Thinking about that prompt i found on TikTok about faking your death and then coming back and knocking on your best friend's door like nothing happened.
That but make Steve fake his own death accidentally, so he is clueless why Robin is freaking out when he goes to visit her.
(with a side of Steve going feral a la Jonh Wick and Die Hard over his car, i'm so normal about this, so normal, it's not like i use this like an oportunity to make a b99 reference, pff, Gertie who??? )
Like, i know nothing about witness protection and how faking your death would work, but, but- let's use our imagination.
Steve's father being a lawyer and messing with someone he shouldn't have. He ends up dead and because of this, the cops think they could go after Steve too.
Which, true, Steve has an accident that destroys his car (RIP BMW, I love you, but this is for plot reasons, you would be missed), so now he has to be under witness protection.
Steve, like the ball of repressed trauma and anger issues that he is, decides that the best thing to do is go after the people who destroyed his car, a la John Wick; because:
Going after them to avenge his father: no, thank you.
Going after them to avenge his car: yes, let me go for my bat.
That without forgetting to leave a cryptic message to Eddie's and Robin's voicemail.
While Steve is having his own action movie with handling the 'mob' and cops that kinda want to help, kinda don't care; the rest of the Party is freaking out because "WHAT DO YOU MEAN NO ONE INVITED HIM TO SPEND CHRISTMAS WITH SOMEONE AND WHAT DO YOU MEAN HIS CAR WAS FOUND IN THE QUARRY???".
Dustin asks Robin if something happened with Steve during christmas, like kissing under the mistletoe or something, only for Robin to say she didn't invite him because Eddie did, but Eddie hears that and goes, "Uh, no? I chicken out; I thought you would invite him after I didn't."
They asking around if someone invited Steve because it's kind of public knowledge that his parents suck, but no one did, and he hasn't come to the Party's Christmas party yet, so he's probably mad at them.
But Eddie and Robin are having a Bad Feeling™ because of the voicemails, and Hopper is being called to identify a car that it was found in the quarry that morning.
And Hopper knows that car, he has seen that car since Steve was a dumb teenager that got his parties busted by the chief. He hasn't seen Steve for a while. He wasn't at the christmas party. Where was he again?
The Party still isn't in the know, but Hopper is already looking for Steve but he can't find him and-
Remember that i told you Steve was in witness protection? Well, i think sometimes they fake their deaths, i'm not sure, but this is the perfect oportunity and cover to pretend that Steve died.
So the government uses it, and The Party doesn't know because different branch of the government and all that.
When Hopper founds out he doesn't know how to tell the other that Steve had an accident and they are still looking for him in the quarry; but they already know, they used Dustin's cerebro to find out what was going on.
Everyone is devastaded, and then, Eddie and Robin hear their voicemail again only to bring out that maybe it wasn't an accident, that maybe Steve did it on porpose.
And grief, pain, mourning, sadness, anger. Just a lot of feelings.
Meanwhile, Steve is kicking ass and using the Bad Guys™ headquarters like his own personal rage room.
Blablabla something something something.
Steve let out his anger, has a few personal realisations, lets himself think about the trauma he's endured all those years and comes back like a new person, ready to confess his feelings for Eddie Munson and let people care about him.
The first thing is go talk with Robin, she's probably worried about him and she probably knows better than him to help him confess to Eddie.
So he goes, only to be utterly confuse by the amount of tears, snot, yells and hugs that Robin welcomes him. It's not like he died.
Then Robin is flabbergasted by his Audacity.
Both of them fall into a bickering that makes Robin cry harder because she thought she wouldn't have this again and Steve starts to cry because Robin is crying and now they're both crying.
Needless to say, they catch up about all the things that happened in both ends.
It's not the end of tears, hugs and yelling, though.
Just give Steve all the confort that he refused to accept because he didn't think he deserved and that people didn't know how to give.
Fluff, Fluffy, Fluff. A bit of Steddie here.
Yeah, that's all.
Writing fight scenes requires a delicate balance of action, emotion, and detail to keep readers engaged and immersed in the moment.
Here are some tips to craft compelling fight scenes:
Know your characters: Understand their fighting styles, strengths, and weaknesses—are they offensive, or defensive? Spontaneous, or strategic? Trigger-happy, or reluctant? Their personalities and motivations will influence their actions and decisions during the fight.
Create tension: Build tension leading up to the fight to increase the stakes and make the action more gripping. Foreshadowing, verbal sparring, or physical intimidation can all contribute to a sense of anticipation.
Use sensory details: Engage the reader's senses by describing the sights, sounds, smells, and physical sensations of the fight. This helps to create a vivid and immersive experience—but make sure not to overdo it. Too much detail can distract from the adrenaline of the fight.
Maintain clarity: Ensure that the action is easy to follow by using clear and concise language. Avoid overly complicated sentences or excessive description that could confuse readers.
