Fatma Informed Me The Reason Why Her Husband's Stomach Is Like This Is Because His Stomach Got Cut Open

People should make more doomed by narratives siblings relationship.

Like with lovers you can just sever it and not have it related to you ever again but with siblings how could you?

You grow up with them you raise them or they raised you you both know how unforgiving the world is to both of you? You would die for them but will hate them for doing the same and yet none of you would regret it and both of you know it. They could be the person you loath the most and miss the most cause you still remember how they sneaked a candy into your hands. You can sever the tie but you can never look away at what you've lost, at whom you've lost because fate doesn't allow you to be together, eating dinners in quiet peace, if only there's another life, another time, where i can make you another plate of pancakes i would im sorry im sorry im sorry —

I think the thing that shocks me the most about the discourse, if you can even call it that, around book Alicent vs show Alicent, is the idea that people think book Alicent had full autonomy over all her choices and she wasn’t a “victim” like show Alicent.

Now first, I put victim in quotations bc the way people who do not like her have almost bastardized that word. Alicent is a victim, and those things (rape, abuse, neglect) were done to her. That says everything about the men who did that do her and nothing about her. But people are hellbent on throwing Alicent, a woman in a violently patriarchal environment, being victimized back at people as if it is moral flaw of hers. Which is just terribly ironic bc the same folks who say Alicent “did it to herself” or “deserves what she is getting” also seem to think the crux of the story isn’t about generational trauma catching up with itself, how far people will go for power, or even how all girls and women are harmed - albeit to different degrees. But more the fact that Rhaenyra is the only woman to be harmed - and the only harm done is not getting the throne easily. Those same people wouldn’t be caught dead admitting that Rhaenyra is also a victim in the way they shit on Alicent for being. From the father who sets her up fail, to the baby daddy that’s been eyeing her since she was barely 18, to the uncle that grooms her. It takes away from the fantasy projected onto Rhaenyra if she too is surrounded by men that use her and she never escapes that.

Second, it’s funny how F&B gets heralded by some as this exploration of how history is skewed depending on who is telling it. But people can’t read between the lines (you honestly don’t even have to do that much work) with book Alicent. Showing 14 year old Alicent being preyed on, 16 year old Alicent being pregnant with her second child, and 18 year old Alicent being raped is somehow the show needlessly making Alicent a victim. But reading about a 13 year old bathing, dressing, and taking care of a king who mistakes her for the daughter he abused and neglected, and then that same girl, at 18, marrying another king that killed his previous child bride is just girl bossism on book Alicent’s part?

People hate conceptualizing the idea that (even book) Alicent is caught in patriarchal trappings bc to some that takes away from Rhaenyra’s plight…. Bc they can’t wrap their heads around several women *gasp* all going through hardships, and that ultimately people will respond to trauma differently depending on tools/knowledge they have at their disposal. Alicent neither being gleefully evil nor picking herself up by her bootstraps to somehow end years of patriarchal violence is not the neat box they want for her.

BEAUTIFUL❤️

there's some justice in the world

emilia perez lost the award for best director

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the fact that both a film depicting the forced displacement of palestinians from their homes by israel and a film that tells the story of how the dictatorship that tortured and murdered thousands of brazilians from 1964 to 1984 ruined an entire family won the oscars is undoubtedly historical

‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.