Wonder of wonders.
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
Leia waited for Ben on her death bed to transfer whatever life force she had left to save him. He’s alive, hence why he wasn’t a force ghost. I have spoken.
I won’t be satisfied if reylo will be just “hinted”. I want a scene that make their love as clear as the sunlight.
Go big or go home Disney!
reylo + the phantom of the opera | parallels
New behind the scenes footage from Star Wars: The Rise of Skywalker
What girl? Rey. Rey of Jakku. The other half of your soul. inspo
One thing I am both grateful for and…. really upset over is that for like 10 minutes, we get Ben Solo as free as he’s ever been. And just from the like, 3 clips I’ve seen, the difference in his physicality, his expressions and his energy is so completely opposite from Kylo’s… I just want to applaud Adam for giving us that. Kylo’s every movement looked so… restrained and stiff in comparison? Like he was holding in everything that he is, putting it all away. And he looked so pained most of the time. Tried to stay as stoic as he possibly could. Seething. But Ben? Fuckin’ wild XD. The determination, the confidence, the sass, the absolute badassery… Always grateful that we got to see that. But upset that that’s all we got… Just when we started seeing who he really is, they ripped him away. But what we did get was fucking beautiful. As this tweet so elegantly put it:
Everybody say “Thank You Adam Driver”, Who brought his A-game even in this mess.
I just really love them
Adam Driver and Selena Gomez at the 2019 Cannes Film Festival