wanna go upstairs?" you asked tossing your arm over his shoulders biting your lip "what about horror movie rules?" he teased "fuck horror movie rule i want you inside me." you huffed pulling him down into a rough kiss.
mindy squinted from afar watching as you led chad up the stairs "what's wrong?" anika asked following her eyeline "they're literally going to die because they can't keep it in their pants." anika laughed at mindy's words shaking her head "don't be like that."
"just glad i'm the smart twin."
"i don't know mindy.... there's bathroom with our name on it." anika giggled kissing mindy's jaw and mindy groaned "fine, i'm convinced."
"i haven't even tried to convince you yet!"
"don't care, let's go."
a/n: chad owns my mind, body and soul, tell me what you think and feel free to request. i really hope you liked and enjoyed this!
30+ Mods & CC for Realistic Gameplay-
-Nova's Vlog-
Longer Parties and More Guests
Thick Walls (No Noisy Neighbors Outdated)
Somik & Severinka S&S Cookbook
Somik & Severinka Functional Alcohol (S&S Cookbook required!)
Somik & Severinka Functional Stands for Bottles
Basemental Alcohol
More Choices
Elgato
Functional PS5
PS5 Controller
PS5 Game Override
Side FX
-CAS-
Mirrored Up
CAS Organizers
CC Wrench
Nail Pose
Female Underwear Replacement
Male Underwear Replacement
No More CAS UI
-Gameplay-
Dark Mode UI
Ceiling No longer needed (Thanks Amobae ♡)
Selfie Override
Counter Prep Disable
Utensil
Stop Eating when Fed Up
Sponge Override
Nap Override
Laundry Override
Spray Bottle Override
Quip Oral Set
Razor Override
Self Pedicure
Foot Replacement Alternative (Didn't realize that it's STILL behind paywall)
One day I'll learn how to make an aesthetic post. Not today tho
♡Thank you to all the wonderful CC Creators and Animators ♡
Elliot x Reader
Warnings: Smutty smut smutt & also a try at some plot…pray he never sees this
a/n: whew…hey guys. long time no SEE! it’s been a hot minute & i’m so sorry about that. please accept this gift as an apology…i didn’t even mean to make this so long, & i definitely still need to make corrections, but alas, here we are. please enjoy & maybe leave a comment? i love reading your guys reactions/thoughts! :)
a/a/n: wait, also, can we talk about cochella? because i was SAT! mama’s boy is already my favoritee. ok, sry, enjoy <3
¥
One of the lightbulbs in the bathroom flicker as you lean down to sniff a line of coke off the porcelain sink. Then it blows out. You told Elliot weeks ago that it needed to be replaced, but as usual, his “I’ll get to it.” gets lost in all the other bullshit he spews.
Throwing your head back, you scrunch your nose and sniff. Not yet used to the burn.
Unrolling the five-dollar bill, you shake it out and shove it in your pocket. He left it in the bathroom for you anyway. You do a quick sweep around to make sure there’s nothing that can show what’s been going on in here, swipe the powder off your tight long sleeve, and walk out.
The music that was once muffled behind the door is now clear as you sway to the beat on your way back into Elliot’s room, Jules and Rue sitting on his bed with a joint between Rue’s lips.
“Ooo, that the vanilla backwood–” You start, then stop when warm hands grab your face, and your lips are pressed against another pair. It happens so fast that you barely have time to process it before the warm body moves away. You stumble and look up.
Elliot.
Keep reading
pairing: riff (wss) x reader
warnings: 18+, minors dni, oral (m receiving), exhibitionism
summary: After having Riff’s hands all over you at the dance, you can’t help but pull him away into the shadows.
a/n: mike faist world domination ‼️ I’m hyperfixating so bad rn. He’s just so gorgeous.
“Where the fuck is Riff?”
The Jets without dates shrugged from their places on the outskirts of the dance floor. Ice clenched his jaw, his date securely tucked underneath his arm.
“He’s dancing with… Y/N…” Baby John scanned the crowd of dancing couples, failing to see either one of you.
“Numbers and Action left with their girls so if anything happens without Riff here, we’re outnumbered,” Ice said pointedly to the Jets within earshot.
Mouthpiece and A-Rab nodded, as Ice and his date rejoined the dance floor.
Unbeknownst to them, you had taken Riff’s hand halfway through a number and weaved him out of the crowd underneath the bleachers.
You found privacy there and, after the past few hours of being so close to him, you couldn’t deny yourself any longer.
As soon as you were in the shadows of the bleachers, you crowded him against the wall of steps.
“We should go,” Riff panted with pink kiss-bitten lips as your hungry mouth moved to his neck, licking and sucking his sweat-salted skin.
You shook your head with a mischievous grin, “I wanna keep dancing… Just need you to myself for a couple minutes.”
“Oh yeah?” A wide smirk plastered across Riff’s lips and his eyebrows lifted, looking down at you. His strong hands gripped your hips tighter and held you close to him.
You and Riff had been going steady for a few weeks. He treated you to milkshakes at the diner, he took you dancing every Friday night without fail and you two even went to the drive-in movie theatre once.
He was certainly charming.
But you weren’t sure you were quite there yet. Riff has a special way of making your stomach swirl but the Jets had a reputation amongst your friends for being… town bikes.
“Yeah, I like seeing you like this,” You smiled, letting that hang in the silence for a moment before taking a step back, “Wanna head back?”
Riff watched you with half-hooded eyes as you straightened your appearance. His hair was mused and his cheeks were rosy pink.
Looking through the gaps between the stairs, Riff assessed the dance hall. Lonely singles sat above you, waiting to be asked to dance, their shoes tapping to the beat of the music against the bleachers.
Did he want to go back..? Riff would rather spend the rest of the night hidden away with you, but you wanted to dance so he’ll dance.
He turned back to you and stood up straight, “Let me cool off for a minute.”
The bulge in his trousers was evident as he stepped further out of the shadows. It looked sizeable and you couldn’t tear your eyes away from it.
Riff adjusted himself and the front of his trousers, straightening out his shirt and collar.
“You need a hand?”
The words escaped your mouth before you could think and Riff almost snapped his neck turning to look at you.
Silence hung between you for what felt like eternity but was in actuality a few seconds.
“I mean… if you want,” You shrugged, only now realising that you were ready to give yourself to Riff in that way.
“Sweetheart of course I want that,” Riff took your face between his hands, “Are you sure? We can just go back to dancing.”
Wordlessly, you wrapped your fingers around his belt and pulled him closer, your hips flushed to his. His unfastened belt buckle caught against your hand as you tugged down his zipper and lowered to your knees.
Riff helped you pull his boxer briefs low enough to free his aching cock. You gasped at his size and he groaned at your reaction to him, tucking a lock of hair behind your ear.
He was being so gentle with you. It was hard not to give him your all right away.
You started with kitten licks and soft kisses to his shaft, running your fingers through his happy trail and settling your hand on his thigh.
The other held the base of him as your tongue traced the vein across the underside of his cock.
Riff groaned from deep in his chest, gripping a metal bar from the bleachers framework above him. His other hand flailed in the air as he struggled to decide whether to hold onto you or not.
The hand on Riff’s cock ran along his toned stomach and took his free hand in yours, interlocking your fingers, as you wrapped your lips around him and took him into your throat.
“You can take it sweetheart,” Riff encouraged, his voice thick with lust.
Bobbing your head up and down, you worked up a rhythm that had Riff tipping his head back and biting his bottom lip.
He managed to muffle most of his moans and heaving breaths but the slick sounds coming from your mouth around him were hard for him to ignore.
Luckily the lively Jazz music of the dance hall bounced around the room, concealing your noise.
“Fuck baby, you’re so good at this,” Riff praised, low and rumbling. A smile graced your face despite your mouth stretching around Riff’s thick cock.
You moaned in appreciation, the vibrations making Riff moan and buck his hips, pushing his cock deeper down your throat.
Saliva dripped down his cock onto his balls. You pulled back to catch your breath, kissing his hand before untangling your fingers from his and stroking him.
Gripping him at the base, you took him in your mouth again and worked up another rhythm to prolong his pleasure.
Sweat beaded at his temples and his chest heaved. Riff wrapped his hand around the side of your neck, his thumb tilting your head back to meet your eyes.
The sight of him above you, ruined by pleasure, made you moan. The vibrations made Riff shiver. You met his eyes and his muscles trembled, pleasure shooting through him.
“Oh baby I’m gonna cum,” Riff groaned, biting his lip. His grip on the bleachers framework tightened, his bicep bulged and the veins in his forearm protruded.
You smiled giddily around his cock and reached up to massage his balls. A sinful moan sprung from his throat and his head fell back, ropes of warm salty cum coating the back of your throat.
Swallowing everything he gave you, you couldn’t help but laugh. Riff tried to catch his breath, a sheen of sweat coated his skin.
You rose to your feet, refastening his trousers and belt before tucking his shirt in and straightening it out.
Riff wrapped his arms around you and pulled you flushed against him. His face buried in the crook of your neck and pressed soft kisses to your skin.
You stood like that for a moment before pulling away. Riff looked you over before crouching and brushing his fingers against your slightly scuffed knees.
“Worth it,” You giggled as Riff stood to his full height, towering over you. He adjusted your dress and ran a thumb under your bottom lip, tidying your smudged lipstick.
“Beautiful,” Riff whispered with adoration in his eyes.
An arm wrapped around your waist and held you close, “Ready to dance, girly girl?”
“Just one more kiss and then we dance,” You rose onto your tiptoes, meeting him halfway and kissing him with raw passion.
Riff pulled away, barely an inch, “Just so you know, I’m returning the favour as soon as you let me.”
“You’ll have no complaints from me,” You kissed him quickly and nipped at his lip before taking his hand and heading back to the dance floor.
The eagle-eyed Jets whooped as you and Riff reappeared, less put-together than when they last saw you.
“Enough’a that,” Riff was stern but in good spirits, pulling you under his arm as you giggled.
The Jets fell silent, despite mischievous smirks and knowing looks.
None of the Jet boys would ever say anything to you. Riff was their leader and he’d have their necks if so much as one bad word went against you.
You were his girly girl, his sweetheart, his.
“C’mon doll, let’s dance,” Riff grinned down at you, swerving you between other dancing couples to the centre of the room, “Wanna show you off… and then you’re coming home with me.”
At that, your mouth went dry. Riff bit his lip as he watched you swallow thickly.
After a moment to recover, a smirk twitched at your lips and you wrapped your arms around his neck, “One more song then we go.”
Riff dipped his head to capture your lips with his before twirling and dipping you in time with the music.
You couldn’t wait for what was to follow, and every Friday night to come.
Pairing: Elliot x Reader
Word Count: 429
Warnings: Sexual Undertones and Discussions of Last Night's Activities,
A/N: Hey guys! I hope you enjoy this fic. I definitely see Elliot as the type to push someone's buttons, but in a cute way like in this.
Love you darlings, xx Lilac.
Our night's previous events definitely weren’t already forgotten. Elliot and I had spent the evening playing truth or dare and smoking a shit ton of weed. Eventually, we started making out and the last thing I remember was him nudging my thighs open and breathy moans leaving the both of us.
He was definitely a little higher than me but he still made me feel so good. Who knew?
The morning after was when I could finally feel my legs again. I thought for a second about how I could get up without waking Elliot. But as I tried to walk over to the bathroom, the sore feeling became all too apparent and he was already up.
“I fucked you that good?” Elliot chuckled, laughing as he watched me try to walk over to the bathroom.
“I can’t fucking walk, Elly,” I groaned, heading back to the warm sheets as I accepted the ache in my core.
He just played with my hair as I watched the grin on his face get even bigger.
“It’s not funny,” I groaned, as I heard him soon explode into laughter, trying to form words as to what was so funny.
“It’s just that you looked like you were just learning to walk back there,” he said, as he continued to giggle.
“You know what, Elliot? Karma’s a bitch,” I deadpanned as I smacked his chest.
“Hey! You know you liked it so much, that’s why you can’t walk right now,” he said, continuing to giggle at my unamused face,
“You know what, Elliot? I can walk,” I said, getting out of bed to walk over to the bathroom.
