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HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

basic things you should know about your main characters

how is their relationship with their family

what are their beliefs, if they have any

what is their motivation (preferably something unrelated to their love interest/romantic feelings)

who were they raised to be vs. who they became/are becoming

what are their plans for the future, if they have any

how they feel about themselves and how it affects their behaviour

how do they feel about things they cannot control

and last but not least: Why is This Character the Protagonist??

Part-spirit tiger LQG assumes most cultivators have spirit animal ancestry or made pacts or otherwise have inherited traits.

He can smell the severe and constant stress on SJ, but assumes SJ is bullying other disciples. LQG's solution is of course to fight SJ himself so SJ can let out his aggression in a more appropriate way.

Everything is the same until the mission where SJ saves LQG's life. His instincts and SJ's bearing tell him that SJ tried to kill him, but he smells stress giving way to relief so he just asks if something has attacked his back.

Since SJ saw LQG's initial expression, he was ready for a fight and is somewhat flat footed. He couldn't says that obviously something was attacking LQG's back, what else was sj going to do, give him a hair cut?

Sadly this piques LQG's interest and he starts following SJ around even more and finally catches SJ being bullied. Worse, he realizes SJ's 'den' is the woodshed.

LQG interferes with the bullies and SJ just about loses it because this is going to make everything worse and LQG off handedly says that they can't afford to offend the Liu family even if they think Shen Jiu's relatives won't care

SJ's reaction to that (along with other things over the years) makes LQG realize SJ isn't in fact some prissy young master.

So LQG makes it his mission to get SJ to throw away the facade and show his true self. SJ would rather kill him, thanks.

LQG does start correcting SJ's social faux pas though is dicey bc sometimes SJ does know and messes up on purpose for strategy and LQG gains real appreciation for his insight. LQG also gives SJ a bunch of cultivation boosting and stabilizing pills bc it's no big deal for him to get them and maybe SJ didn't know to ask?

That starts a gift giving war where sj gives things he thinks will be insulting and LQG thinks they've started courting.

(it's ace4ace but LQG wants to sleep together cuddled up and purring. SJ still isn't sure LQG knows what sex is)

got really into drawing killer croc & baby doll from batman animated series for a minute . wanted to do my own designs (mariam doesnt change ofc because shes perfect)

We Are Not the Kissing Space Twins (part 2)

Fic by lunaraindrop

Well, you asked for it! Let's find out about Steve's secret twin!

The red numbers mocked her as her digital clock blinked over to 4:27 pm.

Robin's nerves were frazzled like the feather on her band uniform.

Tonight was supposed to be a fun night! Vickie had asked her last week if she wanted to come over to her house and have a movie marathon...and a sleepover. Of course she jumped at the chance! (Steve had said, excitedly and with way too many winks that Vickie was putting the moves on her.)

Robin had not known if it was a "friend movie marathon" or a "i-like-you-makeout movie marathon", but she had prepared for both.

But then Vickie called her earlier that afternoon to postpone. Apparently, her entire family got a stomach bug, and their house was a cesspool for germs.

Bummed, Robin tried to think of something else to do.

Hanging with Steve was out. His parents decided to grace him with their *lovely* presence after four months away on "business." They insisted on having a "family dinner." Steve always gets ultra stressed when he has to do the staunchy dinners in The Harrington Dining Room with the real silver, cloth napkins, and the Fine China that cost probably as much as his car. Telling him that her "maybe date" was off was just going to disappoint him too.

Eddie wasn't going to be any fun, either. All Eddie would do would be pine over Steve, try to sneak in a smoke, and eat whipped cream out of a can.

Nancy was spending the day with Jonathan. The kids made sure they all had things to do because Steve couldn't take them anywhere.

Then she had what she thought was a great idea. She could get her learner's permit! She had studied the written test bookelett front to back, as well as gone over all the driving rules and tricks with Steve and Eddie.

She wasn't working that day, and she was completely free. Perfect timing! All she had to do was get her birth certificate.

Which...proved to be harder than she thought.

