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not to oversimplify an extremely complex discipline but if i had to pick one tip to give people on how to have more productive interactions with children, especially in an instructive sense, its that teaching a kid well is a lot more like improv than it is like error correction and you should always work on minimizing the amount of âno, wrongâ and maximizing the amount of âyes, and?â for example: we have a species of fish at the aquarium that looks a lot like a tiny pufferfish. children are constantly either asking us if thatâs what they are, or confidently telling us thatâs what they are. if you rush to correct them, you risk completely severing their interest in the situation, because 1. kids donât like to engage with adults who make them feel bad and 2. they were excited because pufferfish are interesting, and you have not given them any reason to be invested in non-pufferfish. Instead, if you say something like âIt looks a LOT like a tiny pufferfish, youâre right. But these guys are even funnier. Wanna know what theyâre called?â you have primed them perfectly for the delightful truth of the Pacific Spiny Lumpsucker
Guys stop.
david tennant is hot i'm not retracting this thought
Nest at the End of the World
Aziraphale ⥠Crowley ⢠25k ⢠Rated.T
Aziraphale hears it all. The flood of love. The joy. The unbearable hope.
âI thought youâd want to meet her.â Crowley adds, quieter now. âHer name is Julie.â
A pause. The French accent is soft but unmistakable, deliberate.
Aziraphale frowns. Crowley knows heâs not exactly enamored with all things French⌠except, perhaps, their pastries.
âYou gave her a French name?â
Crowley swallows. The movement is small, but Aziraphale sees it. He did it on purpose.
âWe live in France now,â Crowley says. âOn an estate. In Brittany.â
His gaze drops to the baby again, and something in him softens, meltsâas if her very presence rewrites him, makes him new. That baby has changed him. And Aziraphaleâaching, unsureâwonders if heâll ever be allowed to know this version of Crowley.
Crowleyâs voice is quiet. Almost hesitant. A hope dressed in humility.
âWe wouldnât mind moving back to London⌠if youâd like to see us more.â
Aziraphale doesnât answer at first. His lips partâthen close again. The baby stirs softly in Crowleyâs arms, a tiny sigh escaping her, as if she feels the tension coiled around her fathersâ heart.
Aziraphaleâs eyes flick to her, and something inside him shatters. She is real. She is theirs. And she is⌠beautiful.
His breath catches. He wants to step forward. He wants to touch her. He wants to know her. But insteadâhe steps back.
âIâŚâ His voice breaks, and he quickly swallows, collecting himself. âI canât. I won't. This canât end well, Crowley, it never does.â
He doesnât want to be cruel, but he needs to be real.
-Chap.11 - Dust and Silences-