“Okay, go on then, princess,” he said as he propped himself watching me walk as I tried so hard to prove it to him.
“You know what, fine. You win,” I said, giving up after five steps.
“Nah, you win. Come back here so I can make you feel even better.”
“Hmm,” I hummed, watching the way he licked his lips, “what do you have in mind, Elly?”
“I know how much you love it when I go down on you, let’s give your pussy a bit of a break.”
I laughed at his dirty word and the continuing ache between my legs.
“You’re gonna have to come and pick me up then,” I grinned as I watched him come and pick me into his arms as he laid me back on the bed.
“Ready for my fun?”
“Yes,” I grinned, reaching for his blonde curls as his head lowered down between my thighs.
summer road trip with luke castellan (16+, implied sex)
it starts with a promise.
made late at night, in the kind of hazy space between sleep and dreaming, when the world feels quiet and nothing’s quite real yet. you’re lying side by side on a roof somewhere—one of those abandoned places luke likes to sneak into. the stars are barely visible, city lights bleeding up into the sky, but you’re not really looking at the stars anyway.
“we should do it,” he says, breathless from laughter after a dumb joke he barely managed to get out. “just take off one day. no plans. no schedules. just you, me, and the open road.”
you laugh into the sleeve of your hoodie. “okay, cowboy.”
“i’m serious.” he props himself up on his elbows. “we’ll make playlists. stay in janky motels. get gas station snacks that’ll probably kill us. it’ll be perfect.”
you hum, eyes fluttering shut. “we’re always saying ‘one day.’ you ever think about making it this day?”
he doesn’t say anything for a long second.
then, “i’ll steal a car.”
you snort. “please don’t steal a car.”
“fine. borrow one.” he nudges your arm. “c’mon. you know you want this.”
you do. gods, you really do.
and maybe that’s why two weeks later you’re throwing a duffel bag in the backseat of an old car luke somehow managed to “legally” obtain (you don’t ask too many questions), a worn paper map stuffed into the glove compartment, and three half-charged burner phones just in case.
you don’t even pick a destination. that’s the point.
it’s about the drive.
the first few days are the best kind of disorganized. you get hopelessly turned around trying to get out of the city, miss your turn like, four times, and end up on some weird detour through a town that seems stuck in the 1950s. you eat breakfast-for-dinner at a diner with cracked red booths and a waitress who calls you both “sweethearts.” luke leaves a doodle on a napkin and tucks it into the jukebox.
the road stretches ahead like a ribbon of possibility, glittering under the sun. the heat blurs the horizon, making everything shimmer like a mirage, and the sky is that kind of obnoxiously perfect blue that feels more like a postcard than real life.
the a.c. in the car gave up somewhere around three days ago, so the windows are rolled down, warm air rushing in and tangling your hair, sticking your shirt to your back. it doesn’t help much, but it’s better than nothing.
you've got one foot propped on the dash and a half-melted slushie wedged into the cupholder, condensation dripping down the sides. the map—the one you swore you didn’t need, and luke insisted you bring anyway—flutters against your knee every time the wind hits just right. it’s already creased and stained, with corners starting to curl. neither of you are really using it.
a cd clicks softly in the stereo, and a hazy guitar riff spills out—something easy, something old. the kind of music that makes you feel like you’re in a movie.
you hum to the songs you know, watching the scenery blur past in golden smears of light and heat.
luke’s driving one-handed, the other resting lazily out the window, fingers tapping against the door in time with the beat. sunglasses slide down the bridge of his nose, and there’s a sunburn blooming along the edge of his jaw that he keeps forgetting to take care of. he looks over at you, grinning.
“you’re gonna fly out the window if you lean any further.”
“worth it,” you say, hair whipping across your face. “this breeze is all that’s keeping me alive right now.”
he chuckles, reaching over to tug the map from your lap. “you’re the one who said we didn’t need to stop for sunscreen. or, y’know, ice.”
“and you’re the one who didn’t want to stop for directions,” you shoot back, watching him squint at the map like it personally offended him. “so now we’re two thirsty idiots lost somewhere between nowhere and hell.”
“romantic,” he says, tossing the map into the backseat. “just the way i like it.”
you roll your eyes, but it’s affectionate. always is with him.
the wind smells like dust and wildflowers, and every few miles, you pass a road sign faded by time and sun. one of them promises a lake in twenty minutes which probably is not true. the next, a diner with the “best pie in the state.” you don’t stop for either. maybe the next one.
you were supposed to take turns driving. that was the deal—fifty-fifty, no arguments. but luke, being luke, never sticks to the plan. he always insists he’s fine, even when you catch his eyes fluttering shut at a red light, head tilting slightly like he’s about to nod off right then and there.
“i literally saw you close your eyes for five seconds,” you say when he pulls into a gas station, the gravel crunching beneath the tires as he parks.
“it was just five seconds,” he groans.
“five seconds away from crashing,” you mutter, already unbuckling your seatbelt. “move over.”
he sighs, dragging himself out from behind the wheel with all the theatrics of someone who’s definitely not fine, even if he still insists otherwise. he grumbles under his breath as he slides into the passenger seat—and is completely passed out the second his head hits the window. no “i’m not even tired,” no “just resting my eyes.” just out cold. mouth open, snoring, even drooling a little.
you drive comfortably after that. there’s less tension on your shoulders now that you’re the one in control, and luke’s quiet snoring is oddly comforting.
he stirs sometime later, sleep-warm and rumpled, his voice still thick with it when he reaches across the console. his hand finds yours with ease, like it’s muscle memory. his fingers slot between yours and, without a word, he lifts your hand and presses a kiss to the back of it. soft. slow. like a thank-you.
somewhere between a cracked-out diner with the best grilled cheese you’ve ever had and a pit stop at a quiet national park, you start feeling it—that warm, slow burn that only summer with luke castellan can bring.
it’s in the way he looks at you when you’re not looking, eyes softer than you’ve ever seen them. it’s in the casual brush of his thumb over the back of your hand. it’s in the way he steals bites of your food, complains about the heat, and still tucks a cold bottle of water into your hands without being asked.
he’s quiet during the hikes, but he always slows down so you don’t fall behind, even when you insist you’re fine. he keeps snacks in his pockets for you, things he knows you like, things you didn’t even notice him buying. and when you sit beside him on the edge of a cliff, watching the sun drip like honey into the horizon, he kisses your shoulder so gently it sends goosebumps across your skin.
he takes so many pictures of you. most of the time you don’t even notice until he shows you later—sun-drenched, wind-tousled, blurry with motion but sharp with love. he says he wants to remember you like this. you laugh and roll your eyes, but still smile a little too hard when you see them.
you two stop at a few motels every now and then. they were nothing special. peeling paint, flickering neon sign half-buzzed out, and a questionable stain or two on the carpet—but it’s cheap, and it’s got just enough charm to feel like part of the story. luke leans against the counter while you check in, tapping the bell repeatedly until you swat at him.
the old woman behind the desk gives you a room key and a knowing smirk like she’s seen a thousand versions of you two before: sunburnt, road-weary, eyes too bright to be anything but in love.
sometimes, impulses get the best of the two of you. like when one day luke spots a faded little hand-painted sign pointing down an overgrown path off the side of the highway. beach access. there’s no one around. no cars. just the sound of cicadas and wind through tall grass.
you both follow it on instinct, barefoot and laughing, racing toward the sound of crashing waves.
and then there it is: a hidden stretch of shoreline tucked between two cliffs, like a secret carved out just for you. no footprints, no noise except for the ocean. the sand’s hot and soft under your feet, the sun dipping low on the horizon and casting everything in amber.
you run straight into the water, still half-dressed, splashing and shrieking when luke dunks you under and then pulls you back up, breathless and dripping. he kisses you then, water-slicked and grinning, hands on your waist like he’s never going to let go.
and later, after you’ve both sprinted back to the car, giddy and dripping wet, after the sand’s stuck to every inch of your skin and the sun’s painted you gold, you end up tangled in the back seat. skin sticky with sweat, your bodies pressed close in the heat of the car, breathing in tandem.
the windows fog up, the air thick with salt and sun and something heavier. the radio hums low, some lazy summer song playing beneath the sounds of your bodies shifting, touching, needing. his hands roam like he’s mapping you out all over again, rough in the way he holds you but gentle in the way he touches, like he knows exactly where to press to make you shiver.
he kisses you like he’s trying to memorize the taste of salt on your lips, like he wants to bottle this exact moment and keep it somewhere safe. and you, half-laughing between gasps, fingers twisted in his curls, mumble against his mouth, “i told you the backseat would get too hot.”
“guess we’ll have to open the door,” he says, voice low and teasing. “get a breeze in here.”
you roll your eyes, breathless and flushed. “fuck off, if we get caught by some poor park ranger—”
“worth it,” he grins, before kissing you again. deeper, slower this time.
and when you’re breathless and half-dressed, your back pressed to the warm seat and your body aching in all the best ways, you lie there with your head on his chest. his heartbeat is loud in your ear, steady and real.
you tilt your face up toward him, the fading light painting him in gold. “same time next summer?”
his arm tightens around you, his voice soft and full of something you don’t have a name for yet. “you’re not getting rid of me that easy.”
summary: prompt fill. Wally saves you from a joke gone terribly wrong the night of the Homecoming dance. what unfolds after is a friendship you desperately cling to as you try to survive the rest of term... what you don't know is that Wally Clark is deader than a doornail until you learn it the hard way. (request)
pairing: Wally Clark x fem!reader
warnings: smut lite. AU - canon divergence. CWC (canon what canon). single mention of a mental health slur. attempted assault. protective behavior. angsty themes. hurt/comfort. bullying. HEA.
note: author hasn't watched S2. all knowledge of new content comes exclusively from GIFs on this platform. (i got tired of filtering Wally content. he's my babe. i am weak.)
bon reading, frens
___________________________🐦🔥
Wreck It Like A Rumor
They disguised themselves as friends.
You should've known when the one person out of the group you considered a sister—the girl you'd glommed onto in elementary, who'd been by your side through every shitty thing that'd unraveled your life at the time. You know, your real friend—started acting shifty.
Eyes down, nervous laugh, not giving you a straight answer when you asked her if she was okay.
"Help! Anyone, please! Let me out of here!"
You pound your fist against the door, tears streaming down your face. Mascara smudged, nail polish chipped, kicking and banging and screaming until your skin is red and blotchy.
It's Homecoming. You never went to the dances, tend to avoid a lot of high school social events like the plague since everyone in your grade (and others) treats you as if you're contagious.
But it's junior year, and your best friend begged you to join her as her ride or die since she wasn't super comfortable with her new group of friends yet.
You threw caution to the wind and said yes.
For Oli. Olivia Hazelwood. The awkward daughter of Split River's old-money elite couple, Henry and Marion Hazelwood. You and Oli were awkward together. Outsiders who found a home in each other. You shared everything with her and thought she did the same, but now you question how true that was.
Because, along with her new friends—who she insisted were your new friends, too—she'd locked you in the secret fallout shelter in the school basement.
Cruelty packaged as a practical joke.
You heard Travis cackle to the others before calling through the door, "Get comfortable, it'll be a while 'til the janitor comes to get you!"
It's fucking Friday. You don't know Mr. South's schedule—hell, you don't know if he even knows about the fallout shelter—but you assume he won't be back until Monday like the rest of the staff.
Someone will do a walk-through, you tell yourself, gasping for air as you pace around the space. It's dark, the only light coming from the weird dashboard on the clunky equipment lining one wall.
How Travis and the others found out about the fallout shelter isn't a mystery. You told them, stupidly, when you were trying to bond with Elitzia and Marybelle. Split River trivia you'd collected through hyperfixation research. Hours spent diving down rabbit holes after binging Fallout with Oli over a weekend.
Nuclear winter. Chernobyl. Bunkers. The Cold War.
God, why'd you say anything? Should've kept your mouth shut. Should've known that Travis and his friends weren't actually trying to buddy up, because you're still the school pariah.
After all, you gave Jake Tremblay crabs after you rejected him in 9th. You were a homewrecker and forced yourself on Matt Wilson when his girlfriend caught him shoving his unwanted hand up your skirt. You told Claire Zomer last year that you liked to wear diapers and be bottle-fed like a baby as a result of neglectful parents after you refused to do her English homework.
