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Shen Yuan is, of course, a sweetheart of a cat that is totally, entirely, wasted on that acerbic Peak Lord who named him.

That is, of course, until a demon attack on the sect includes the use of True Heart Vial Rose and shows exactly what Shen Yuan is thinking.

Which happens to be rampant and increasingly creative expletives as he hisses, batting fiercely at the downed demon.

"Fuck your mother!" the cat yeowls, scratching at the demon's eyes. "You dogshit, peh! Curse your family! Your ancestors and descendants should feel shame having you in their bloodline!"

He quickly changes gears as he runs over to Shen Qingqiu, rubbing against his legs. "Jiu-ge, Jiu-ge~ That thing is filthy! Hurry and salt this wretched corpse lest it spreads some sort of miasma!"

Shen Qingqiu is, of course, more than a little pleased to do exactly that.

Shen Yuan, it seems, is utterly unaware of the fact his thoughts are understood. It doesn't help that he doesn't actually understand much of human speech (yet), so even if he's understood, he can't do the same for them. And that means he's very honest about whatever he thinks at all times.

"Is this supposed to be a gift? It's crude. It's bloody. It's exactly the kind of thing that dogfight Bai Zhan Peak would consider a prized possession. Its liver should be impeccable for qi restoration, and its bones, once in a fine powder, can help heal meridians. It's a good gift. Jiu-ge should take it." It's that commentary over the large corpse sitting outside the bamboo house that A) helps Shen Qingqiu realize it's not a threat and B) realize who it came from.

Also, apparently the cat has some sort of instinctual knowledge of beasts like itself. How curious.

"Going out of their way to misunderstand. Hmmh. Don't mind them, Jiu-ge. They aren't worth the effort. A waste of space and breath, they are."

The Peak Lord can't help a little laugh as he agrees, watching the cultivators accosting him turned red in the face at being dismissed by a cat.

"Aiyah, what am I going to do with you..." He purrs softly as he helps Shen Qingqiu calm from another, increasingly infrequent qi deviation. "You can't keep getting hurt like this. If you can't stop, I guess this Yuan will have to watch over you for as long as I live."

If Shen Qingqiu starts looking into how to help a cat become a spiritual beast after that, well, that's no one else's business.

"Jiu-ge cultivated demonically first. Of course cultivating the spiritual way only will cause an imbalance! Qi is qi, none is good or evil on principle, just like people and demons. Jiu-ge should keep using demonic cultivation to balance his energies! Fuck Wu Yanzi, there's tons of demonic cultivators better than even those from 'righteous' sects!"

If Shen Qingqiu begins improving in leaps and bounds, well, that's also his own business.

By the time Luo Binghe arrives, Shen Qingqiu is much more settled in himself and doesn't bother spiting Liu Qingge by taking a promising, fluffy-looking child on the day to pick new disciples. Though, Shen Yuan starts trailing over to Bai Zhan to go stare at the child, and in turn, Shen Qingqiu and Liu Qingge end up spending more time around each other...gross.

"Aaa Jiu-ge, don't be so shy. You clearly brought that Thousand Silver Teardrop Tea to help Qingge-ge through his bottleneck. Why act like this, ah? You're so hopeless. I suppose this cat will have to keep you company forever. Haaah."

Well, there are times he mildly wished A'Yuan would shut up. But his thoughts do end up getting the other peak lords to relax more around him.

Liu Qingge, having heard the cat's thoughts time after time, starts talking to Shen Qingqiu and treating him better. Repulsive. Do it more.

--

Anyway, I just thought this would be cute.

Showing 'Exhaustion' in Writing

Heavy eyelids, struggling to stay open.

Slumping shoulders, barely able to hold themselves up.

Dragging feet with each step.

Speaking in a slow, slurred manner.

Dark circles under the eyes.

Yawning frequently and deeply.

Head nodding forward, trying to stay awake.

Leaning heavily against walls or furniture.

Rubbing eyes and face with hands.

Deep, weary sighs escaping lips.

Wincing at bright lights or loud sounds.

Staring blankly ahead, unable to focus.

Weak, unsteady movements.

Muttering incoherently to themselves.

Falling asleep in unusual places.

Lack of response or delayed reactions.

Propping their head up with their hand.

Collapsing onto the nearest available surface.

Swaying slightly on their feet.

Barely lifting their head to speak or listen.

got really into drawing killer croc & baby doll from batman animated series for a minute . wanted to do my own designs (mariam doesnt change ofc because shes perfect)

What is that…thing? I was hoping you’d be able to tell me. Because I certainly can’t.

