it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
the song made me giggle a lil as a trans guy
Okay... So I'm in a way right now with the red tide and hormones..... But I did want to say some things about SINNERS while I have a little bit of mental energy.
Stack and Smoke are two sides of the same coin, yin and yang, red and blue, Italian and Irish gang clothing style... etc.
Some people are getting carried away with analysis and it's giving more projection of what you want it to be vs. what is.... Coogler himself has cited great fun tropey horror films and pop culture touchstones like Salem's Lot (the book not the movie) and Puss in Boots: The Last Wish (which I love that that's a reference) he has said his most important takeaway is "ownership of art."
The act structure that gave us that classic "caper" set-up of all kinds of characters listening to the plan and then going "you sonavabitch, I'm in." for the juke joint was my favorite part of this TBH.
It is NOT a Christian "Come to Jesus" movie and I LOVE that about it. In fact, it's the opposite.
It's a "be true to self and your gifts in the face of any god or devil", movie.
BOTH women love interests (white presenting and full-figured and unambiguously Black ,--back to that yin and yang of the twins) were beloved by a twin, both fit the elemental nature of said twin, and both had to traverse death to be with their love.
As an aside.... loved hearing a southern accent from our Asian cousins, seeing the "not my problem" energy from the Choctaw hunters, and the reminder that there was actual ancestral cultural community before "whiteness" for white people too, and why many no longer have it...
LOVED LOVED LOVED the cultural details in the character work, setting, energy, etc.... ESPECIALLY Delroy Lindo's vocal cadence.
I loved what Coogler chose to NOT show to make the energy more impactful and palpable in both sensuality and scares.
I'll be the weirdo who prefers the pure blues vs. the remix but I LOVED seeing all the ancestors and descendents come and vibe with the music...I used to have recurring dreams of a multicultural ancestral world jam session, so "that scene" hit me hard.
Remmick just follows in the tradition of Coogler villains being compelling af, but ultimately WRONG because of an essential flaw in their logic (i.e. Killmonger's misogynoir and colonizing techniques and funnily enough Remmick's colonizing techniques, klan and black using vampire telepathy for a faux community peace)
I have seen no one else mention this, but I chuckled at Saul "List of Demands" Williams playing the preacher, aka Sammie's dad
the vampire nerd part of me absolutely rejoiced at all the "traditional" vampire warding aspects, ESPECIALLY the silver, something that is often wrongly asserted as being just for werewolves
loved how filthy and raunchy the language was when it came to desire... because that's real (and I hate purity culture which is very much now tied to the alt-right white Christo-fascist pipeline right now) AND centering women's pleasure and, in many cases audacious initiative. (ahem, I see you Ryan and I see how Zinzi's in the current state she's in, congrats!! *cough* this is the healthiest type of straight man sexual energy BTW)
BE WARY of the takes out there that are overly-projecting. It's neither religious nor hotepy. It's a Southern Gothic fable/folktale about a musician with a gift surviving a magical night....
YES it's full of ancestral energy, but ultimately the central message is about being true to self when it comes to ancestral gifts and community
Just in time for Valentine’s Day... 💔
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Can we discuss how likely it was Stack was still inside the juke joint and it was the reason why the place had been locked up? So yeah Smoke killed the kkk for revenge but also it was his final act of protecting his brother who would have died had sun light been let in???
Also the fact that Stack could have watched everything and been the one to give Smoke a proper burial in the end? I just hate how they were separated in life and death. So unfair!
LEGO - Rubber Duck
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