The mill churned out rumor after rumor, and though you tried to fight it at first, it became too much. Like squashing an ant hill. You stopped, people lost interest when you didn't react, but those rumors still circulate.
Sometimes, new ones join the rotation depending on who you piss off just trying to make it to the last bell.
Oli was the only person who stood by you until Elitzia extended her friendship.
Now you're alone. Stuck in the creepy fallout shelter in the dark. Suffocating on shadows as you double back to the door and start banging your palms against it again. Oli knows you're claustrophobic. She was there when you trusted Sarah Thompson in 5th Grade and climbed into her toy chest.
What is so other about you that makes people hate you so much?
You gulp in harsh breaths, sobbing out exhales, losing energy quickly as you smack and bang the door. You can't hear the music, but you know it's still loud, the dance in full swing two floors above.
"Please," You cough, shaking, "Please, let me out..."
‗•‗
Wally sighs. Tonight's been one giant letdown. He doesn't know why he got his hopes up, especially since it's been obvious from the get-go that Maddie isn't ready for the things Wally wants to try with her. Romance. Dates. Hand-holding and affection and inside jokes.
He understands. Of course he does. Maddie's new-dead. She was murdered. She and her best (and very alive) friend are trying to solve the case, to help her remember so she can find closure or whatever.
Why would she want to take a break from that and hang out at a dumb dance with Wally? Who's been trapped in limbo for the last forty years; same four walls, same seven faces to interact with. Same. Same. Same. Same. Fuck.
It's fine. It's totally fine.
As he lies on the grass, staring up at the stars, the quiet outside giving him space to sulk, he hears it. Bang. Help! Bang bang bang. Please!
It's faint, no louder than a breeze, but consistent. Wally gets to his feet and tries to follow the sound. Back into the school, down the steps, along the first-floor hallway to the basement door. It muffles for a moment when he goes the wrong way, toward the janitor's office, so he backtracks and hurries deeper into the bowels of the school.
Despite having the run of the place, no holds barred, he hasn't been this way before. Never saw a reason to go to the boiler room, not even after Maddie took a seat at the Afterlife Support Group.
The sound loudens, banging and muted pleading, someone clearly in distress. Wally slows his steps as he nears a door he's never seen before. It's old, white paint peeling, made of metal. It shakes when whoever's behind it starts slamming their fists again. Renewed vigor, higher-pitched agony, "Please!! Anyone!!?"
Wally scans the outside of the door for a latch or handle and notices the deadbolts attached to the top and bottom of the doorframe. Quickly, he undoes them and yanks the door open, stumbling back when a figure slumps out.
Small. Trembling. A girl whose makeup is stained with tearstreaks and whose eyes are bloodshot, her skin pale from fright. She's breathing heavy, sniffling, rubbing the back of her wrist under her nose as she gradually calms.
"Uh..."
And that's as much as Wally gets out before she's on her feet, arms around her middle, shoulders up. She takes one look at Wally, mumbles a wet thanks, and then charges through the boiler room, down the corridor, and out of the basement.
Wally's stunned. Because he knows for a fact that that girl is alive.
Not only did she look right at Wally, she spoke to him. Like, to his face. Eyeballs met eyeballs. For the first time in a long time, Wally was part of the living world again.
"No freaken way..."
‗•‗
You keep your head down as you walk toward your locker. Headphones on, blaring angry music to quell the crash and surge of emotion inside you. You're embarrassed, humiliated, hateful. Rightfully so, you think, because the last person in the world you trusted betrayed you in the worst way you can imagine.
Oli tried to apologize over the weekend. A novel of a text that repeated several times how sorry she is about what happened. How she didn't know that was the plan. I swear, I thought they were just going to close the door for a minute.
So why didn't you come back?
She never answered. Either ashamed of her non-actions or annoyed that you won't forgive her as easily as you used to, you don't care.
The guy who saved you—tall, handsome, dressed like a silverscreen leading man—looked just like someone that group kept in the middle of their circle-jerk. Which was why you didn't stick around to thank him properly. He was probably just a little less bad; has what amounts to a conscience for those assholes, and decided to cut the joke short out of guilt.
Definitely a senior, you figured, since you didn't recognize him from your class.
Makes things easier. You intend to steer clear of him just like you will the others. You've got enough on your plate, the newest rumor sticky-tacked to your locker when you finally arrive.
Crybaby got herself locked in a room and couldn't get out! Accentuated with photoshopped baby bottles and crying emojis.
It's stupid. Juvenile. But it burns. You tear the paper off your locker, crumple it up, and march to the trash to shove it through the lid. Even through your music, you can hear the chorus of laughter. Some of it nervous, as if going along with it to avoid the same attention Travis and his cronies give you. Some of it hearty and genuine.
You swallow your discomfort and go back to your locker, wrench the lock open, and almost violently swing the door right into someone's face. Thankfully, that someone catches it before it does any damage.
"Whoa there, Helen Sharp, I'm not here to steal your man." The guy chuckles, giving you what you assume is his most charming smile.
It rubs you the wrong way. You glare back, ignoring the comment as you begin to rifle through your things, exchanging last night's homework for the textbook and notes you need for first period. He clears his throat, keeps standing there awkwardly, rubbing the back of his neck and watching you.
"So, you can't hear me," He mutters, and, weirdly, it doesn't sound like a snide question. Rather, his voice is heavily laced with disappointment.
You stop and straighten, staring right at him when you cock your head and say, "I can hear you just fine." Then, "You come to make me thank you again?" Just like Mike Bower earlier this semester, who pinned you to the vending machine after the cafeteria emptied, demanding you show him your gratitude for lending you a pencil during the History test.
The guy swallows and shakes his head, eyes wide and mouth agape. As if you speaking to him is the most astonishing thing that's ever happened to him.
Your glare intensifies.
‗•‗
Wally can't believe it. You can see him. You're talking to him.
Kind of.
You're mostly scowling at him, but that doesn't matter. He'll take what he can get. He knows you're likely still upset about Friday, how you got locked in the fallout shelter somehow. Which, the fallout shelter was a whole discovery on its own that helped unlock some of Maddie's memories over the weekend, so if anyone should be grateful, really, it's Wally.
"N-no," He stutters.
His shock swiftly melts into excitement, big grin sweeping his face, and he giddily follows you toward your first class after you slam your locker closed and start walking.
"So...are you okay? You didn't look so good, last time I saw you."
You heave a sigh, "I'm fine." And it sounds an awful lot like something you've been repeating to yourself until you believe it. Clearly, it isn't working.
"Right. Yeah. Of course you are." Wally nods sagely. "...What's your name?"
You come to an abrupt halt in the hallway and turn to face him, brows furrowed, giving him a slow once-over that makes his heart skip a beat. Now that he can see your face better, he swallows thickly. Jesus, you're beautiful. Even scowly and off-put. Pretty as a peace lily.
"Why?" You ask, and, wow, okay, has no one ever asked you for your name before?
Wally hesitates, not quite understanding why you're being so hostile until he hears it. A couple of students behind him, snickering to each other, commenting on how, the fucking weirdo's lost her mind. She's so fucked up.
Spinning on his heel, Wally faces the students, ready to put them in their place before he remembers that they can't see him...can they? No. They can't. They look right through him at you, snorting and shaking their heads in pity like you're some kind of headcase.
When he turns around again, you're gone.
‗•‗
It takes Wally a few days before he finds you again. Outside, sitting in a patch of sun, eating your bagged lunch alone as you lean against the side of the school. Without preamble, he plops down beside you.
He spent his time doing a little research. Between helping Maddie and Simon investigate, obviously, he's a good person who has his priorities straight. Still, you were always on his mind. The gorgeous living girl who can see him.
You ignore him, bite into your PB&J, and stare into the middle distance as if Wally doesn't exist. That's fine. He understands now. And, holy shit, the things he'd do if he had a body to do them in. He'd fuck every last one of your tormentors up. Break egos before breaking bones. Guy, girl, he doesn't discriminate; he hates what he's heard.
Can't be sure none of it is real, but from the way you shrink when he keeps his attention on you, he doesn't think any of it is.
"You okay?" He ventures again, voice low and kind.
You shrug. No snarky comment, no anger. Just...resignation.
"I, uh, heard what they say about you..."
You snort, "Great. You come to give me words of wisdom, oh wise one? It's just high school, it won't matter when you get out of here," You mock, clearly some bullshit you've been spoon fed before.
Wally shakes his head, "Nah. Nothing like that." He gives you a smile. Cheeky, "High school's all there is. It really does shape your whole life."
You choke on your next bite and then give him a look of horror. When you catch his impish smirk, your eyes narrow.
"You're an asshole."
"You're kind of a grump." Wally shoots back good-naturedly.
"I think I've earned it."
Wally's smile falters slightly, but he makes an effort to remain upbeat. Softly, sincerely, he says, "I'm sorry you have to go through all that."
"It is what it is." You respond, equally as soft, gaze on the ground.
You and Wally sit in silence for a moment. It doesn't feel awkward or tense the way Wally expected it to. Instead, it's peaceful. A welcome change from the mounting drama he's experiencing on Split River High's metaphysical side.
Eventually, you seem to relax. You and he exchange names. He doesn't give you his last name, not quite ready for that conversation, though he's sure you'll figure it out sooner rather than later. His letterman is a dead give away (no pun intended).
"Do you...have any friends?" He asks bluntly after talking around the point for a few minutes.
Tensing, you stop chewing the last bite of your sandwich, gaze distant as your face slackens in what Wally can only describe as hurt.
"I did. But then she helped her new friends lock me in a fallout shelter even though she knows I'm claustrophobic."
"Fuck..." Wally exhales sharply, "I'm sorry."
"You say that a lot," You accuse, slanting him another suspicious look. "Why are you sorry? Did you know that was the plan? Are you friends with Travis and Marybell and Elitzia?"
Wally tries to keep up with your questions. You must've been thinking those things based on how rapidly you asked them, and it takes Wally aback.
"No," He replies, "I don't know any of those people."
You relax again once you've stared into Wally's fucking skull to see if he's lying. Apparently, you can do that since you give a small nod and settle back against the wall.
"Thank you," You say after another minute of silence. "Really. For...getting me out of there."
"Yeah, of course," Wally says. "I might look like an asshole, but I'm not actually one."
You peek at him, a tiny smile forming on your lips that makes Wally's heart soar, "I'm starting to get that."
‗•‗
Your unconventional friendship with Wally grows from there.
When Wally isn't busy saving the day with Maddie and Charley and Rhonda, he spends his time haunting you. His own little joke, because it appears you haven't figured out how dead he is, and as more days pass, he's more reluctant to reveal that spooky truth.
In the span of weeks, you blossom like a flower for him. He learns how giggly you are when you aren't shielding yourself from the disgusting things your classmates sling at you. It's not often, but it's often enough that Wally never sees you as anything but reserved and quiet when you're between classes.
At this point, he's heard the slew of rumors about you. Gross and inflated, a game of broken telephone that chips away at you a little more every day.
Except when you're with Wally. It's as if his presence is helping you heal, and he can't keep the warm, fuzzy feelings from growing in his chest. Bigger and bigger with every encounter.
You've taken to studying in the library until the very last second you're allowed to stay. Tucked in the back, muffling laughter when Wally tells you about things that happened to him when he was alive. He omits details that might give away the era, but shares everything he can.
God, he loves the sound of your laughter. How your eyes sparkle when you're happy. How your cheeks flush when he sneaks in something flirtatious. How you bite your lip after you say something suggestive in return.
You're not exactly tactile, probably scarred from things that've happened in your past, things that've been said to you, or things that've been done to you. (Wally wants to punch everyone, teachers included.) It makes it easier to hide his deadness. However, it's getting to a point where Wally has a hard time remembering not to reach out and fail at tucking a strand of your hair behind your ear when you stare up at him with those sweet, joyful eyes.
There's always, at the very least, an inch of space between you and Wally. An inch he so desperately wishes he could eradicate. Either way, he can't break that barrier, the energy emitted from a living body preventing him from touching you, even if you did finally welcome it.
