Though I Haven’t Drawn Wildebeest Yet (deciding If I Should Make Him A Corrupted Gem In Regards To

Dick Grayson - Teen Titans: The Judas Contract (2017)

Greetings from Homeworld Throwback A little compilation of some of the pictures I did during the last 1 and half year.

Last Tribe A Day run cycle was today so I decided to combine them all to show the differences!

ID under the cut

[ID: Seven sketchy animated run cycles, all of the original dragon tribes from Wings of Fire. They alternate sides as they go down, starting with the top one on the left and the second on the right, and so on. The background is a blank white. Each dragon has shaded limbs to help see the differences while in movement. The right wing is the darkest shade, followed by the left wing (closest to the screen), the the right legs are the lightest shaded. Descriptions are in order from top to bottom:

Mudwing: Drawn in a dark red. The thickest dragon by far, opening is mouth in a smile as its front legs hit the ground. Its large wings have four toes as if they were a third set of talons, which is used as another set of legs while running. The wings lift off after the back legs. The entire body bobs with its weight while it runs, lunging with its back legs. One of its back legs disappears while it runs (oopsies) and its large tail flicks with the run.

Skywing: Drawn in a darker red. Much skinnier dragon with longer limbs and larger wings. Its large wings remain slight open above its border, slightly bobbing as it moves. The body itself doesn’t move up and down, instead just twisting with movement of its limbs. Its tail is a little stiff, again just moving up and down. As it runs, one foot touches and leaves the ground at a time.

Icewing: Drawn in a dark blue. Its body and shape is ridgid, its head swooping up and down like it lunges with every time its front talons land. Again, its wings are used as a third pair of legs, however they are mostly used after the other limbs are mid-air. Its talons are visibly sharper, as well as its wings. Sharp spines on the back of its neck and end of its tail are visible as well, which bobs with the movement.

Seawing: Drawn in a dark blue. A thicker, long dragon with short but thick limbs and webbed frills along its spine and sternum. It’s thick tail continues the up and down curve it’s body makes with every move, flicking the end of the frills as it does. Its wings are semi open above its body, bobbing with the running movement and tilting up and down as its spine curves.

Sandwing: Drawn in a warm brown. Long limbs but thicker than skywing. All four feet lift of the air when they’re closest during the run, each foot hitting the ground one at a time. It’s barbed scorpion-like tail bobs up and down at the end. Its wings are folded and stuff near its shoulders, tilted diagonally. A solid frill lines its spine, biggest at the back of its neck and above the back legs.

Nightwing: Drawn in a dark purple grey, and by far the stiffest run cycle. Thick body with short but thinner legs than mudwings or seawings. Spikes line the spine all along its body, longest at the back of the neck and back of the body. Its wings are held stiffly and slightly folded over its body. Other than the legs and tail, most of the nightwing barely moves as it runs, and its legs hit the ground in pairs, front legs then back legs. They don’t even cross between each other at the closest part in the run. Its mouth opens and closes as it runs, not in any particular expression, I was just bored.

Rainwing: Drawn in a muted dark green. By far the bounciest run. It has a thin body and a head I accidentally drew a little big. It’s three-toed wings are used as a third pair of legs, used most right before it’s front legs hit the ground. Its front legs hit the ground at different time, however the back legs hit and leave together. Its tail is by far the longest, curled at the end and slightly unraveling as it flicks up and down. Beneath the curved horns is a frill with two connections that slight opens and closes with the movement. It’s grin also opens and closes with the movement.

END ID]

Everyone know how this would turn out if they allow him to use his charm ; )

Here’s the fusion for Bloodstone (Robin) & Sodalite (Cyborg): Flourite

As someone previously suggested, Flourite is very much like Garnet in his usual demeanor, but is prone to being a little more hotheaded at times. He’s extremely focused when it comes to missions (tunnel visioning on the problem if it’s ongoing). Like Garnet, punching things is usually his go-to problem solver, but he will simmer down and get more stealthy if a fight turns too dangerous.

If he decides to unload & tell anybody about how he’s feeling (usually Pietersite), it’s obvious he has some self-worth issues and feels like a failure if he doesn’t do his absolute best for the team. Big emotionally constipated leader bby, he is~

Steven Universe Spoilers! If you haven't seen the new episodes don't read! My theory

So we know that the Diamonds have their own special set of powers. Blue with her wave of sadness, Yellow with the concentrated blast of electricity capable of poofing a gem. So Pearl said that Rose had the capability of controlling plant life. So is that Pink's power?

Also we saw all of thoose bubbled Rose Quartz. Did Pink have the same facet of them? How was it not noticeable when Pink was gone? Eyeball states that she saw Rose Quartz shatter Pink herself. Was there anyone else there? Was she the only witness? How did Pearl get away in time and did anybody noitice that Pink's pearl just disapeered? Do the other Pearls know? We see thier reactions when Blue Zircon asked where was her Pearl.

Anyway moving on. We know that Pearl can't speak of this. Is this a power of the Diamonds? Not a theory, just wondering.

That's all for now

Preacticing and drawing babies oh

he’s blushin ‘cause she looks cute

also they’re naked oh~

transitions take a loooong time to do smh

lance gets his hands on washable space markers and starts leaving little notes on keith’s helmet

they start off as jokes or silly, lighthearted insults or funny faces and drawings, but then they slowly turn into soft, loving messages like “be safe out there” or “come back for me” and a hundred “i love yous” scrawled on every inch of free space