Robin paced her bedroom, probably wearing a path in the carpet.

She never caught on that her parents were reluctant to give her her birth certificate. When she would suggest getting her permit or license, they would talk about how they couldn't afford to have her driving. A car and insurance cost a lot of money. Then they would guilt trip her into not driving at all with fears of her getting into an accident. She never knew her name, but that was how she was told her bio mom died.

She would always let it go when they talked about the "angel that gave them their precious baby girl."

But she knew now that they were hiding something from her!

When she pressed until they gave in, she saw what on her birth certificate. She felt so betrayed! How could they lie to her like that?

The taunting clock on her nightstand changed to 4:30. The DMV was now closed. Not that it even mattered!

She couldn't take it anymore! Robin picked up the phone.

"Hey, Nancy? I hate to ask, but could you and Jonathan come pick me up? I really need a friend right now."

---

In the Byers-Hopper living room, Nancy blinked up at Robin. "So, you are actually a year *older* than you thought you were?"

Robin threw her hand in the air. "Yes! And they didn't tell me! Evidently, it wasn't just that I took longer than the rest of the babies to walk! Oh no, I was in the NICU for *months*! I was so far behind in my milestones that my parents decided to just tell me I was a year younger and enroll me in school a year later than everyone else!"

Jonathan dodged a flailing arm and handed Robin a cup of tea. "Here, sit down and drink this. It's my mom's chamomile. I think you need it."

Taking a breath, Robin nodded her thanks and took a sip. Then made a face. "This tastes like laundry detergent and bourbon."

Jonathan shrugged with a small smirk. "I said it's my mom's."

Nancy went into investigation mode. "Okay, so your parents adopted you three days after you were born. Closed adoption. Your biological mother died, and no information about your biological fatherm. Instead of 1968, you were adopted in 1967."

Carefully putting the mug down on a magazine on the table, Robin ran her fingers through her hair. "Me being adopted is old news, Nancy. I've known I was my parents 'miracle baby' since I was able to walk...which I don't know when that is now! Was it *actually* six months after most kids, or *a year and six months* after most kids?!?"

Nancy waved her hand to cut Robin off. "Robin! I understand. I'm just trying to understand how nobody knew this information."

Jonathan raised an eyebrow. "About Robin being adopted?"

Nancy sighed. "No, about how Robin could go through the whole school system and sign government NDA's without getting flagged that her birthday was wrong. I'm wondering if her adoption records say something else."

She got up to grab a notepad and started scribbling. "The information given to the Buckley's, if they can believed- sorry Robin- is that the adoption was a closed adoption. Having records sealed makes sense, but not a closed adoption. There was no father, according to Robin's parents. Just her biological mother. Who died in a car accident. So...who made sure it was a closed adoption? Who isn't supposed to be contacted? Does that have anything to do with the year change?"

Jonathan got up and pulled out his wallet. "Robin, you've never had a physical ID, right?" He showed off his own driver's license with his awful bowl cut hair picture.

"No. I haven't even had a permit yet. At nineteen! I'm so far behind!"

Jonathan nodded and looked to Nancy to continue. When she nodded back, he handed Robin his license. "If you've never had an ID, the only time you would see your birthday written anywhere would either be at school or by your parents." He turned to Nancy. "If her school records say she was born in 1967, then they knew she was a year older, but didn’t say anything... If they filled out her forms saying 1968, then they lied to the Roane County Board of Education, and they didn't check her birth certificate."

Nancy pointed a pencil at Robin. "You might have accidentally uncovered a hidden adoption scheme in Hawkins."

Robin flexed her fingers. "That's nice, you guys. Really nice. I may be a part of some big adoption conspiracy. But the fact remains, I'm a year older than I ever thought I was, and my parents lied to me about it."

Nancy and Jonathan both flinched.

Right. Comfort Robin now, investigate later.

Nancy walked over and stilitingly pat Robin’s shoulder. She wracked her brain for something to cheer the woman up.

"Well, you and Steve can actually pretend to be twins, now! Your birthdays are now only three days apart!

