Steve Will Drop Lore On Eddie In This ‘everybody Knows This, Catch Up’ Kinda Way When It Painfully

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

The Anatomy of Punching a Character in the Face

Punching scenes are a staple of action sequences in many genres. Whether it’s an intense brawl, a quick defense, or an emotional outburst, a punch can carry a lot of weight both physically and narratively. As a writer, it’s essential to understand what really happens when a fist meets a face—from the immediate impact to the longer-lasting effects on both the person getting punched and the one throwing the punch.

This guide will help you craft authentic, detailed, and believable punch scenes by exploring different areas of the face, types of punches, and the aftermath of such an impact.

1. Target Areas of the Face and Their Vulnerabilities

A punch isn’t a one-size-fits-all situation. Depending on where the fist lands, the consequences will vary significantly. Different parts of the face have varying levels of vulnerability, and targeting these areas produces different effects, from knockouts to broken bones.

A. Jawline: The Knockout Zone

The jawline is a classic target in many fight scenes, especially when knockout punches are involved. This area is highly vulnerable because a hit here causes the head to snap to the side, leading to a sharp rotational movement of the brain inside the skull. This movement disrupts the brain’s communication and often results in a temporary loss of consciousness—what we commonly refer to as a "knockout."

Common Effects: Dislocation or fracture of the jaw, loss of consciousness, slurred speech, and severe pain.

Visual Aftermath: Swelling around the jawline, bruising, and possible misalignment of the jaw if broken.

B. Nose: Breaking and Bleeding

The nose is another vulnerable target, known for being easily broken. It’s not just a fragile bone structure, but it’s also connected to many blood vessels, meaning a direct punch to the nose often results in immediate bleeding. The nasal bone can fracture, causing difficulty in breathing, and in some cases, the nose may need surgical intervention to reset.

Common Effects: Intense pain, bleeding, difficulty breathing, potential for a broken nose.

Visual Aftermath: Blood running from the nostrils, swelling, and significant bruising around the nose and eyes.

C. Cheekbones (Zygomatic Bones): Bruising and Fractures

The cheekbones are one of the more solid structures in the face but are still susceptible to breaks, particularly from a heavy blow. Damage here can lead to not just bruising, but potentially severe injuries that can affect the entire facial structure.

Common Effects: Fractures of the zygomatic bone, swelling, bruising, and pain extending to the eye socket.

Visual Aftermath: Black eyes, noticeable swelling on one side of the face, and a sunken appearance if the bone is fractured.

D. Forehead: A Hard Target

The forehead is much harder than most parts of the face and is less vulnerable to severe damage. However, punches to the forehead can still cause pain, disorientation, and dazing of the recipient. While it’s less likely to result in a knockout, it’s effective in dazing an opponent, especially if the puncher’s goal is to create an opening for another strike.

Common Effects: Swelling, redness, and potential concussions if hit with enough force.

Visual Aftermath: Redness, minimal bruising, and a dazed expression.

E. Eyes: Black Eyes and Swelling

A punch to the eyes is particularly brutal because the area around the eyes is delicate, and the skin is thin. It’s not just about swelling but also potential damage to the orbital bones. The impact can cause "black eyes," characterized by intense bruising and swelling that may close the eye shut for days.

Common Effects: Swelling, black eyes, potential orbital bone fractures, temporary blurred vision.

Visual Aftermath: Discoloration that starts purple and turns yellowish-green as it heals, swollen shut eyes.

2. Types of Punches

Not all punches are created equal. The type of punch thrown can drastically change the outcome of the scene, both in terms of damage and realism. Understanding these different types of punches will allow you to convey more varied and dynamic fight sequences.

A. Jab: Speed and Precision

A jab is a quick, straight punch, usually thrown with the non-dominant hand. It’s not meant to be a knockout punch but more of a setup punch to create an opening or keep the opponent at a distance. Jabs are fast and can be disorienting, especially if they repeatedly land in quick succession.

Common Effects: Light bruising, potential cuts, and swelling in the area hit.

B. Cross: Power and Impact

The cross is a powerful, straight punch delivered with the dominant hand. It’s often aimed at vulnerable spots like the jaw or nose. Unlike a jab, the cross is meant to deliver a significant amount of force, and when landed properly, it can cause serious damage.

