My wife and I have a little game we play called "Speaking From Ignorance."
To play Speaking From Ignorance, all you need is a phone with a voice recorder, and another person who knows considerably more or considerably less about a topic than you do. The topic can be anything: from "how to bake a quiche" to "what happens in the Peter Jackson Hobbit movies" to "who is Florence Pugh" to "how does the traveling salesman problem work." All that matters is that one of you has a firm grasp on the material, and one of you absolutely the fuck does not.
Then the person who knows about the topic turns on the recorder, and says to the person who knows barely anything: "Hey - tell me everything you think you know about [X]."
The speaker is then not allowed to ask any questions. Nor is the expert allowed to volunteer any information. The expert is allowed to pipe up with a faintly incredulous "Oh--really? Do you--do you think so?" from time to time, but for the most part, the expert's job is just to sit there and make encouraging sounds while the speaker digs their own grave.
This is never not funny.
The reason you record it is because, very often, the first thing the speaker wants to do after finishing the recording is find out how you actually make a quiche, or whatever. Then you both get to go back and listen to how wrong they were.
We have a small library now of Speaking From Ignorance recordings, and I'm going to be listening to them until I'm eighty.
Had a dream last night that i was a knight and this bigger scarier knight had me on the ground and right before he swung his sword at my neck he said smth like "i mourn the loss of life for the tree who will become your coffin" which shouldnt have turned me on like it did but alas
sometimes you’re hit with a friendly realization that yes, life is good. you have your comfort characters and you have archive of our own. life is actually beautiful
Mutuals agreeing with your headcanons is how you gain immortality btw. ascending to godhood as we speak
jason: why are you looking at me like that?
damian, age 4, wondering why jason looks white if he's his brother: you're colored wrong
jason: what the fuck?
well look who it is. my old friend. the conses of my quences.
negative affirmations
I can be worse
I still have time to fuck things up
I can kms any time I want
Dick is the type of person to yell “Bruce catch!” And let go of his grapple while swinging full speed.
When Dick eventually left behind was fired from Robin he still continued swinging at Bruce, and Bruce never failed to catch him.
And when Jason became Robin, and Dick got mostly past Bruce giving his name to the kid. Dick told Jason stories about it, never showing him except once, when he and Bruce were on slightly better terms. Dick did it more forceful than usual.
It took Jason a month or two as Robin before he was comfortable enough with Bruce to trust him to catch him.
For Tim, they didn’t show him. But he’d picked it up from seeing Dick and Jason do it. The first time he did it, it damn near gave Bruce and Dick a heart attack.
For the short period Steph was Robin see never got the chance. But you bet she remedied that when she became Spoiler.
Damian was more hesitant. Always worried it would be a trick. Because it was an easy way to ‘accidentally’ cause him harm. But after seeing Dick, Tim, and Steph do it and be caught every time, he eventually gave in. You’d never catch him admitting it but that first moment wrapped in his Father’s arms as Bruce caught him for the first time, and the small smile Bruce gave him when he stepped away, that is one of his favorite memories.
Cause Bruce would always be there to catch him.
He couldn’t catch Jason, never again.
"A society that separates its lore masters from its horny posters will have its headcanons written by prudes and its erotic fanfic by fools."
I am honestly tired of seeing people lump Greek mythology into the same category as DC Comics, anime, or any other modern fictional universe. There’s this frustrating trend where people discuss figures like Odysseus or Achilles in the same breath as Batman or Goku, as if they’re just characters in a long-running franchise rather than deeply rooted cultural and literary icons from one of the most influential civilizations in history.
Yes, myths contain fantastical elements—gods turning into animals, heroes slaying monsters, mortals being punished or rewarded in ways that defy logic. But that does not mean Greek mythology is the same as a modern fantasy novel. These myths were part of an entire civilization’s identity. The ancient Greeks didn’t just tell these stories for entertainment; they used them to explain the world, explore human nature, justify traditions, and even shape their religious practices. The Odyssey isn’t just an adventurous tale about a guy struggling to get home—it’s a reflection of Greek values, an exploration of heroism, fate, and the gods' role in human life. When people treat it as nothing more than “fiction,” they erase the cultural weight it carried for the people who created it.
Greek mythology functioned in antiquity—these were their sacred stories, their way of making sense of the universe. And yet, people will still argue that the Odyssey is no different from a DC Elseworlds story, as if it was just an early attempt at serialized storytelling rather than a cornerstone of Western literature.
Part of the problem comes from how myths have been adapted in modern media. Hollywood and pop culture have turned Greek mythology into a shallow aesthetic, cherry-picking elements for the sake of spectacle while stripping away any historical or cultural depth. Movies like Clash of the Titans or games like God of War reimagine the myths in ways that make them feel like superhero stories—cool battles, flashy gods, exaggerated personalities. And while those adaptations can be fun, they’ve also contributed to this weird idea that Greek myths are just another IP (intellectual property) that anyone can rewrite however they want, without considering their original context.
This becomes especially frustrating when people defend radical reinterpretations of Greek mythology under the “it’s just fiction” excuse. No, Greek mythology is not just fiction! It’s cultural heritage. It’s part of history. It’s literature. It’s philosophy. If someone drastically rewrote a Shakespearean play and justified it by saying, “Well, it’s just an old story,” people would push back. If someone did the same to the Mahabharata or The Tale of Genji , there would be outrage. But when it happens to Greek myths? Suddenly, it’s “just fiction,” and any criticism is dismissed as overreacting.
I am not saying mythology should be untouchable. Reinterpretation and adaptation have always been a part of how these stories survive—Euripides retold myths differently from Homer, and Ovid gave his own spin on Greek legends in his Metamorphoses. The difference is that those ancient reinterpretations still respected the source material as cultural history, rather than treating it as some creative sandbox where anything goes. When people defend blatant inaccuracies in modern adaptations by saying, “It’s just a story, why does it matter?” they are ignoring the fact that these myths are a major link to an ancient civilization that shaped so much of what we call Western culture today.
Ultimately, Greek mythology deserves the same level of respect as any major historical and literary tradition. It’s not a superhero franchise. It’s not a random fantasy series. It’s the legacy of a civilization that continues to influence philosophy, literature, art, and even modern storytelling itself. So let’s stop treating it like disposable entertainment and start appreciating it for the depth, complexity, and significance it truly holds.