Focus on emotions: Show the emotional impact of the fight on your characters. Describe their fear, anger, determination, or adrenaline rush to make the scene more compelling and relatable.
Include strategic elements: Incorporate tactics, strategy, and improvisation into the fight to make it more dynamic and realistic. Think about how your characters use their surroundings, weapons, or special abilities to gain an advantage.
Balance dialogue and action: Intersperse dialogue with action to break up the fight scene and provide insight into the characters' thoughts and intentions. Dialogue can also reveal or support the characters' personalities and motivations.
Keep it concise: While it's important to provide enough detail to immerse readers in the action, avoid unnecessary padding or overly long fight scenes. Keep the pacing brisk to maintain momentum and keep readers hooked.
Show the consequences: Illustrate the aftermath of the fight, including injuries, emotional trauma, or changes in relationships between characters. This adds depth to the scene and helps to drive the story forward.
Hope this helped ❤
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AU. No KRS, Main OG Cale
Harris Village, a small place located near a dangerous, forbidden location. A place Cale Henituse despised with his very being. Because, like his mother, he knew the truth. Those people were not as innocent as they portrayed. They were not as kind as Choi Han believed, playing him like a fiddle. After all, they were after people like Choi Han, beings who cross time and space: transmigrators, and people like himself who regress. A organization known as Hunters. A villainous group even more older, annoying and more powerful than the White Star. While it was a help they took that bastard down, they also slew Choi Han and himself immediately after(causing even more chaos).
With things really not ending up well afterwards, the damned GoD sent him back to when he was 18, waking up in agony and finding the Molan's gone. What a pain.
But this time, he doesn't seem to be alone. This time he has his hyungs and noona with him(were they this...protective before?). Gains some very talkative ancient powers, saves some adorable bratty kids he would die for, and unknowingly creates a family along the way.
And after giving up so damn much the first time around, and seemingly having to do it again, when all was said and done he was going to go off and just slack. Rest somewhere away from everyone with the kids…maybe even have a garden? Or perhaps a farm...
It's just his luck that his mothers family decides to come out of the woodworks this time around. They look torn between wanting to throttle him and smother him in hugs. Weirdos.
Wait, Noona, why are you laughing? What do you mean I fit right in!? - Cale
----------
The Village did cause the carriage accident, though only Cale was able to figure it out due to his mothers journal(amongst other evidence, which was too late to bring to his father. As the man didn't see him anymore).
Eric, Gilbert and Amiru all have a huge part to play and are way more active, and more powerful/strong in their own right.
Cale ends up going to the capital instead of Basen. It becomes a shitshow, thanks to Choi Han intervening with him, but at least they stop most of the bombs.
Hans is also more involved. Slowly becoming more and more loyal and protective of his young master.
Protective!bamf Thames family(they are not very impressed with how Deruth has treated Jour's son either). They also know Cale regressed and are horrified. Which is why they came out of hiding.
Protective!dragons(Eruhaben, etc.) and allies.
Cale's plate is very thin, caused by his regression. He's a bit annoyed, the coughing up blood thing is getting old.
Cale's trash act is found out to be just that. Everyone's upset he would hurt himself in such a way. Especially Basen and Lily.
It's also found out that some of the staff and relatives tormented and lied about Cale without even Ron knowing. Beacrox is furious to find out they also tainted Cale's food(some of which HE had made himself). No wonder Cale stopped calling him Hyung and had those "tantrums"…
The Molans have a lot of regrets towards Cale, but they make up for it.
White star is eventually dealt with, in such a surprising ease that Cale may or may not be a bit slightly annoyed at the fact.
Choi Han and his gang eventually become allies, but it will be a while yet.
Choi Han also finds out about the Hunters and is devastated to learn the truth of Harris Village. He also gets some much needed therapy for being alone for so long(along with the culture shock, etc.), thank you Eruhaben.
Cale gives him some cookies, as that damn fatherly dragon dragged him off for a similar reason as well. Then Ron gives them lemonade...urk.
Alberu also joins the older siblings train, though he feels like he's the only "sane" one(he says being a dark elf while wielding Taerang, a gift from the sun god, after dealing with Adin and his tower).
Cale, Cage and Bud are drinking buddies and get into shenanigans.
Cale gives his AP's grey hairs(if they could have them), Super Rock just wants to trap him in a rock and protect him there. He regrets constantly saying "are you trying to sacrifice yourself". It gave his wielder ideas...