Common Effects: Knockouts, broken bones, severe swelling, and bruising.

C. Hook: Lateral Devastation

A hook is a wide, circular punch that targets the side of the head, particularly the jaw or temple. It’s one of the most powerful punches and is often used with the intent of knocking the opponent out.

Common Effects: Knockouts, severe disorientation, potential for concussions, and jaw dislocations.

D. Uppercut: Lifting from Below

The uppercut is thrown upward, usually aimed at the chin. It’s a devastating punch that can lift the opponent’s head and jolt their brain, leading to knockouts. Uppercuts are especially dangerous when they land cleanly on the jaw or chin.

Common Effects: Knockouts, broken teeth, jaw fractures, and disorientation.

E. Haymaker: Risky but Powerful

A haymaker is a wild, swinging punch delivered with as much force as possible. It’s often thrown with reckless abandon and is easy to dodge, but if it connects, it can deal significant damage. Because of its wide arc, it leaves the puncher exposed to counterattacks.

Common Effects: Knockouts, severe bruising, and possible fractures if landed correctly.

3. Punch Wounds: What They Look Like and Healing

Punches to the face leave lasting marks, some immediately visible and others taking days to fully form. Understanding the aftermath of a punch will help you describe the physical toll on your characters more accurately.

A. Immediate Effects

Swelling and Redness: Swelling can begin almost instantly, particularly in areas with soft tissue like the eyes and lips.

Bruising: Bruises start off as red, then turn purple, blue, and eventually fade into yellow or green as they heal.

Bleeding: Punches to the nose, lips, and even cheeks can result in bleeding, either from the skin breaking or from internal damage like a broken nose.

B. Long-Term Injuries

Black Eyes: Punches near the eyes can lead to bruising that darkens the skin around the eyes, giving it a purplish hue.

Fractures: Broken bones, such as the nose or jaw, may require weeks to heal, and in severe cases, surgery may be necessary.

Scarring: If the skin is cut open, there’s the potential for scarring, especially if stitches are required.

C. Healing Process

Bruises: These typically take about a week to two weeks to heal, with the colors shifting as the body absorbs the blood trapped under the skin.

Fractures: Healing from fractures can take several weeks to months, depending on the severity.

Swelling: Swelling can last anywhere from a few hours to a few days, with cold compresses helping to reduce it.

4. How the Punch Affects the Puncher

While we often focus on the person receiving the punch, it’s important to remember that throwing a punch can also take a toll on the puncher.

A. Physical Strain

Knuckle Damage: Hitting a hard surface, like a jaw or forehead, can cause damage to the puncher’s knuckles. This is known as a “boxer’s fracture,” where the small bones in the hand break due to impact.

Wrist Injury: If the punch is not aligned correctly, the wrist can absorb too much force, leading to sprains or breaks.

Fatigue: After multiple punches, especially in a drawn-out fight, the puncher can become fatigued, leading to less powerful or accurate strikes.

B. Emotional and Psychological Effects

Adrenaline Rush: For inexperienced fighters, throwing a punch can lead to an adrenaline surge, which can cause tunnel vision or reckless behavior.

Moral Conflict: If the puncher is not used to violence, they may experience guilt or shock at the damage they’ve caused, especially if the recipient is significantly injured.

5. Psychological Impact of Receiving a Punch

A punch to the face doesn’t only cause physical damage. For the recipient, it can have a lasting psychological effect, especially if the punch was unexpected or in a vulnerable situation. Writing this aspect adds depth to your characters and shows that a punch is more than just physical pain.

A. Shock and Fear

Fight or Flight Response: Getting punched can immediately trigger a fight-or-flight reaction. Some characters might freeze or retreat, especially if they’ve never been in a physical altercation before.

Loss of Confidence: For characters not used to violence, being punched in the face may cause a significant loss of confidence. They may question their own strength, bravery, or ability to defend themselves.

Increased Aggression: Alternatively, the punch may trigger a rage-fueled response, pushing the character into aggressive, reckless action.

