I think one of the reasons the trinity works so well is because they all come from three different distinct genres of literature.
The Batman mythos are heavily based in gothic literature and the tropes you find in gothic stories. Everything from the setting to the tone to the types of villains, with large amounts of mad scientists of the victor Frankenstein variety and mysterious serial killers. Even the Jokers clown and carnival imagery fits nicely into themes we see in stories like “the count of amontillado”.
Wonder Woman on the other hand is quite obviously more mythology based. Obviously the Greek gods literally appear in her books, but even Diana’s character and plot lines are reminiscent of Greek hero stories, with heavy ties into themes like hubris and nature. There’s also a lot of tie in’s from mythology around the world, with Roman mythology and African mythology specifically coming to mind.
Superman is obviously a “traditional” superhero, but more directly a lot of his stuff is sci fi in a way the other two are not. There’s the obvious aliens of it all, but also the way metropolis and his human villains are shown. Metropolis tends to be aesthetically futuristic in a way most of the DCU isn’t. And despite Lex Luthor being a “mad scientist,” he’s characterized quite differently then the scientists in Batman stories, with his flaws being less about “madness” (like in gothic stories) and more about control and hatred (which is more reminiscent of what we see in sci fi books).
It just makes sense that the reason these three are so successful is because they all fit into niches with very little overlap. None of their stories have the same tone or aesthetic as the others, which allows for so much variety. It’s actually really impressive.
bla bla bla Aegon II is not the rightful heir!
bla bla bla Rhaenyra is not the rightful heir!
blablabla MY favorite fantasy mass murderers are actually the good guys!
Do you know who was not the rightful heir to shit? Who was very much not "the good guy"?
Aegon The Conqueror. The very reason why there is even all those debates through the series history, between this or that Targaryen, the reason why there is an iron throne in the first place, and for all the wars for it
In a monarchy, the truth of myths regarding divine rights of the royal and the noblemen is that those are nothing but justifications for the upholding of feudalism and it's social order. The only crime one can commit in a war of conquest or succession is losing it. "The rightful monarch" is the one who wins, because outside of that, there is no such thing.
History is told by the winners. Might makes right.
"Power resides where men believe it resides. It is a trick, a shadow on the wall."
Have your favorites, have fun watching, it's entertainment after all. Root for whoever you want, for whatever reason you fancy. But do not fool yourself. They do not actually have the right to shit and you know it, you are not morally above anyone for rooting for this or that character and you know it.
River Phoenix and Keanu Reeves in My Own Private Idaho (1991) dir. Gus Van Sant
Mr. Trask, it's awful not to be loved. It's the worst thing in the world. Don't ask me - even if you could - how I know that. I just know it. It makes you mean, and violent, and cruel. And that's the way Cal has always felt, Mr. Trask. All his life! Maybe you didn't mean it that way - but it's true. You never gave him your love. You never asked for his. You never asked him for one thing.
EAST OF EDEN (1955) dir. Elia Kazan
Daenerys and a butterfly. commissioned made by @/I_Fbry on twitter.
i don't think there's anyone out there who's more gothic haunted house narrative tragedypilled than domeric bolton. being an ok softhearted dude trapped in the dreadfort with your slimy turborapist dad i think won him that award. he was really doomed by the circumstances of his birth. roose saw him decent guymaxxing and was like 'well i guess my only known bastard son will kill him oh well.' what the fuck was up with domeric dude.
The Drowned (1867) by Josef Manés
East of Eden 1955
'The Three Fates' by Alexander Rothaug, 1910