You bring him homemade cookies the day you reveal that your parents are rarely around. Break his heart, then heal it with chocolate chip, his favorite. He has to wait for you to turn away before he picks one up, so you don't see how the cookie never actually leaves the container.
When he bites into it, he moans, filthy, sexual, not even exaggerated because, "God damn girl, these are delicious."
"Yeah?"
"Yeah," Wally takes another bite, moans again, eyes closed as he savors the taste, "Best I've ever had."
You blush, duck your head shyly, "Thanks, Wally." And, fuck, he wants to kiss you. All over your face. Cheeks, nose, forehead. Lips. Deep and slow as he cups your jaw, angles your head just right, pulls you into his lap and—
"Earth to Wally," Your voice breaks through the mist, "You still in there?" Then, to yourself, "What the hell did I put in these?"
Wally blinks himself back to the present, "Sorry, what'd you say?"
"I asked you if you wanted to try the oatmeal-peanut butter ones."
Very seriously, "Yes. And everything else you've made ever, if you don't mind."
He wants to offer to make you banana pancakes or a burrito or anything to show off his skills in the kitchen, but he isn't sure how the food he makes would translate in the living world. His stomach clenches, eyes sad, as he begins to think about all the things he can't do with you. All the things you don't know he can't do with you because he doesn't want to lose you when you learn the truth.
Maddie didn't lose Simon, a part of him thinks, but while that's true, Maddie and Simon are best friends. Have been best friends since fuck knows when. Simon was willing to throw himself behind Maddie being a ghost because of how close they are.
Wally isn't certain you'd react the same way.
‗•‗
Things between you and Wally are...amazing? No, that's too simple a word to describe how his friendship has basically turned your whole high school experience on its head.
He's quickly become the best part of your day. He makes you laugh, helps you with homework when he isn't distracting you from it. He's sweet and compassionate and thoughtful. He remembers everything you tell him, even the mundane, silly shit.
You've never experienced that before. Not even with Oli, who had a knack of steering every conversation back to herself. It wasn't in a rude or self-righteous way, honestly, it stemmed more from insecurity and external processing.
But, yeah, it got old sometimes, especially when you just needed someone to hear you. See you. Know you.
Things with Wally are so incredible that you're even able to ignore the newest rumor about you making the rounds. How you're crazy, talking to yourself like schizo, you need meds, why do they let her near us? Dude, she could be dangerous.
None of it matters anymore. Oli's been fully indoctrinated by her new friends, ignores or avoids you, unable to look you in the eye anymore since dying her hair to look like Chloe's and dressing herself like Kirsten.
Wally has your back. Comforts you with humor or listens when you need to vent. Mostly, it's just bliss. And it's alarming because you've never felt so close to someone like this. You've exposed yourself to him in ways you never let yourself before. Not with Oli, not with your parents, not with anyone.
But he draws it out of you, bit by bit, your personality slowly reestablishing itself after years of being smothered behind the walls you had to build to protect yourself.
He's safe.
And he's hot like burning. Like putting your hand over a lit element.
Another new feeling unlocked; you want to feel his hands on you, even for a moment. Want to feel his lips on yours. Want all of him so wholly and greedily it makes your head spin.
Yes. Everything with Wally is perfect.
Until, one day, he simply...disappears.
‗•‗
It's not Wally's fault. He doesn't mean to do it. He wouldn't have, he promises. Especially not to you. But, Wally has his turn getting stuck in the fallout shelter; Mr. Martin unmasks himself as a bad guy; and Maddie's body is alive out there being used by Janet.
Things go from moderately unhinged to fucking hectic overnight.
He stays away only to help Maddie. Finds out, shit, Yuri Vyarheychyk isn't actually a looper. Discovers a lot of things he never wanted to discover. Wally's lost and despondent, and can't seem to get his head above water long enough to seek you out and apologize for abandoning you for two weeks.
He's relieved when he finally catches sight of you again, a smile on his face as he watches you help put the gym together for his high school reunion.
Just as he's about to approach, he notices you go eerily still, staring at something he can't see from this angle. He steps a little closer, cautious, heart in his throat when he finally gets a glimpse.
"Oh, no."
‗•‗
You were roped into helping set up the space for the class of '84 reunion. You'd reacted vehemently when Travis made a joke at your expense during Math and Mr. Davis immediately issued you detention.
This is how you earn back his respect. Carrying stacks of chairs and fussing over an easel that's to support a picture of that guy the stadium is named after. You're feeling bitter, neglected, alone all over again since Wally hasn't surfaced, and the rumors are starting to pick at vulnerable flesh.
Then, Ms. Monroe clucks at you, hands you the blown-up photo to fit onto the easel. You don't notice at first, and then the shock swoops in and leaves you breathless. Gaping wide-eyed at the face staring back at you.
Wally's smile is exactly how it looks when you say something he calls 'cute'. Charming. Cheerful.
The world fades away, time stands still, and you almost buckle under the realization that you made up a whole person to keep you company. You really are fucking crazy, just like everyone said.
"Hey..." You hear Wally's voice, but it can't be real, pulled from some broken part of your brain that shattered after the fallout shelter.
Slowly, you pan to your right, Wally towering over you, as solid as he was the last time you saw him. You glance back at the photo, then to Wally, rinse, repeat until you have whiplash. A tiny, wrecked sound escapes you and your body shivers, the weight of what this means bubbling inside you like acid.
"Hey, no, it's okay," The figment of Wally Clark, class of '84, dead dead dead, tries to reassure you. "You're not crazy, babe, I'm right here. You can see me."
His words do nothing to calm you down. You need help. Professional help, hard meds, a straitjacket, and a padded room.
Another trembling whimper and you wheeze, "They were right... I'm... I'm insane."
"No!" Wally insists, stumbling after you as you force your feet to move and head for the door.
Ms. Monroe calls out, but you ignore her, not bothering to think up an excuse as you leave.
"Leave me alone," You beg the figment of Wally, covering your ears with your hands to block out his voice as he urges you to believe him, that he's real, he's a ghost, he's been here for forty years, babe, please, stop!
You don't stop. You start running. Out the door, into the parking lot, off school grounds. You run until you get home, where you lock yourself in—parents still in Dubai for one of your dad's conferences, the house empty and cold.
Sliding to the ground, back against the door, you tuck your knees to your chest and cry.
Alone. Again. Always.
‗•‗
Wally's heartbroken after you leave. Never had he ever thought you'd become that important to him until you made it abundantly clear you want nothing to do with him. Because you think he's a figment of your imagination. Some trauma response.
He tries twice to convince you he's real, but it doesn't work. You shrink further into yourself, pale and placid, not even challenging the remarks made behind your back like you'd started doing again.
Unfortunately, shit hits the fan and Wally can't make time, plowing through scars, saving Maddie from herself, encouraging her to run back into her body.
All throughout, he longs for you. Wishes he'd been upfront from the beginning. He'd just wanted to be selfish for a while. To keep you. His own little secret, beautiful and bold, his to indulge in and cherish and...love.
Fuck.
Now, he stands in front of a door, a thick, bright light burning on the other side of it as he holds his key. He stares at the door, feels the warmth beckoning him. There's nothing left for him here. He's done his time, languished within the school for too many years.
Wally takes a step forward.
‗•‗
Without Wally's presence to ground you, you start to unravel. Piece by piece, whittled away to nothing but anger and fear. Right now it's predominantly fear, in large extent due to the empty halls and lack of teachers. There's a commotion outside that drew everyone with any authority out there.
It's well past the last bell, and Travis was leaving the locker rooms when you were headed to the theater to grab a notebook you forgot on one of the seats during Drama. Apparently, despite being fucked in the head, you've been a lot more appealing lately.
"You got a great smile when you aren't being a bitch," Travis leers, crowding you against a wall.
He's big. Huge. Built like a brick shithouse even at seventeen. He's got more muscle on him than you could ever hope for, and the strength of the linebacker he is behind him.
"Get away from me," You demand through clenched teeth, hands shoving uselessly at his chest. He doesn't budge an inch.
"Nah, don't think so, freak." He smirks, massive hand around your throat. Not too tight, just enough to hold you there with the promise of pain if you try to struggle.
That's when you start screaming.
‗•‗
Wally's head shoots up, and he drops the football, takes several long strides toward the exit door. The sound gets louder, clearer, as he nears. It's coming from behind the door. And it's familiar. He knows that scream, heard it weeks ago. The night he rescued you from the fallout shelter.
Without a second thought, Wally kicks the exit door open and barrels through, tripping when gravity hits him for the first time in decades. He gulps in a gasp of air, the taste sharp and bleachy, filling his lungs. Chest expanding, bones and blood and flesh heavy in a way he doesn't remember his living body being.
"Help!" You scream again, the tail-end of the word muffled by the hand of who Wally recognizes as one of your antagonizers.
Travis has you on the floor, his knees on either side of your waist as he grapples to control your arms. Wally fights against gravity, skids forward and then, Stop! Stop it! he charges. Tackles Travis' weight off of you and to the ground.
His knuckles burn as he punches Travis' face in, his lungs burn as he sucks in more air than is probably necessary, his body no longer familiar with the function but quickly getting with the program.
Wally falls back when he's sure Travis isn't getting up. Alive. The guy's alive. Just wrecked and bloodied, groaning as he rolls onto his side and clutches his jaw.
"I've wanted to do that for so long," Wally pants, wiping the sweat from his upper lip.
"W-Wally?"
Your voice is so small, so uncertain, and it gets Wally's attention immediately. He's with you in a flash, hands on your face, holy fuck, he can touch you, and you're so warm, so solid, skin so soft, he doesn't know what sensation to focus on first.
"Y-you're real." You murmur, as shocked as Wally is. "You're..." You lift your hand and place it over his, the touch smarting the cuts he opened on Travis' nose.
"I was always real, baby." He says, chest still rising and falling rapidly, God, he can't take his hands off you.
It happens in the blink of an eye. He can't tell who moves first, who initiates, only that it's pure fucking bliss when he feels your lips against his for the first time. Soft and pillowy and yielding. You taste like Sprite and those chewy watermelons you like to snack on during study sessions.
Wally moans into the kiss, can't help himself, pulls you into him as much as he can just to revel in the feeling of your body against his. Your real, living body against his.
A groan behind you and him reminds Wally that Travis is still there, will likely be found soon, and whoever does the finding will have questions Wally can't answer right now. Possibly not ever.
"Come on, baby, we've gotta go," He says, intending to hide you somewhere else in the school so you and he can talk.
You apparently have other ideas, because you drag him behind you all the way to the bus stop. He tries to tell you, tries to get you to stop before—
"I can't leave school property!" He shouts.
You slow, letting go of his hand to walk a few steps backwards, eyebrow lifting as you stare at his feet.
"But...you are off school property."
When Wally looks down, his jaw drops. He scrambles in a half-circle to measure the distance between himself and the curb. Thoughts flood his brain: He has to tell Rhonda, to tell Charley and Yuri and Quinn. He has to find his friends and tell them about his...what? His aliveness? Is he alive?
"Come on," You urge, grabbing him by the hand again and hauling him away from the school. "We can't be here right now."
You're right, he knows that, but, holy shit! He's off school property. He's breathing oxygen. His heart is pumping, his muscles ache from the exertion of beating Travis to a pulp, his tongue feels too big for his mouth, and his eyes sting from lack of blinking.
Whatever Wally is, he's not a ghost anymore.
‗•‗
You take him back to your place. You don't exactly know where else to stash a forty-year-old ghost, which Wally insists he is and is basically proof of that himself. You looked him up after the reunion. When you weren't so overwhelmed, that is.
Number 57, Walter Clark, beloved son and friend. If he is a fake, the likeness is uncanny.
As soon as you and he are through the door, he surges, lifts you into his arms, laughing, unable to believe the changes he's already taken stock of. He twirls you around, holds you like something precious, and gazes at you with sweet, soulful eyes.
"I can touch you," He murmurs, as if that's the most important development. "I can actually feel you. God, baby, I can't stop smiling. And it hurts!" The last part makes you giggle because he says it with so much joy, it tickles the giddiness right out of you.
You sober, soften like butter in his arms as he holds you. "You can...touch me some more, if you want..."