Bai Zhan Peak disciple Shen Yuan and Zui Xian disciple Shen Jiu—mostly for Battle Twink/Drunkard-by-Necessity-Asshole-by-Choice shenanigans

Jiuyuan Week Day 3: QJPL SJ/other peak SY (in which I yet again ignore half the prompt and say they’re both from different peaks)

I love these pictures as Snape. First one give me unhinged vibe, which fits his persona so well. Second would be a stretch because many think Snape is ugly. All he needed was good food. I suppose the 3rd one is snape 💀

wuxia, xianxia, and cultivation differences meta

translations: wuxia 武俠, xianxia 仙俠, and cultivation 修真/修仙 (xīuzhēn/xīuxiān)

think i've seen posts on this eons ago, and i'm pretty sure there are tons of these online, but since this has been written up already let's just have another one.

wuxia 武俠

wuxia and xianxia sound similar, but basically for wuxia it is about the pugilistic world (江湖 jiānghú). It is relatively more down-to-earth, and people practice martial arts ("kungfu") in their current life -- they do not do it to become xians (仙) and gods (神) however.

Like Thousand Autumns and Faraway Wanderers/Word of Honor, it has more historical background and ties to the current court and kingdoms, because people are living in the moment and concern themselves with worldly issues.

Martial arts may seem unrealistic, but in view of chinese fantasy it would be considered "real". It consists of fighting moves and internal energy, which they call qi or nèigōng (內功), and at times you see people flying around, climbing hills and jumping across rooftops which is qīnggōng (輕功).

xianxia 仙俠

A level up would be xianxia, where characters in the story cultivate to become xians (and gods, like in the heaven official's blessing). They don't really care about earthly issues here now, because their ambitions lie beyond the current world, and cultivation, getting stronger, and an immortal life are majorly all their goals.

You may not always see them working towards that purpose, such as in mdzs they are considered a lower-xianxia society (低魔), meaning people don't go through all the steps of cultivation and only stay at the stage before the "golden core" stage.

In xianxia, characters still learn basic fighting moves aka. martial arts, but to direct the internal energy they use línglì (灵力), zhēnqì (真气), and fǎlì (法力), all xianxia terms you commonly see. "neigong" is practically nonexistent in this genre. That's why people building up their "neigong" instead of "lingli" are likely never going to be able to cultivate.

cultivation 修真/修仙

A subgenre in the xianxia category would be cultivation. Characters actively go through the stages of cultivation, and likely for the MC, because they are the main character, they successfully become a xian and exit the world at the end of the novel.

There are many stages of cultivation, usually defined at the beginning of the novel in the synopsis, and a typical example of the different levels would be this:

练气，筑基，金丹，元婴，化神，炼虚，合体，大乘，渡劫

And with a cursory search, an English translation would be something like this, albeit not with all the cultivation ranks identified.

Qi condensation (练气), Foundation establishment (筑基), Core Formation (金丹), Nascent Soul (元婴), and the names after that vary too greatly with translation and fandom so I'll jump straight to Immortal Ascension

extra info: getting into the philosophy of it all

It'd be interesting to note that the word "xiá" (俠) permeates all these genres. This is something akin to the concept of "hero", but not at all also, and I'd love to speak more on this but this post has already gone way longer than I hoped it would be, so perhaps another day.

Regardless, it is interesting to note that wuxia has a greater emphasis on "xia" than xianxia. (some joke that cultivation doesn't have the word "xia" in it, and much of that is because characters have foregone heroism and focused on gaining powers and working towards ascension instead). As a result, wuxia is more confucianism-oriented, though not without its taoism and buddhism influences.

xianxia, on the other hand, is mainly derived from "dào" (道), from taoism, which is another lengthy concept if I ever get to it.

And some may have heard of the "farming" genre, 种田 (zhòngtián). This has to do with golden fingers (mary sues) in imperialistic china, earning a wealth of money, and all that. It has nothing to do with cultivation, alike they sound in english.

that's it for now, hmu if you wish to ask/discuss!

(and apologies for the pinyin translations, hope it's understandable still! formally writing pinyin they are supposed to be two separate words not one.)

Writing Character Accents in Fiction

Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 

I think the core principle regarding accent writing is this: it shouldn’t be distracting. 

For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 

Focus on what effect the accent has:

Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:

Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 

Posh: from a high social class. This is the term generally used to describe the upper-class British accent.

Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 

Brash: harsh, loud, indicative of sounding a little rude. 

Slur: speaking indistinctly; words merging into one another.

Using metaphors.

Her voice was cotton and fluffy clouds. 

When he spoke, the ‘r’s scratched the insides of his throat. 

Mentioning their accent with a brief example(s). 

“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.

“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 

Some Tips:

Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 

Pay attention to word choice, slang, and colloquialisms. 

An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”

A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station

If your character comes from a non-Enligsh background:

Use vocabulary from other languages. 

“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 

“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!

Transpose grammar from different languages. 

For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).