B. Embarrassment and Humiliation

Public Fights: If the punch occurs in front of others, there’s often an added layer of humiliation. Characters might feel embarrassed, even if they weren’t at fault.

Internalizing the Event: The recipient of the punch may carry the emotional impact for a long time, replaying the event in their mind, feeling shame, or seeking revenge.

C. Post-Traumatic Stress

Lingering Anxiety: In extreme cases, receiving a punch can cause anxiety or even post-traumatic stress disorder (PTSD). Characters who’ve experienced significant trauma might relive the event through flashbacks or become hyper-vigilant, avoiding confrontations in the future.

Fear of Future Confrontations: A character who’s been severely beaten might actively avoid scenarios where they could be hit again, making them overly cautious or paranoid.

6. Writing Tips: Making It Believable

Writing a punch scene isn't just about describing the physical action. To make the moment believable and impactful, you’ll need to consider various elements—from pacing and sensory details to character psychology and aftermath. Here’s how to make your punch scenes authentic:

A. Build Tension Before the Punch

Foreshadowing Conflict: Build up the tension before the punch is thrown. Is the character agitated? Are there verbal warnings or body language that suggests things are escalating? By slowly ramping up the tension, the eventual punch feels earned and inevitable.

Use Dialogue: A heated exchange of words can make a punch more meaningful. If the punch follows a particularly cutting remark or threat, it adds weight to the action.

B. Focus on Sensory Details

Physical Sensations: Describe not just the punch itself, but how it feels. Does the skin split? Does the puncher’s knuckles scrape against teeth or bone? Is there an immediate sting or delayed throbbing pain?

Sound: The sound of a punch can enhance the realism of the scene. A dull thud as a fist connects with soft tissue, the crack of a bone breaking, or the splatter of blood hitting the floor are all effective auditory details.

C. Show Immediate and Delayed Reactions

Physical Reaction: After being punched, characters rarely shake it off immediately. Staggering, falling, or momentarily losing their vision are realistic reactions. You can also show how the puncher feels—did their hand hurt from the impact?

Emotional Fallout: Punches are often emotional events. Show how your characters feel right after—whether it’s satisfaction, regret, or shock. The emotional weight of a punch can be just as impactful as the physical consequences.

D. Consider the Aftermath

Healing Process: Don’t forget that punches have a lasting impact. A black eye will take days to heal, and a broken nose could require medical attention. Characters might have to deal with soreness, swelling, or difficulty talking and eating.

Ongoing Tension: A punch can dramatically shift relationships. A once-trusting friendship could be shattered, or a bitter rivalry could be born. Make sure to carry the emotional weight of the punch forward in your story.

7. Common Misconceptions About Punching

Many writers fall into the trap of perpetuating unrealistic portrayals of punches. These misconceptions can make your scenes feel less authentic or overly cinematic. Here’s how to avoid them.

A. The Myth of the "Clean Knockout"

Reality: A punch to the jaw might cause a knockout, but it’s not always instant. In real life, knockouts are often messy and unpredictable. The recipient might stagger or struggle before finally losing consciousness, and they could wake up with serious concussions, memory loss, or nausea.

B. Punches Always Cause Immediate Bleeding

Reality: While a punch to the nose often causes immediate bleeding, not all punches result in visible blood. Even when skin splits, it might take a moment for blood to pool and become visible. Bruising and swelling often take hours to fully appear.

C. Punching Doesn’t Always Lead to a Win

Reality: Throwing a punch doesn’t guarantee victory. The puncher could hurt themselves, miss entirely, or end up escalating a fight they weren’t prepared for. Additionally, punches to the forehead or temple might not have the knockout effect portrayed in movies—they could just make the puncher’s hand hurt more than the opponent.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

Internal conflict writing ideas

Not everything has to be fight scenes

—Losing something of emotional value and remembering its history and why it’s important to the character

—Reliving a traumatic event

—Running into an old friend who’s either completely changed since they’ve last seen each other or far too similar, leaving the character to wonder about how they’ve matured and grown compared to this other person

—Internally deciding if they should voice a fear or concern to the group, even if they might look silly or ridiculous doing so

—Friends vs family in terms of choosing who to follow and listen too

—Feeling unqualified to work on a project or be apart of the adventure

—Romantic feelings for someone they shouldn’t and dealing with how they should proceed internally. (THIS MEANS RIVALS OR FORBIDDEN ROMANCE. NOT ANYTHING ILLEGAL!!!)