The greatest enemy is the Hunters who are slowly taken care of.
like father like daughter
Sight
people patiently waiting for their trains, lost in their phones
passengers running down the platform to catch their train
someone struggling with all their baggage
small children running around
people waiting for their loved ones
a sad, but sweet goodbye
an excited and happy hello
people drinking and eating on the platform, waiting for their trains to arrive
people getting confused at the ticket vending machines
passengers waiting in line at the service desk to complain or to find a new route
people routinely checking the time and arrival of their delayed trains
Hearing
passenger trains arriving and leaving the station
the beeping of the doors opening and closing
the whistling of the conductor when the train is about to leave
a freight train speeding through the station, making it impossible to hear anything else at all
announcements of trains arriving, being late or being redirected to another platform
announcements about being careful to not let their baggage unsupervised and to only smoke in designated areas
pigeons flying around
passengers running down the platform, screaming for the train to wait for them
Touch
the stickiness of the floor
the gush of wind when a train drives through
Smell
that specific smell of every train station, that can't be pinpointed
the smell of fresh pastry from the bakeries inside the station
the smell of fast food and old oil
the smell of pigeons living inside the train station
that specific smell of train tunnels
the smell of cigarette smoke coming from the designated smoking area
Taste
stale air on the roofed platform
overpriced coffee or tea to go
sweet kiss goodbye
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I know the Stranger Things fandom has collectively decided that Steve's parents are The Worst, but I also like reading stories where they aren't or where they are, but that perspective is complicated. Here are some recs (finished and unfinished fics and please check the tags yourself):
Aftermath by help_me_no
Interesting depiction of Steve's parents, especially him mom, as an absent parent who still loves Steve and has an impact on his life.
and they were SPOUSES (oh my god they were spouses) by narceus
Chapter 4 is from the perspective of Steve's mother. Steve's parents go to dinner with him and Robin after finding out they've been married for several years. This is one of my favorite depictions of Steve's parents which doesn't make them less absent but shows their behavior from their perspective and is absolutely wonderful
I was born when they took my name by WingedQuill
Steve is Seven and his parents are scientists who stole him from the lab and protected him all these years. They're good parents who love him and who worry about his safety.
count to thirty. breathe twice. repeat. by WingedQuill
Steve's parents are still absent, but with a twist. SPOILERS. They are both queer and have partners outside Hawkins. Steve doesn't know this, because they wanted him to have a normal life and not be affected by homophobia in Hawkins.
Jackrabbit Underneath by Grey_Lark
Steve is Seven and his parents are still not great people, but they are present through his early life (which is depicted in the story) and influence what goes on later. The impact of their family dynamic on Steve is really shown. His mother suffers from strange headaches.
you carved the space for my sadness to be seen for once (hold on to me) by ohstars
Steve's mom is a central character in this fic. When Steve becomes a teen parent, she steps up and divorces his father. Steve and his mom have to navigate their estrangement as well as the mother-son relationship between them and the father-daughter relationship between Steve and his daughter
Car Hangs by maiamaryse
Steve's parents are still not great parents in this, but they appear as characters who feel real and fully-fleshed, especially Steve's father.
Verses Out of Rhythm by thankyouplease
I don't usually read or post Harringrove fics, so here's your warning that Steve and Billy have a past, toxic relationship in this one (no Billy redemption). Endgame is Steddie. Steve's parents are a distant presence until the end of the fic, but they are still nuanced characters and decent people, even if they aren't great parents.
Too many beds
Accidentally kidnapping a mafia boss
Really nice guy who hates only you
Academic rivals except it’s two teachers who compete to have the best class
Divorce of convenience
Too much communication
True hate’s kiss (only kissing your enemy can break a curse)
Dating your enemy’s sibling
Lovers to enemies
Hate at first sight
Love triangle where the two love interests get together instead
Fake amnesia
Soulmates who are fated to kill each other
Strangers to enemies
Instead of fake dating, everyone is convinced that you aren’t actually dating
Too hot to cuddle
Love interest CEO is a himbo/bimbo who runs their company into the ground
Nursing home au
Hualian family went to the beach
Drawing bases & pose references pt 74 🫶
3 extra drawings for patrons!
A cover of Billie Eilish's Bad Guy on guqin, pipa, and suona
[eng by me]
Danny: Ugh, they're back again
Jazz: Don't make that face at paying customers. Do you want to make a portal back home?
Danny rolling his eyes: Yes
Jazz: Then we need to get enough money to buy the parts. If that means waiting tables at a barely legal dinner, where idiots hit on us, then we wait those stupid tables. Now go over there and get the Waynes to leave us a 200 tip.
Danny: Fine, but only if you do too!
Jazz: *Tighten her apron straps into an hourglass figure* Way ahead of you.
Danny: *Rolling eyes but does the same*
Meanwhile with the Waynes
Bruce: It's so nice to go out to eat with you all
Alfred: Indeed. It's a nice change, don't you agree, children?
Wayne kids: *hyperventilating*
Bruce Not looking up from his phone: The Fenton siblings?
Alfred: Indeed, sir. It seems like Master Dick, Master Jason, and Miss Cass are going to attempt to speak to Ms. Fenton today. Master Tim, Master Damian, Master Duke, and Miss Steph don't seem mentally ready to look Mister Fenton in the eye. Bets?
Bruce: Dick chokes on his fork again. Tim face plants on the table, and Steph once again speaks in gibberish after forgetting the entire English language.
Alfred: Very good, sir.
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