Violence: A Writer’s Guide: This is not about writing technique. It is an introduction to the world of violence. To the parts that people don’t understand. The parts that books and movies get wrong. Not just the mechanics, but how people who live in a violent world think and feel about what they do and what they see done.
Hurting Your Characters: HURTING YOUR CHARACTERS discusses the immediate effect of trauma on the body, its physiologic response, including the types of nerve fibers and the sensations they convey, and how injuries feel to the character. This book also presents a simplified overview of the expected recovery times for the injuries discussed in young, otherwise healthy individuals.
Body Trauma: A writer’s guide to wounds and injuries. Body Trauma explains what happens to body organs and bones maimed by accident or intent and the small window of opportunity for emergency treatment. Research what happens in a hospital operating room and the personnel who initiate treatment. Use these facts to bring added realism to your stories and novels.
10 B.S. Medical Tropes that Need to Die TODAY…and What to Do Instead: Written by a paramedic and writer with a decade of experience, 10 BS Medical Tropes covers exactly that: clichéd and inaccurate tropes that not only ruin books, they have the potential to hurt real people in the real world.
Maim Your Characters: How Injuries Work in Fiction: Increase Realism. Raise the Stakes. Tell Better Stories. Maim Your Characters is the definitive guide to using wounds and injuries to their greatest effect in your story. Learn not only the six critical parts of an injury plot, but more importantly, how to make sure that the injury you’re inflicting matters.
Blood on the Page: This handy resource is a must-have guide for writers whose characters live on the edge of danger. If you like easy-to-follow tools, expert opinions from someone with firsthand knowledge, and you don’t mind a bit of fictional bodily harm, then you’ll love Samantha Keel’s invaluable handbook
Family Business
Mama we all go to hell
remember when elias told jon it’d be hard to replace him then later on said he’s the beating heart of the institute and then we’ve got tim telling jon ‘this place loves you too much to let you get swapped’ that was so silly aha.
hawke/merrill/isabela is very funny to me bc all i can imagine is isabela out on her own imagining hawke and merrill are soooo happy and complete and better off without her meanwhile we cut to a totally romantic scene in the hawke estate that’s suddenly interrupted by “... i wish isabela was here” “yeah i also wish isabela was here” “we should go see isabela” “isabela <3”
have tremendous respect for anyone capable of imagining elias as a father figure in any context because I personally believe that appearances aside that man would drop a baby looking you dead in the eyes going “ah it must’ve slipped”
elias in hades, perchance?
Started out drawing elias, blacked out and drew the rest
Some of my favs
UNDER MY WING
>:3c
they/them/any | 20 | jonah magnus’ correspondent, casual dragon age enjoyer | eng/ukr
190 posts