—Thinking about mortality and death after being reminded of an late friend/family passing

—Being less talented at something years later when they used to be the best in that field

—Finding an old photo that carries much more emotional significance now than it did X years ago.

For Rogue cultivator!SY AU

Shen Yuan and Shen Jiu are having a cute little date in a town near Cang Qiong.

Liu Qingge: *peeking around the corner* How shameless! Did they forget that they're in public now? Take your hand away! *talking about SJ*

Yue Qingyuan: *peeking around the same corner* Yes. He's leaning too close.*talking about SY*

Ning Yingying: *gleefully peeking around the same corner* Yingying thinks it's really romantic!

Luo Binghe: *peeking and pouting around the corner* Why are they even here? Shifu definitely knows that this disciple can cook better dishes than anything offered here.

Ming Fang: *staring at everyone and peeking around the corner* How do we even fit that one small corner?

My imagine ( mirror ) :

Since he was little, Dark Choco often sleepwalked but no one knew because he often locked his bedroom door.

After Dark Cacao found out about Dark Choco talking to his reflection, Dark Cacao forced Dark Choco to sleep in his bedroom so he could keep an eye on his son from "that thing", Dark Choco tried to explain to his father that his reflection was harmless but his father wouldn't listen, helpless and tired it was already late at night he decided to follow his father's words to get some peace and continue explaining everything tomorrow, that didn't make things better.

Although Dark Cacao had planned to stay up all night to watch over his son, perhaps due to the hard work of dealing with the aftermath of Affogato + Cookies of Darkness and other problems of the kingdom, he had fallen asleep, but was suddenly awakened in the middle of the night by Dark Choco's noise.

When he woke up the first thing he witnessed was his son's strange behavior, Dark Choco instead of going to sleep was moving aimlessly around his room, while singing nonsense rhymes, when he tried to move to look at his son he found he couldn't ( he was having sleep paralysis ), he was immediately filled with panic and thought this was caused by the entity in the mirror ( he knew what sleep paralysis was, this wasn't the first time he had sleep paralysis but due to recent events he was overthinking ).

And as if that wasn't enough, another nail in the coffin in this situation, Dark Choco slowly approached the balcony in Dark Cacao's room, if his son's lifeless face and empty eyes weren't enough to scare him, then the fact that his precious child started to step onto the balcony's railing definitely terrified him to the bone, luckily at this moment he escaped the sleep paralysis and rushed in just in time to prevent his son from falling to his death.

Needless to say, things got worse after that, Dark Cacao and Dark Choco both fell on the ground after Dark Cacao forcefully pulled Dark Choco off the railing.

Dark Choco : What just happen ???

Dark Cacao : I SHOULD BE THE ONE ASKING THAT QUESTION, WHY DO YOU DO THOSE THINGS ???

Dark Choco : I do what ??? Father I've been sleeping all this time.

Dark Cacao : Your...don't remember anything ??? You told me you move and open your eyes and sing when you sleep ???

Dark Choco : I don't know about opening my eyes and singing but isn't it normal to move around in my sleep ? I mean i've been like that since i was a kid.

Dark Cacao :....

After that incident, he was not allowed to sleep alone anymore. There was always someone watching over him while he slept. That made Dark Choco lose his sense of privacy and was very stressed and uncomfortable.

Which also caused information and rumors to spread about Dark Choco's condition, the soldiers guarding Dark Choco were terrified of him sleepwalking, they said that when he sleepwalked he was like a walking corpse, the lifelessness in his expression, the way he sang and moved in his sleep terrified the soldiers not helping any as he even practiced swordplay in his sleep at one point, god bless the heart of the warrior guarding him back then.

People told each other that the entity in the mirror possessed his body at night while he slept, they pitied the prince even saying that all the sins the prince had committed before were caused by that entity even though Dark Choco and Dark Cacao told the truth that it was because of the cursed sword before.

bro was last in a club 20 years ago and after this titanic karaoke he won't be back in a club in the next few years 🚶

I’ve been very busy with school, but no matter how busy I am, I will always have time for my bedtime stories (danmei novels). Lately, I’ve been reading this very good Palace Intrigue novel.