Part 1 here:

Quick Tips for Writing Emotional Tension

They act like they don’t care, but we all know they’re just avoiding a massive emotional explosion.

One of them starts to spill their feelings, then clams up like, “Uh, never mind…” Cue the frustration.

One character throws out something super personal like it’s no big deal, but you can tell the other one’s like, “Wait, what?”

They let something slip that they were totally not ready to share, and then they freeze like, “Did I just say that?”

The “I’m fine” smile (but they’re not). One gives this shaky smile that doesn’t fool anyone, especially the other character.

They almost grab each other’s hand or hug, then they hesitate, and the moment passes. UGH, so frustrating!

One of them’s on the verge of tears but is trying sooo hard not to lose it. You can feel how much it hurts.

They talk about literally everything except the thing that’s actually bothering them. So. Annoying.

They used to be shoulder to shoulder, but now they’re standing a whole three feet apart like something big changed.

One’s suddenly acting like they barely know the other, being all polite and formal, and you just know there’s more going on.

Radioactive Hero (but not really) au

Danny moves to Gotham, hear him out! There's really good jobs there that pay through the nose and the cost of living is cheap!

Plus, the city is riddled with heroes and vilains! It's so easy to slip under the radar!

Unfortunately, there are so many civilian casualties. Like, all the time. Even in Metropolis!

So Danny, for his first year in Gotham, opens small portals to the Far Frozen and gets schooled on being a field medic. None of his powers can really be used for healing, but they can make people feel better. He just has to be careful to be as far removed from the Phantom moniker as possible, so he can't use any obvious powers.

He gets a bit of a reputation in Gotham; a small time hero of the people, for the people. A hero not invested in fighting, but in dragging civilians away from the danger. He doesn't even have a moniker; people are too busy arguing over the best one for him.

So while aliens are attacking both Metropolis and Gotham, Danny is out in full kit; a gas mask to hide his face, all black, repurposed kevlar from the vests the GCPD did not properly dispose of, no identifying markers.

But one of the clean up crews notices something insanely worrying; the geiger counter they have to point at alien spaceship parts? Yeah. Yeah, it's going off when they point it at the new small-time hero.

That hero's power is radioactivity. Holy shit. It's not at a level that will hurt people, but when he's dodging through fighting the level goes up.

The clean up crew concludes and shares via Twitter that the medic-hero is only a danger to others if he gets too stressed.

Word spreads fast, and pretty soon the absolute second Danny shows up on a scene, all fighting stops.

After all, no one wants to piss off the living Nuclear Bomb.

Basically, Danny's ghost-everything sets off Geiger counters, and now absolutely everyone is convinced that the medic-themed hero only refuses to fight because his meta power is just...being radioactive.

But he isn't.

So now, because it's the perfect cover and completely disassociated from Phantom, he has to play along and pretend like yes; that is his power.

character pairing prompts

menace of a child + their tired caretaker

flirty but easily flustered + absolutely brazen

can explain how to do it but can't do it + can do it but doesn't know how

always invested in their work + the one who takes care of them

eager to fight + eager to encourage

sunshine + midnight rain

clichéd hero + Will Break the Fourth Wall

busy saving the world + slow down, let me cook something for you

fighter + flight [er...?]

hothead + has a younger sibling

extrovert + overthinker

rbf + overthinker

will negotiate anything + lawyer

anxious + will jump right in

dumb + stupid + god I'm sick of this how did I end up here

impulsive + eager to please

Not A Couple + child they ended up with

oldest child + only child

academically smart but socially stupid + most obvious person ever

lawyer + assassin

grumpy retiree + toddler

doe-eyed Chosen One + trained for this for years

will say what they think + would kill you if they could

stupid villain + evil henchman

unilingual + group of polygots

Where to post?

Does anyone have a list of places to post webnovels for free? I really want to post mine but don't really know where. I'm open to different websites but I don't want an exclusivity contracts. Any answers are appreciated.

HII my character & shape design tips PDF is now available! ^_^ hope you enjoy !!

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