There it is, the bravest thing you've ever done. Hanging in the air between you and Wally as he viscerally registers your offer.
When he finally gets it, his smile turns into a smirk. A cocky thing that makes your belly warm.
"Yeah?" He glances around, sees the couch, then looks back at you.
Wally carries you to the couch like you weigh nothing, easy, muscles bunching and releasing as he sits down and settles you in his lap. His hands roam under your shirt, his hot touch like a brand wherever he holds you, and, slowly, giving you time to reconsider, he leans in and captures your lips in a gentle, sweet kiss.
‗•‗
Wally doesn't have the capacity to process anything outside of this moment, outside of you, right now. He should probably take a minute to figure out what happened to him when he fell through the exit door, should strategize a game plan for his friends to follow, should do a lot of things, but he can't find it in him to stop.
Your weight in his lap is so much more intense now that he can feel it in a real, human body. Your little whimpers and soft mewls as his hands wander under your shirt—fuck, the feeling of your skin beneath his fingers, it's like a dream he never thought would come true.
He undresses you slowly, worshipping every piece of skin revealed with his mouth and hands. Little nips and flicks of tongue, tasting your skin, hearing your sounds, absorbing your warmth as you squirm against him.
"You like how I touch you, baby?" He asks, gazing up at you through his lashes as he gently, so gently, trails his fingertips down your side and to your ass where he grabs. "I wanna make you feel good." He grinds his hips up, cock harder than he's ever felt it, groaning when the friction sends shockwaves of pleasure through him. "You feel that, baby? You feel what you do to me?"
"Wally," You gasp, your head tipping back and eyes closing, savoring the sensation.
You help him out of his jacket, his shirt; grip his chain to draw him into another hot, hungry kiss that leaves him reeling and desperate for more. His fingers dig into your flesh as he bucks against you, can feel the heat of your pussy through his sweatpants and shorts.
Gone in seconds because he can't wait anymore. Has waited enough time to feel anything again, but this, with you, no. God help him, he doesn't have that kind of patience or resolve. He's not strong enough. Not with how you tremble in his arms when he smears two fingers through your folds, dips them in to tease you as he watches the expression of euphoria that twists your features into the most beautiful image he's ever seen.
"You're so wet for me, baby," He purrs, nipping that sensitive spot right below your ear. Fuck, you start to ride his fingers, greedy little thing, the slick squelch of your pussy fucking his index and middle finger echoing in his ears and fogging his brain.
"Wally, please," You beg so pretty, and that's it. Control gone.
He lines himself up and guides you down, Jesus, you take him so perfectly. Stuffed full, tight as a vise, gripping him inside you as he leads you up and down, up and down, getting him as deep as he can be inside you.
"That's it, baby, just like that. So good for me," He pants, feet planted, hips meeting yours, his hands tight on your ass as you move on him. A fucking goddess crafted by heaven just for him. "Fuck," He chokes, "Fuck, yeah," and bites your lower lip, soothes the sting with his tongue before delving it into your mouth.
It feels too quick, but he can't avoid it. It's been so long since anything felt like this. You're not any better, quivering under his hands, thighs spasming when he starts to fuck into you faster, harder, making you bounce on his cock to take what you need.
When you come, he cries out, eyes clenched shut, mouth open, stars exploding. His climax ripped from deep within his core. His cock pulses as he spills inside you, arms fastened around your body to pin you to his chest, kissing you with everything he has.
"God, baby, I love you," Maybe it's too soon to say it (definitely), but who the fuck cares? Give a no-longer-dead-guy a break. He doesn't know how long his earthliness will last. He can't afford to take chances.
And he hiccups an awed breath when you say, "I love you, too, Wally Clark."
You gaze at him in the afterglow, so soft and pliant and perfect he could burst. You and he stay on the couch for a while, basking in each other's presence, in the realness of it. Eventually, taking his hand, you lead him to your room, where he writes poems with his tongue in your pussy, where you spread yourself open and invite him in again and again and again until sunrise.
You give him the weekend.
He knows he has a responsibility to visit Maddie in the hospital and make sure she's where she should be. Must inform Rhonda and Charley and Yuri and Quinn and Janet (can he still see them?!) that he's somehow regained a pulse.
But that can wait until tomorrow.
It's Sunday night, and Wally has every intention of proving to you that you're not alone anymore. That you have him as long as you want to keep him. And that he'll stay, even if you don't.
"Not gonna happen, Wally, you're stuck with me," You tell him in no uncertain terms, snuggled into his chest.
Wally smiles so wide, his cheeks ache for days after.
🐦🔥___________fin.____________
also on AO3!
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if you liked this, you may also enjoy Best Friends Club.
smut. you've been Wally's best friend since elementary school. and he's had a thing for you the entire time. it would've stayed a secret if, after a shitty date with someone who wasn't him, things changed.
Series synopsis: In the summer break preceding college, you and your best friends Kelce and Topper plan a Euro Trip to take before you’re separated in the fall. What happens when Kelce’s father forces him to cancel, and he has to give the ticket to someone (an infuriating someone) else?
Pairing: Rafe x Kook!reader, Topper x Kook!reader
Total word count: 51.9k
Warnings (so far): cursing, drinking (incl underage drinking), some kissing, hinting at smut, lots of angst (but equally as much fluff!)
Part 1: euro trip
Part 2: not your sweetheart
Part 3: past tense
Part 4: isn’t it obvious?
Part 5: do I make you nervous?
Part 6: you’re you, Rafe Cameron
Part 7: i like me better
Part 8: my girl
Part 9: all in
Part 10: home
Related posts: y/n’s story, y/n’s story p2, Rafe’s story, Rafe’s story p2, playlist (made by the INCREDIBLE @r0und3bitch), Topper’s story, y/n’s story p3
Blurbs: the look, super rich kids, Mr Cameron, before the bonfire, real deal
HCs tag!
Prompt list
summary: y/n makes pope relax after seeing how stressed he is while he has other intentions
notes: idk how i feel about this but it’s short & sweet so here it is
warnings: sexual intentions, kissing and a light description of nudity.
“POPE baby you’re going to pass” y/n sighed as she watched him peace holes on his rooms floor.
“what if I don’t? then i fail and that goes on my-“
“pope”
Keep reading
it was late when you stumbled up the gravel driveway to the kent farmhouse, the cool night air doing nothing to sober the haze clouding your mind. the porch light was on, a soft yellow glow that made the house feel impossibly warm and inviting—just like clark. your clark. you could already picture him inside, probably reading or fixing something, being his usual annoyingly perfect self.
“claaaark,” you called, your voice dragging as you pushed the screen door open with more force than necessary. it banged against the frame, and you winced, giggling at your own clumsiness. “clark, where are you? i need youuuu.”
the sound of heavy, familiar footsteps thudded through the house, and a moment later, clark appeared in the doorway, his brows furrowed in confusion. “(y/n)? what are you… are you drunk?”
you flopped against the doorframe dramatically, looking up at him with what you were sure was the most pitiful expression you could muster. “maybe,” you said, dragging the word out. “but it’s not my fault, clark. it’s… it’s tequila’s fault. and also, you weren’t there, and i missed you.”
his frown softened immediately, replaced by something warmer, something that made your chest ache in a way that had nothing to do with the alcohol. “you missed me?” he asked, stepping closer and gently taking your arm to steady you. his touch was so solid, so grounding, that you leaned into him instinctively.
“so much,” you whined, pressing your forehead against his chest. “you’re always off saving people or… lifting tractors or whatever it is you do, and i’m just… lonely.”
his arms came up around you, warm and secure, and he let out a soft chuckle. “first of all, i don’t just lift tractors,” he said, his voice full of that teasing affection that made your heart flutter. “and second, you could’ve called me. i’d have come running.”
you tilted your head back to look at him, pouting. “but i wanted to see you. and hug you. and…” your fingers fumbled with the buttons on his flannel shirt, a mischievous glint in your eyes. “and maybe do a little more than just kiss you.”
his blush deepened, spreading up his neck, but his hands stayed firmly on your waist, steadying you. “(y/n), you…” he trailed off, his voice soft but cautious. “you’re not exactly in a clear headspace right now.”
“but i’m so frustrated,” you whined, leaning up to nuzzle into his neck, your lips brushing against his skin. “you’re always running off, being all heroic and perfect, and i… i just want you, clark. right now. please? i want you to…” your voice dipped lower, a sultry edge creeping in despite the slur, “just take me upstairs and fuck me already.”
his breath hitched, and for a moment, you felt his hands tighten on your hips, his resolve wavering. the tension in the air was thick enough to choke on, but then he pulled back slightly, cradling your face in his hands, his thumbs brushing over your cheeks. “hey,” he said gently, his voice steady and full of warmth. “you know i want you too. you have no idea how much. but not like this, not when you’re like this. you’ll thank me tomorrow, i promise.”
“i won’t,” you grumbled, but your words lacked any real conviction. “you’re too good, you know that? too damn good.”
“and you’re tipsy,” he replied with a small smile, leaning down to press a soft kiss to your forehead. “but we’ve got forever, remember? there’s no rush.”
“i hate when you’re right,” you muttered, but you let him guide you toward the couch, where he grabbed a blanket and wrapped it around your shoulders.
“get some rest,” he murmured, brushing a strand of hair out of your face. “and tomorrow, we’ll talk. properly.”
even in your hazy, frustrated state, you couldn’t help but smile at him. “fine,” you said, sinking into the couch and letting the warmth of the blanket and his presence lull you into a drowsy calm. “but you’re not getting out of this forever thing, kent.”
“wouldn’t dream of it,” he said softly, watching over you as you drifted off, his love for you shining in his eyes.
taglist: @legalmente-loca @soangelbaby
(dearly beloved part 2: electric boogaloo ! ; tashi duncan x fem!childhood best friend!reader x patrick zweig ((x art donaldson?? a little?)); nonlinear narrative; playing fast and loose with tenses; where do i start; patrick and reader are their own trigger warning; tw pregnancy and childbirth; major major tw for talk of abortion; tw depression and antidepressant talk; cw breeding kink centric smut; more artashi wedding scenes; baby lily !! ; art donaldson #dadding out; grammy donaldson mentioned ! ; tw vomit again i’m so sorry lol; cw more menstrual talk; tw adultery but i mean come on; baby names; lasagna; we all have annie’s reblog to thank ((blame)) for this)
‘ JESUS: Judas—
JUDAS: You forgave Peter and bullshit Thomas—you knocked Paul of Tarsus off a horse—you raised Lazarus from the fuckin’ dead—but me? Me? Your “heart”? . . . What about me??!! What about me, Jesus?! Huh?! You just, you just—I made a mistake! And if that was wrong, then you should have told me! And if a broken heart wasn't sufficient reason to hang, THEN YOU SHOULD HAVE TOLD ME THAT, TOO!
JESUS: Don't you think . . . that if I knew that it would have changed your mind . . . that I would have?
Pause. ’
Stephen Adly Guirgis, ‘The Last Days of Judas Iscariot’
“Is it one of those ugly ones?”
You’re not special; you, too, hate hospitals. Not the least because your parents ralphed up all that cash for med school and you tanked like a castiron anchor. But there’s so much else to feel guilty for. You feel guilty for being alive while people are dying. You feel guilty for wanting to die while people are being born. You feel guilty, and nauseated, by this sickly visceral fume of birth and babyflesh, and the fact that you’re so upset.
You’d marked it on your calendar, is the thing.
March eleventh, Doomsday, the purge, the end times.
Tashi Duncan’s Caesarean section.
Timely and clinical, fittingly so. You’d bought a little beanie for the occasion. The beanie is soft and grey and pink. It has a cartoon flower embroidered on the side of it.
But then this is the spawn of Art and Tashi Donaldson. The baby is inherently desperate, and eager, in that order.
It’s February twentyeighth.
It’s probably for the best, you think, while you and Art are on either side of the hospital bed, and he’s grasping Tashi’s hand more tightly than she is holding his, even though she is the one whose innards are being shat out. You don’t believe she could take another scar.
You grimace as she crowns. Art is sobbing and sniffing. He looks at Tashi like he’s getting to watch God populate the world with greenery. It makes your mouth tug sharply to one side, and you close your eyes, briefly, escaping the bright white light.