And hear this, I’m not that fond of palace intrigue. Not that I hate it… it’s just not a genre I’d first look at when I’m looking for something to read. Palace Intrigue tend to be either too complicated and serious with the mysteries and scheming, completely neglecting the romance aspect (the reason why I even read danmei and not no CP works), OR they are just not serious and complicated enough and everything seems like fun and games.

Palace Intrigue needs to be at a very specific sweet spot for me to enjoy it. This is why although I’ve read many such novels under the genre, the ones I really like and can even remember the title of are just two—Si Tian Guan and I Rely on Beauty to Stabilize the Country (though I have not yet finished both because of certain reasons)

But now, I can finally add a third one to that list: 可是他长得美啊 (lit. But He Looks Beautiful Ah)

The romance and the intrigue aspects are perfectly balanced, and I guess it has a lot to do with how the romance itself is also full of intrigue—and not a political or a love-hate type of intrigue, but simply… on what it’s really like to love someone.

The novel realistically explores what it’s like to love someone whose morals and principles you may not always agree with.

I initially thought the novel was going to have a typical Yandere Top x Submissive Bottom kind of pairing… But it doesn’t. Instead, it challenges this Yandere Top archetype and shows how it won’t work at all in a real loving relationship, and it does this without being puritan over it.

The protagonist Jingzhe would stop the male lead Rong Jiu from doing extreme acts, but at the same time he tries to understand why the latter would do such a thing. He doesn’t try to “heal” Rong Jiu, but instead he coaxes him to a middle point that they agree on. They argue a lot over this, but that just shows how much they care for each other.

There were instances where Rong Jiu tried to force Jingzhe to the dark side, but Jingzhe never once gave in. Then, slowly, little by little, Rong Jiu learns to restrain himself and understand what Jingzhe values, while Jingzhe also understands Rong Jiu and makes him feel more secure in their relationship.

Instead of either getting converted to the other’s side, they learn to meet each other in the middle.

And I like that.

Danny: Ugh, they're back again

Jazz: Don't make that face at paying customers. Do you want to make a portal back home?

Danny rolling his eyes: Yes

Jazz: Then we need to get enough money to buy the parts. If that means waiting tables at a barely legal dinner, where idiots hit on us, then we wait those stupid tables. Now go over there and get the Waynes to leave us a 200 tip.

Danny: Fine, but only if you do too!

Jazz: *Tighten her apron straps into an hourglass figure* Way ahead of you.

Danny: *Rolling eyes but does the same*

Meanwhile with the Waynes

Bruce: It's so nice to go out to eat with you all

Alfred: Indeed. It's a nice change, don't you agree, children?

Wayne kids: *hyperventilating*

Bruce Not looking up from his phone: The Fenton siblings?

Alfred: Indeed, sir. It seems like Master Dick, Master Jason, and Miss Cass are going to attempt to speak to Ms. Fenton today. Master Tim, Master Damian, Master Duke, and Miss Steph don't seem mentally ready to look Mister Fenton in the eye. Bets?

Bruce: Dick chokes on his fork again. Tim face plants on the table, and Steph once again speaks in gibberish after forgetting the entire English language.

Alfred: Very good, sir.

REVERSE TROPE WRITING PROMPTS

Too many beds

Accidentally kidnapping a mafia boss

Really nice guy who hates only you

Academic rivals except it’s two teachers who compete to have the best class

Divorce of convenience

Too much communication

True hate’s kiss (only kissing your enemy can break a curse)

Dating your enemy’s sibling

Lovers to enemies

Hate at first sight

Love triangle where the two love interests get together instead

Fake amnesia

Soulmates who are fated to kill each other

Strangers to enemies

Instead of fake dating, everyone is convinced that you aren’t actually dating

Too hot to cuddle

Love interest CEO is a himbo/bimbo who runs their company into the ground

Nursing home au

Part 6 Part 7 Part 8 (next Monday)

First part