─── ･ ｡ﾟ☆: *.☽ .* . ───

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How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

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Gumroad

The Writer's Scene Workbook

Calling all aspiring storytellers with hearts full of whimsy! Get ready to sprinkle a touch of enchantment into your scenes with my Scene Wo

A fun prospect for Superhero-themed SV AU's that I don't often see is genre dissonance. Like, Luo Binghe as this edgy 90's style antihero who just straight up kills his enemies and sleeps around and is driven by selfish motives (revenge, ambition, etc) rather than altruistic morality, vs Shen Qingqiu as this kid-friendly supervillain who is "evil" mostly in terms of aesthetics and his ability to make inconvenient problems that are reasonably safe for child heroes to solve. Something like Punisher vs Team Rocket in terms of vibes.

Maybe the reason they meet is because some big publishing house akin to Marvel or DC just bought up the rights to whole bunch of older, discontinued comics titles, and decided to do a Justice League/Avengers style mash-up with a bunch of nostalgia properties and their most recognizable heroes and villains. Which means lots of crossovers condensing several titles into a handful of series.

Luo Binghe's origin always features him as a teenager, so he reboots as the youngest Avenger-equivalent team member in the new continuity. Even in this reboot, however, the writers still mostly go the gritty and dark route with his plots and stick to the same key developments -- his abandonment as an infant, his adoptive mother's tragic death, his tough life on the streets, abusive mentors and backstabbing "allies", and so on.

But Luo Binghe's life suddenly starts experiencing periods of dramatic change in his life when he's brought in for appearances in the lighter, friendlier world of the Junior Heroes continuity. After all, he's a natural choice for tying the two continuities together thanks to his youthfulness. Luo Binghe isn't consciously aware of the fact that he's moving between different titles and different writers. All he knows is that sometimes, when he hangs out with the bright and talented Ning Yingying, he's drawn into "conflicts" with Shen Qingqiu -- the kind of "villain" who will call for tea breaks, never actually hits anyone when he shoots his ray gun, leaves clues for all of his crimes, and can't seem to stop from imparting genuinely helpful advice in between his witty quips and taunts.

When Luo Binghe fights Shen Qingqiu, somehow he never actually gets hurt. Neither do any of his friends. The world in general seems brighter and lighter, as if there is some secret barrier protecting everyone from all the evils Binghe knows only too well exist in the rest of his life. Luo Binghe is increasingly convinced that Shen Qingqiu is the source of this mystical safety net. After all, for an allegedly powerful genius who is able to fool half the world about his wicked aims, he's never won a single fight against a kindhearted but somewhat ditzy teenager and her ragtag bunch of friends!

So what's he spending his actual energy on?

Luo Binghe is pretty sure it's keeping the real evils at bay. Making himself the biggest bad in town, and in doing that, making it so that the "biggest bad" is nothing worse than a slightly judgmental teacher in a pretty costume.

It's not long before Luo Binghe doesn't want to go back to the Justice League equivalent, to his world of misery and strife, even after his visits with Ning Yingying are supposed to be over. Especially as the global stakes of various heroic activities start getting higher, and it becomes clear that the boundary between Shen Qingqiu's safe world and the grimdark reality of Binghe's usual life are getting thinner...

Saying "I love you" without saying "I love you" — some ways your otp can silently express affection

Forehead kisses, and smiling through the kiss

Resting their forehead on the other’s after a kiss

Tucking strands of loose hair behind their ears, with a thumb caressing their cheek

Interlacing their fingers with the other’s when they least expect it

Sleepy back hugs when the other person is busy whipping up breakfast in the kitchen, catching them by surprise

Just doing their own things in the same space; being so comfortable around the other even in their pyjamas

Holding both their hands while holding their gaze gently, just before leaning in for a kiss

Switching positions with the other when walking down a busy sidewalk because your feel the need to keep the other safe

Being playfully clingy in the mornings when one has an off day and the other has to rush to work

Getting them something from the store when they only mentioned it in passing

When one is overseas for a work trip and everything they see reminds them of the other person (bonus: whenever it happens, they take a picture and drop the other person a text.)

Squeezing their hand reassuringly and holding their hand throughout an intense social situation (eg. a large school reunion which the more introverted person is dreading)

Kissing away their tears

^ and letting the other cry on their shoulder even when their t-shirt gets soaked from their tears

Meeting them where they are, mentally and emotionally; never forcing them to do anything they aren’t comfortable with

Wholeheartedly supporting their dreams, and putting that into action by making concrete plans for it to happen

Dropping the other person an encouraging text before an important interview/event

Surprising the other with flowers just because; no occasion and no reason needed

Picking the other person up from work when it’s getting late, and walking them right to their doorstep after

Good morning and goodnight texts

Making the other person a Spotify playlist with songs that remind them of their relationship and growth

Remembering the littlest of things — activities they like and dislike, favourite brands of stationery, go-to ice cream flavour, choice of popcorn

Writing little notes on post-its and leaving them in random pages of their textbook, so that they will get a little endorphin boost when studying