You watch the papery sheets go redder and redder with every gush from the cavity of her torso.
The baby is not rosy pink so much as she is carmine. Before this, as an idea, she’s existed mostly in black and white. Aminocentesis results on a MacBook screen. The sonogram on their coffee table. The concrete wall of your abject jealousy. The living colour of her, it shocks you more than her glass-shattering screech.
Art holds the baby first, of course, since Tashi is somewhat incapacitated. You soothingly caress her damp hairline.
“What was that like?” you whisper, wincing down at her.
Tashi sheds a few tears and manages a smile that’s part relief and all agony. “Remember…” she croaks, “Remember when Tre fuckin’… like, roundhouse kicked you up the crotch?”
You blink, quirking your brows. Then you snort in surprise, grinning. “Oh my God, yeah,” you giggle. “When Yas and Matteo got that trampoline.”
Tashi nods weakly, her desiccated mouth twitching at the memory, her eyes shivering gently closed.
The baby is tiny against Art’s body, cradled so carefully in his arms. He’s counting all her toes and fingers.
“Hey there,” he murmurs to her, like they’re the only two people on this earth Tashi made. Then he sinks down onto the stool by Tashi’s head, and holds this tiny, beautiful thing out toward her. “Say hi to momma,” he says, his voice soft as gauze.
Tashi reaches out. Her hands are trembling but all of her is trembling; both you and Art tried to get her on the epidural, but fuck if she’s not stubborn. She crooks the tip of her index finger into the fleecy receiving blanket, pulling it down just a little so she can see the baby’s entire pink face.
The baby opens just one bleary eye, only halfway, but it’s enough for her to see you, for you to feel yourself being seen.
Tashi sobs and Art sobs and you wonder, momentarily, if her obstetrician can reach up the cavity of your body, too, and tug out your heart.
So, of course you hate hospitals, and of course you feel guilty. For many reasons. Chief among them being how, the very moment your dear, gutted friend conks out, you’ve stolen to the hall to ring her ex. And he’s asking you, hopeful, if her fucking newborn is one of those ugly ones.
You sigh into the receiver, shaking your head all solemn. You’re sure any passersby think you’re delivering horrific news. “She’s beautiful,” you confess sadly.
“Fuck!” Patrick says forcefully, like he’s just stubbed his toe.
You can hear the hum of the highway on his end of the line, and he’s definitely a bad enough driver that he shouldn’t be calling you right now, because you don’t want to be back here at his bedside when he’s in a fullbody cast after a nearfatal accident—and you would come to visit, actually, if he were in the hospital; maybe that’d just be the guilt again—but this is pretty urgent.
You frown, tucking your hand under your armpit and managing a smile at a passing couple cautiously rolling their precious trolley to the NICU. “They named her Lily.”
Patrick scoffs. “Those fucking assholes.”
“Right?”
You appreciate his company in your deplorable sorrow. There’s a special corner in the firescape for the two of you, but at least it’ll be the two of you.
“That’s a beautiful name for a baby girl,” he says, practically insulted.
You sigh again. “I know,” you pout.
They’d planned the wedding, as they did all other things, a bona fide team. A well oiled unit. Art and Tashi. A&T. Handing off tasks with practiced efficiency, like another one of her hyperintensive drills, wherein he would sooner keel over heaving than drop the ball. The wedding planner was effectively ornamental once they really got into it.
And they really got into it.
Tashi was one of those little girls who stuffed a stream of toilet paper in her ponytail and pictured the vinyl flooring of her home’s warmly lit passage as a ceremonial aisle on the Amalfi Coast at sunset. Here comes the bride, aluminium foil wedding band, ramshackle wildflower bouquet picked from the backyard, et cetera.
Most times, she’d have you play groom.
But you don’t internalise that too much. Because she had you play a lot of things. And sometimes she’d have their senile Mastiff Mutt, Franklin, play groom, too. Really, the most important part was her having you at all.
And, apparently, as a little boy, Art used to page obsessively back and forth through the decrepit scrapbook of his grandparents’ Peoria union, the pictures frayed and hued dandelion. So it’s great that they found each other, and so many dreams were coming true, and everything was fine. Everything was better.
You’d been happy she was happy, really, you had. You hate big endeavours in your name. If she’d married you, you’d have made her elope to Puerto Rico.
And now she was all sprawled three-ring binders, pen behind each ear, Game Face On. And Art was there, talking place settings in full sincerity, so yeah. It’s fine. Better, even.
She let him intercalate all the mawkish, ubercorny bullshit—the Fleetwood Mac, the garter toss, the pictures of his grandmother at the centrepiece of every table. Because they were a team and it was his wedding as much as hers. And you’d told her, too. You’d told her that she’s going to have a mawkish, ubercorny bullshit wedding to a mawkish, ubercorny bullshit guy. But she’d waved you off with a dismissively sentimental smile. I just want to marry him, she’d told you, which had felt like a million and one serrated spurns all over.
A getaway car, really? you’d deadpanned. Then, leaning closer to her phonescreen, eyes narrowing at their shared twodozenpage Pinterest board, incredulous and disgusted, Are the cans really necessary?
Apparently so.
You were standing at the foreshore, toes all grainy, shoes in hand, pistachiorose and Patrick Zweig on your tongue, your ass still seadamp. Art and Tashi pulled up in front of you, cans rattling, like a justmarried Lyft order.
When you climbed into the backseat, they were in the middle of sharing in dulcet laughter over something or the other. Something that did not concern you. Which was fine, and better, and the flower arrangements were spectacular. And, anyway, you’re busy trying not to get sand on this vintage carpet.
“Shouldn’t you two be honeymooning?”
Art looked back at you, his arm outstretched, wrist resting on the bend of the wheel. He gave you this smile you couldn’t discern, which most of his smiles were, and are. He blew a raspberry from his rubicund mouth and tsked.
“What, without you?” he scoffed, wry but playful, and you realised that, though he teased, and wanted you to know as much, his goodnature was sincere.
And your fingers twitched to wrap his seatbelt—because he was wearing the seatbelt—around his rosy throat five or six or seven times and tug hard.
Tashi threw her head back and laughed into the humidity of the night, of their wedding night.
Tashi squirmed in the leather passengerseat of the ivorycoloured 1960 Ford Thunderbird convertible.
You were leaning over in between them from the back, straddling the armrest. And she watched Art turn his head and kiss you. His hand looked huge on the messy, delicate bone of your jaw. It felt cool and clammy, you remember. Tashi sucked in a breath. You two broke apart after a moment, laughing, your palm coming down on his forearm like he’d just made a joke.
“That,” you said, making a puerile face as he absently brushed a thumb over your cheek, “Was too far.”
Your eyes were still shining with tears.
Art nodded, grinning, slipping his hand from your face and running it through his sweaty shoresand hair. “Anything for you, baby, but maybe not that.”
Tashi was flushed and florid and tamping her thighs tighter together and she wanted you both to put your hands on her.
Her arm slunk across the centre console to press her palm into his chest. And she ran her nails along the tender skin of your inner arm. And Art looked back at you like he was asking for permission, which was the first time in a long time he’d done that. And probably the last time since. And you don’t know why you nodded, but you did.
He gave you another strange, cursory kiss on the corner of your mouth, then leaned across the centre console and nipped at Tashi’s earlobe. The whetted burst of pain sent a visible shiver through her bones. She bit her lip and sighed.
“Mrs Donaldson,” he’d murmured, all husky and low. His white buttonup was all sweatrumpled and unfurled. He looked handsome and disheveled like a fallen angel or those illustrations on the covers of erotic paperbacks.
You swallowed, overwhelmed by it all.
You pressed the seam of your lips to the skin where her neck met her shoulder and her lithe fingers encircled your wrist and guided it between her legs.
You and Art are friends—good friends, by now—but sometimes you feel more like business partners. Cofounders of Keeping Tashi Duncan Happy and Okay Inc.
So, when he cannot stomach all the vomit—so, so much fucking vomit—for all his earnest, anguished, tearful trying, he calls you. Because he and his hairtrigger loins can’t help her right now.
And you don’t tease, or berate, or say it should’ve been you.
And he doesn’t protest, or control freak, or remind you it wasn’t you, it was him.
He dips out to stock up on crackers and barley sugar sweets, and you stay with Tashi and stand sentry on emesis duty.
You hadn’t known that any one thing was capable of maiming her this way. Tashi Duncan, your impenetrable infanta. Fast to get up, faster, still, to dry her tears. But this baby is wringing her bone dry. She’s feeble, swollen, and practically debilitated.
You feel her spine shift as she shakes and heaves into the toilet. You hate her like this. At mercy to her bones.
You can’t help the archaic scorn. None of this, none of any of it, would’ve happened, had it been you. But it wasn’t.
You cradle Tashi’s feverish head in the bend of your knee. You thread your knuckles through her sweaty curls. You rub your fingers into her collar, tracing her bones where they have been swallowed by her plummy sallow skin. In college, you used to give each other lymphatic drainage massages.
You’re on Virginia Key Beach with T and her brothers, at the edge of the ocean. You’re, like, fourteen. Tevin’s mouth is a comically fluorescent shade of blue as he topes down a Slurpee. Tre hops over waves. Tre keeps saying the sharks will get you, they’ll smell it, blood in the water, blood in the water and Tevin keeps holding the Slurpee so high that the ultramarine of it obstructs the sun. And Tashi is yelling I’m not even on my fucking period! even though she is red and wet between her thighs, and give it to me, Tev, it’s mine, you took mine! as she reaches and reaches and reaches, unable to grasp what she wants.
There are some women unmoved by such trivialities as their own blood. Eightinch stilettos, eight months in. People will assume Tashi Duncan, pulchritude and powerhouse, to be one of these women.
But you’ll know better.
She’s so good at the tennis, ultimately, because she listens to her blood. She lets it move her. Lets it give her power. She is a mesmerising glass carafe of red.
But when it spills, it pours. When she breaks, she shatters.
Art Donaldson’s child writhes inside her, swills her blood. And you watch.
Patrick takes you home from the hospital. You were planning on sinking into the void of your couch while forking miserably into a whole tray of lasagna by yourself, but you feel bad. You feel guilty and lonely. So you invite him in.
You thunk your stoneware roaster on the granite of your peninsular countertop. He’s sat on a barstool and you’re standing across from him, and he wastes no time tucking in. You nudge at the broiled cheese with your fork.
You’re crying, which he doesn’t mind, but it’s a little distracting while he’s trying to eat, is all. He peers up at you, circumspect, as he chews.
You roll your eyes at him. “Please don’t make me cry alone,” you tell him.
He chews, swallows, licks some pasta from his gums. He rests the fork against the edge of the tray and dusts his hands off.
“I don’t cry,” he says, shrugging like it’s out of his hands. The corner of his mouth quirks up as you fix him with a sullen glare.
“I’ve seen you cry,” you say pointedly, dropping your own silverware.
He shrugs again. “Yeah,” he says, “One time. That was the only time I’ve ever cried. Ever.”
He has this way of saying things like he absolutely means them. This hamfisted sincerity, serrated deadpan. And, when you’re emotional like this, all husked and raw, it’s unfortunately an extremely effective way to make you laugh. His eyes gleam with victory as you duck your head and giggle wetly.
“You feel special?” he smirks.
You roll your eyes again, tears still trickling pools into the tender shadowed skin beneath your eyes. “I feel especially depressed,” you reply thickly.
He flits his eyes back and forth between the both of yours a few times. You’re reminded of the abject tedious torture of sitting through one of Art’s tennis games. “Are you really? Or are you just moping?” he asks you.
You reach into your pocket and pull out your little Effexor prescription vial, rattling it twice, and tossing it his way. It’s a sloppy underhand, but he catches it easily.
“Huh,” he muses, turning it between his fingertips. “That’s why you look so different? I thought you were just putting on sympathy weight.”
Your lips wobble, and your eyes burn and blur again, your throat swelling shut like fucking anaphylactic excoriation, and you catch your face with your hands and cry.
“Don’t be mean right now,” you blubber.
Patrick blinks, sobering with a smart, the humour seeping off his face and replacing itself with an almost comically disturbed frown.
“Okay, okay,” he says, his voice light with a culpable urgency reserved for a triggered, irate straitjacket patient. He reaches over the lasagna, the savoury brume warming his forearms, and he takes your wrists and peels your fingers from your eyes. “Hey, I’m sorry.”
You hiccup breathlessly. Your tears slithering down your cheeks in rills.
“I’m sorry,” says Patrick. He presses his thumbs into your pulsepoints, like he can quash your distress through your radial arteries. “You look hot, okay? Really, you do.”
For his part, he seems genuinely contrite, and utterly concerned, and he probably means it. He is rarely insincere, even when his tongue is in his cheek. But your sulky inner voice says he’s bargaining. How about I quit being an ass and you stop with the ugly crying and I can finish this pasta and hotfoot it out of here? But this is your house. And your pasta. And you think you should get to mourn his exgirlfriend’s womb, if you so choose.
You sob harder, shoulders quavering. His brows raise in quiet alarm when you wrest your arms from his fingers.
You snuffle and swallow. “Please stop,” you moan sadly.
Somewhere between the cake cutting—which walked that revolting, quintessentially Art and Tashi line between sweet and sexy; she daubed some frosting on his nose, he licked it off her finger—and your purloining of a slice or two for your and Patrick’s beachside bitchsesh, the speakers are thumping with ‘I Wanna Be Your Lover’.
Everyone is wasted.
You don’t even mean to, but one of Art’s cousins, who is clearly eking out his fraternity days that have long since started mouldering, keeps ordering you shots from the open bar. And you keep downing them, one after the other. He’s wearing a practically lurid red polo that really errs on the ‘optional’ side of Black Tie Optional, but he has a really charming smile, the light glistering off the white of his teeth as you dance.
And—fuck it—he’s hot. And he’s looking at you like he wants to kiss you in the middle of this dance floor, grinding against you like you’re teenagers at a CYO dance.
The lights are scintillating technicolour and the music is so loud you can feel it in your rib cage and it doesn’t take long for the room to start spinning like the world’s trippiest ferris wheel.
Cody—or Connor, maybe—goes to the bathroom to piss, and you track down the newlyweds on the other side of the room. Tashi’s beautiful eyes, already aglow, light up even more when she sees you.
“Hi, baby!” She kind of has to yell over the music. God, it’s been a while since you’ve seen her let loose like this. Either of them, really. They’re having a great fucking time. The Happy Couple. It makes you feel sick. “You good?”
“I’m fucked up,” you smile blearily, because all of a sudden the room’s spinning has increased in velocity.
You fight the urge to grab for her hand for some fleeting sense of stability. Because, if you do, you’ll tackle her to the ground and kiss her until someone hauls you off.
And her husband’s right there.
“Me too,” says said husband. He is flushed in the face, grinning elatedly, his eyes drunkenly disfocused, Tashi’s glossy, nudepink lip-print on his cheek.
Tashi, as ever, seems appreciably more put-together than Art looks and you feel. All silken and nitid. Art’s holding her with the desperate adoration of someone who knows, in the far far end of his bevvied mind, what you’re thinking right now. You narrow your eyes at him. Then,
“Do you wanna dance?” you ask on a whim.
“Sure,” Art shrugs, a sloppy smile curving on his lips. And by now Tashi’s turned to exchange polite smalltalk with some or other extended family member, so he impishly adds, “Let me ask the missus.”
He and Tashi have a short conversation that you can’t quite hear, and then she’s pulling you in by the wrist to whisper in your ear,
“Don’t let him drink anymore, okay?”
She pecks a kiss onto your cheek before you have time to question this rule, but you know her well enough to know she’s also surreptitiously telling you to slow down. You spitefully nab another shot on your and Art’s way to the dance floor.
Art’s a good dancer. You would certainly not have pegged him as one, if asked. But when he’s twisting and moving his feet and putting his hands on your waist in a halfway facetious impression of a slow dance, you realise it’s true.
“Congratulations, by the way,” you shout when you get close enough to his ear. “Happy for you.”
He winces at your volume, raising his fingers to his ear and laughing and looking at you and shaking his head. “No you’re not.”
Patrick watches you sob for a few more moments before smacking his hand against the counter.
“Let’s make one,” he says, declaratively.
You snivel and sweep some tears away, looking up at him. “What?”
“Let’s make one,” he repeats, more urgently now, “If we make one right now, it’ll show up before the end of the year, and we can still weaponise it. Come on.”
He’s sliding off the stool and reaching across the counter to grab your hand and tow you out of the kitchen.
“Patrick,” you whine in demurral, stumbling after him.
But he pulls you along even harder, making a decisive path toward the hallway. “Come on!” he insists, “I’m serious.”
“You’re broke.”
Which is true. He’s been snipped off from the trust fund, which you’d thought was purely the stuff of Murdochian nightmares. But he whipped out his Chase Mobile app and showed you the negative balance to prove it. He’d rather bum it out than suit up and schmooze. So he’s not spoiled for funds right now, nor is he spoiled for wins, and you aren’t equipped with great confidence in a potential future as his baby mama.
“They’re pissed, they’re not cruel,” he tells you, effectively shoving you into your room and kicking off his shoes. “I’ll be back on the payroll with a kid on the docket, I promise. My mom would love it, actually. My sister just had a hysterectomy, this’ll be like a family miracle. You’ll have the child support of a Kardashian.”
He grabs your head and kisses you sloppily—he tastes like tomatoes—clumsily walking you back into the bed.
You think he’s too old to be fingering you the way he is. Rubbing your clit all clumsy, like a faulty button on an old remote. You’re a little sticky, but not enough for what he plans to do here. He sighs and leans back.
“This isn’t working,” he says, all pensive, sitting back on his heels. It’s a little difficult, though, to take him seriously, when his cock is on the front end of halfmast and still rising.
When Tashi first started seeing him, you remember her barrelling into your room all stiff and saucereyed and clamorous. As though a particularly warhankering pigeon had just been elected president, or an alien society had been discovered in the thick of the Amazon. But no. She held your shoulders and shook them wildly and yelled, I’m telling you, it’s fucking huge!
She made a point to you that she’d never be caught dead gushing about his dick to his face. She said it was important to humble him.
So you want to maintain that tradition.
And, anyway, it’s a big dick, not the cure to cancer. You don’t even know what he needs it all for. It’s probably all he has left. You can’t imagine it even gets him very far.
People have frontiers. Parameters. Limits. To their patience, to their bodies. Patrick used to kill the sprinting drills, back in school. He likes going end to end, reaching those limits. But once you start pissing someone off and/or ramming into their cervix, everything else is probably a nonstarter.
You sit up, drawing your knees to your chest. “Uh, yeah. It isn’t.”
“Well, is there something I can do? Should I act like her? Will that get you going?” He asks, but he doesn’t wait for your answer. He huffs and crosses his arms and imitates Tashi’s angry moue.
And his dick is still hard, harder now, so you splutter into laughter. You laugh really, really hard. Then he guides your legs back open and swipes his fingers between them again.
And he grins and says, “Bingo.”
You got really into Pilates for about a month or two mid last year. You’re starting to think you should have kept at it. Your knees are hooked over his shoulders, the undersides of your thighs pressed to his chest. Your hips ache, but it feels, regrettably, really fucking great otherwise.
It’s eminently uncomfortable, sure. For your part, it hasn’t really occurred to you to let a man fuck you raw. Your lingering childishness still recoils a bit at the very idea. And it feels strange, that gauche drag of skin on skin. You’d need to be really wet for this to be working, and that hilarious necessity makes you wetter in response, and then he’s slipping in and out and fucking you raw and he doesn’t even seem to be trying too hard.
He’s a little relieved. You’re letting this happen and taking it like a champ and your pussy’s deep enough to give him room to work.
So he does. Because he knows how. He knows how to work things from here.
He’s had more sex than you’ve attended pilates classes.
The thought of you, splayed and tensile across a reformer, gets him pretty hot. Very hot, actually, and he can tell because the surface of his skin is bloomed pink, and your fingers blench away from his shoulders like he’s caught aflame.
He knows by now how tremendously warm he runs in these moments. He usually asks about a girl’s AC before things get going.
Should he say that aloud, or will it piss you off?
You probably see your appending to the convoluted list of unfortunate holes to sheathe the great penis of Patrick Zweig as a little beneath you.
This is his chance to remind you that Tashi Duncan doesn’t go back on her word for just any heavy pair of balls.
He angles your hips to get deeper, experimenting with ways to evoke a reaction. He’s working you like you’re paying him.
You’re trying really hard not to say anything too nice about his dick. But he’s plunging hard and fast into you, rolling his hips with all the dexterity of fucking Magic Mike, and—well—you wouldn’t be able to, even if you wanted.
The words you’re saying are not in the dictionary. You’re sweating, panting, tugging a little mercilessly at his hair. Patrick bends your legs and hoists your pelvis. He can’t keep a trainer right now, but some adrenalinefueled strength is allowing him to support your body like it’s nothing. He wasn’t bluffing about you looking hot. He’s groping you all over with the ferocious depravity of a necrophile.
There’s some real blasphemous perversion slipping off his tongue. Ersatz porno shit that should be giving you early onset morning sickness, but he’s going all Daniel Day Lewis with it, and you’re kind of buying it.
Fucking come-slut… fuckin’— fuck… gonna breed you… gonna put a baby in you.
You’re audibly wet. The air around you grows practically mephitic. You’re losing your fucking mind. If this shit falls flat, and he can’t get you pregnant tonight, and you dump and block him and never want to speak to him again, he at least hopes you remember this for a long time.
And—you know what—fuck it if that wasn’t memorable enough, he thinks, feeling his cock twitch as he slooshes molten litres into you. Because he’s pulling out, flipping you over, and hiking up your hips. Maybe this’ll be.
He fucks you, he comes in you. A lot. He needs a second to replenish.
You steal to the kitchen. Your inner thighs are chafed and viscid. You cover the lasagna dish and cache it away, and take a second to scoff at some vapidly controversial Twitter thread. You yelp when you feel his arms around you again, lifting you off the tile and carrying you back to the bedroom.
Patrick’s never really thought too hard about his come. It’s an ancillary deluge. A mess to clean most often. Maybe he’s considered meliorating his diet when someone’s gleaned a taste and gagged.
But right now it’s serving a purpose. And he is, among other things, relieved for that, too. He’s not gonna sit around and mourn this while it happens and ask you if you’d really have his child. He’d rather look you in your beautiful, milky pussy than a gift horse in the mouth.
He refuses to waste a drop of himself. He makes sure to coat your insides with it.
He lies sheathed inside you for many minutes after he comes, gripping your hips harshly to him, groaning like this were the real orgasm.
Afterwards, he holds your knees to his chest and lifts your ass and presses his palm to your cunt as if sealing an entrance, making sure nothing escapes. He’s trying to give his guys a fighting chance.
You were, at first—as in, after two or three rounds—a little amused by this stupid, elaborate routine. Something out of an old maid’s pastel mommy blog. You were amused, and frankly weirded out, by what seemed like a laughable lack of dignity on his part.
Now—now you’re feeling aroused by it. Because being aroused disrupts the dumb ritual and kind of annoys him.
When he is holding your knees up and your cunt twitches, he rolls his eyes.
“You already got off,” he chuckles, shaking his head. He sounds a bit spent, too. He’s usually flaked out by now, in his actual customary postcome routine. “Just stay still for a second.”
The fact that he doesn’t want you to come makes you almost desperately want to. He holds his palm over your cunt but he offers no friction.
The simple touch is enough, though. You can find your own internal rhythm.
Your head falls back against the pillow.
“Oh fuck.”
And maybe you’re being particularly loud and lewd in this moment, while he’s trying to be serious, and get something done. Because you’re still doing this longcon in calling his bluff. You don’t think he knows what he wants.
You don’t want to believe that you two are really so bitter as to start a life out of spleen.
You still don’t know if he knows whether or not he actually likes you.
“What the fuck?” he laughs, “I said don’t.” He squeezes your cunt like he wants to tear flesh from bone, trying to render you still again.
But it only makes you moan louder.
“Oh, fuck, that’s so good,” you mewl indecently, smirking a bit, because you’re joking, but you also sort of mean it, “It feels so good having your come inside me, I can already feel your little fuckass kid crawling around in there. He’ll grow up loving bagels, I just know it.”
These taunts are supposed to disgust him or hurt his feelings or simply turn him off, and Patrick does sort of look like wants to throttle you. Because he’s tired and a little grumpy and he knows you’re not letting him stay the night. But a part of him has always found you funny. So he just ends up getting hard again. Your crude, glib moaning brings him to such a pitch of want that he yanks you into his lap and fucks you roughly, gripping your jaw.
And you grin as he brings your head close. You feel it’s some kind of victory.
Even though you’re just prolonging this dumb, bitter, unfulfilling farce. Making sure there’s more of him inside you.
You two should not be parents.
By the eighth or ninth round, he starts getting conversational.
“I was one of those babies that never shut up,” he tells you, fucking up into you in cowgirl. He grunts and makes a thoughtful face. “Colic? Is that what it’s called? Yeah, I think I was a colicky baby.”
You make a face down at him. “I thought you said you’ve never cried,” you pant, rocking your hips back and forth.
He rolls his eyes again.
“Yeah, obviously I was lying. I cry all the fucking time.”
You consider this, your hips stilling, your palms resting against his hairy hotplate chest.
“Over what?” you ask, “Tashi?”
He blinks, scowling a bit, like he thinks you’re making fun. Then his grips your hips and starts to move you on his dick again. He doesn’t answer. Your pussy feels warm and raw.
Geez, how long have you two been at this?
He asks, absently, about baby names.
“I thought every girl had, like, a whole fucking list of them,” he says, pushing his semen back into your used cunt with his long fingers.
You don’t entertain that presumptuous conversation, but you don’t underestimate his commitment, either.
He’s back the next day, and the next, like clocking into a shift. He brings supplies. Sliced pineapple, fresh honey, ground cinnamon, cough syrup, two boxes of ClearBlue.
“I read acupuncture helps too,” he says.
“Absolutely not,” you say, but you let him feed you baby aspirin while you ride him in reverse on your couch watching Selling Sunset.
He feigns disinterest, but keeps tilting to look past your shoulder whenever the arguments start riling up.
“Ugh, Nicole’s a bitch,” he mutters.
Then he grunts and comes inside you, grasping your hips to sink you down and hold you still.
Her name, for the better or worse part of the first and second trimesters, was actually Stella.
Art’s grandma used to love that Philip Sidney poem, and Pam’s favourite film is Streetcar. It’s just that Tashi got sick of the name, and all other things, at a stage. So it didn’t stick.
They were oscillating between Lily and Rooney towards the end, and only made the final call when they saw her.
But, for a while there, she was Stella.
Stella’s craving peanuts, Stella’s the size of a rutabaga, Stella’s a kicker. And, boy, was she.
She’d ram her foetal feet into Tashi’s ribs over and over like she was on a treadmill. Which Tashi was starting to think of as karmic consequence for all the times she’d have Art doing cardio until he fainted.
You crouch down between her knees, resting your head against the amorphous motion of her distended stomach.
“Hey hey, Stella girl,” you whisper, “You wanna stop giving your mom a hard time?”
Tashi chokes out a wounded laugh from above you.
“That’s how Art talks to her.”
“Ugh, don’t ruin it,” you frown, moving to stand up.
But she sticks her leg out to halt you, grabbing your hand and tugging you back down, shifting her hips and spreading her thighs further apart.
You never could resist her sweet face when it was all crumpled up in asking. Because she got all soft and wet, like a flower caught in a gale.
She looks even softer now, over the horizon of her bloated body.
You gently tug her cotton shorts down and put your mouth on her and Stella stills.
“One more,” you say anxiously, eyebrows knitted in concern as Patrick sighs and unboxes a another pregnancy test—the fifth one—and you quaff down another glass of water to get your bladder teeming, because no way.
No way, right?
You’ve been taking him raw at all angles, and swigging shots of cough syrup, and weaning off the antidepressants, but no way.
“I don’t know what you thought was gonna happen,” he calls from beyond the bathroom door as you’re pissing on stick number six.
It’s just that you don’t feel anything.
You think you should be feeling more.
You think of Tashi, writhing and groaning like a bullet victim, miserably clutching her turgid body. You think of newborn Lily, her cottonsoft, tiny eye peeling open and seeing you. Deep steeped coffee, gleaming in the sterile light. Tashi’s eye. Tashi’s hair. Tashi’s baby. That tender absorption, that vivid creation.
If this kid is taking nothing from you, it’s gonna come out all Patrick. And—just—you don’t have the bandwidth to contend with such a prospect right now.
He drives you to the clinic every time. Every single time. One night, you rouse sharply from a morbid dream punctuated by the squall of wailing children. You call him. It’s 2 AM. He answers, and comes over, and drives you to the clinic, and tries not to nod off as you’re filling out the medical paperwork for the dozenth time. He also tries not to express any overt reaction to you changing your mind again.
Is it a kindness, to tease a man with the brutal decimation of his unborn progeny? No, of course not. His mum’s already preemptively enrolled the thing into a fancy German daycare.
But you hate that he’s given you an ultimatum and put it inside you. That’s the worst place, in relation to you, for an ultimatum to be.
If you tell Tashi, either he’s in, or you’re out. And those aren’t really odds you’re keen on rolling.
There are all sorts of ways to be a shitty friend. You opt for evasive gambits via claims of hectic work schedules and immovable errands. Any retching you do is that of guilt. You’re loathe to lie to her, to house this wretched zygote, to stay away. But she used to be able to tell when you’d changed your shampoo. She’d sniff him on you, in you, in a second. She’d just know. And she shouldn’t. She can’t. And if you could just unearth this presentient betrayal and toss it in a petri dish, she doesn’t have to.
You don’t know what matters more.
He drives you to the clinic. Teary teenaged girls, redcapped pickets out front. The receptionist knows you two by name by now.
Patrick slumps beside you. He’s still slogging through the first chapter of Last Child in the Woods. He’s pretty sure he’s never sat and read an actual, physical book to completion before in his life. But he’s too easily abstracted for Audible. So he’s working on it.
You’re groaning frustratedly and thunking the clipboard repeatedly against your skull. He absently slips a hand over your forehead, shielding the next few collisions before you huff and drop the board and turn to face him. He looks at you askance.
“You can change your mind,” he shrugs. Again, he generously omits.
You scoff at him, incredulous and a little irked. “I’m not gonna change my mind,” you grumble.
He shrugs again. “Okay.”
He knows what it’s like to have a mother in sackcloth and ashes. To be less of a son than a sentient thing of regret with little arms and legs. To not know what to do with that, or yourself. He wouldn’t do that to a kid.
You watch him thumb through Richard Louv for a few more moments.
Then, “You’re probably sick of me, aren’t you?”
He smiles a bit before schooling it stoic, slowly lowering the book and fixing you with this wry but incongruously tender look. “Of course I am,” he tells you.
“Get mad at me, then.”
He smiles again.
He knows what that’s like, too. Dad mad at mom. Stilted five course dinner. Dad telling him and Saskia what a goddamn headache mom is on the drive to school. Of course he’s sick of you, he’s always sick of you. But he likes you. And his head feels fine.
He turns back to the book, shrugging.
“Can’t,” he says simply.
You feel for baby Lily. She’ll never be able to get away with anything.
It’s Art who sniffs it on you, in you.
Tashi’s asleep upstairs when, after a fortnight and a bit, you rally up the guts to come over. Art opens the door and looks surprised for mere moments, and there is perhaps a flicker of concern, but then he smiles. And there’s only very mild ire there. The rest is fatigue and goodnature.
“Hello, stranger,” he smirks, turning to filch a set of keys from the marble catchall in the foyer. He is wheeling Lily out in the thirteenhundred dollar stroller he had lost six nights of sleep picking out. “You coming?”
So now you’re on a walk.
Lily lays on her soft belly in the stroller. The walls around her are a breathable mesh, and she fights to hoist her head and gawp at passing trees. This is, apparently, the only way she’ll do tummy time.
“And the only time she gets any sleep,” Art adds, jutting a finger over his shoulder in the general direction of their home down the street.
Lily’s wearing a ruffly lavender romper. Her skin is a healthy shade of linen and her hair is dark. Her fists have tiny moony fingernails that—when you comment how, Her nails are long. Like, sharp—Art explains how he keeps trying to cut them with a pair of tiny silver scissors. But they make Tashi nervous, their sharpness and its proximity to Lily’s fleshy hands.
“She said she wants her to get a grip on the world,” Art chuckles.
You snort, and you have to skip a bit to keep up with his brisk strides. “Oh, that’s definitely what she said,” you confirm.
Lily tosses and turns a bit in the strollerbed. She gurgles an impressive spit bubble, by Art’s standards. Most things she does are probably impressive to him, quite frankly. He tells you how, the other morning, she had thrown up breakfast onto his shoulder with such verve and accuracy that they’re already talking tennis lessons.
“Oh God,” you grimace. Not at the story, but at the memory of his nauseous pallor in the throes of Tashi’s own gravid sickness. “How’s that been for you?”
Art flashes a selfdeprecating simper. “I’m managing.”
When she casts her little coral taglet security blanket curbside, Lily scrunches up her face, grasping, gearing up for the Big Scream. Art sighs and says, “No, please?” as he stops to pick it up and give it back to her, and his arm, when he sticks it in, blooms with little ruddy strings as she claws at him.
He looks more than a little surprised she isn’t crying.
Apparently, in that meantime, you had jutted your fingers into the cot and offered her a pinky as a peace offering. Versailles-style, like you’ll be punished later.
But he seems content with how she’s chewing you and figures you guys can stop here, for a bit, beneath these treemottled springtime sunbeams. In the garden of the home in front of which you’re standing, huge orange bougainvillea loll their petaltongues in the breeze.
“I just…” Art flounders for his words, then scoffs a not unkind, but vaguely embittered, sort of laugh, shutting his eyes and pinching the bridge of his nose. “Why him?”
You groan. “Don’t ask.”
“How is he?”
“He’s—” you waver, then shake your head, before finishing, “Ugh.”
“Patrick’s ‘ugh’? Patrick? Wow. Should we call all the outlets? I mean, that’s never happened before. Patrick. Ugh. You’re blowing my mind.”
You snort, and Lily laughs, and Art informs you that that is a very hard reaction to glean. And he rubs his temples, because all the wails sort of tremor at that same migrainous pitch. No matter if they’re amused or rabidly apoplectic. But you can enjoy it, the laughter.
“Can you just tell her for me?” you frown helplessly up at him.
That flicker in his tired eyes that wants to agree is purely paternal, but he sighs and shakes his head. “You know I can’t.”
He’s genuinely sympathetic.
“She’ll forgive you,” he tells you. You roll your eyes and hang your head, kicking piteously at the wheel of the stroller. He intercepts your foot with his, lightly shoving it away before bending to search for your gaze. “Hey,” he says, “She really will.”
You huff. “She’s never had to.”
You instinctively press your fingers into your womb, through your shirt. You feel the strange sensation of something starting to swell beneath the flesh.
“You’ll be a good mom,” says Art.
It’s a small relief, for you, to feel your face screw into its shut-the-fuck-up-Art expression. It’s something you know how to feel, a well trodden path. Maybe, once they drop you like a bad habit, he’ll still send you those furtive pictures he likes to take of Tashi sleeping. And you and Patrick can dualmasturbate to them, pretending your swollen belly isn’t in the way.
What you like about them, all three of them, is that they have all always loved you so simply. Tashi is severe, and Patrick is flippant, and Art is occasionally insincere. But they each care about you, to varying degrees, in their own ways. And they do so without reservation, even when you’ve been an ass.
You think that’s how you’re supposed to love your child.
You should probably figure out how he does it in the next five to ten seconds.
You ask, “What makes you say that?”
And his eyes flick down to where Lily is still gumming your knuckle like a dog with a bone, then back up to you, and he gives you one of those smiles. Your face screws. Shut the fuck up Art. Then, he tells you, “You love harder than you give yourself credit for.”
Lily gags around your pinky.