I sort of suspect this might still play into it - I always remember thinking that shot was weird. Remember the Mistress talking in one of the earlier episodes about how happy she was that she "chose" Clara. It wouldn't surprise me if this came back up as somehow the answer. Not sure how the ring fits in, but it's not like Stephen Moffat has never come up with clever explanations for tiny details before.
Although it might just be a bizarre artifact from using a long lens (or fully zoomed-in zoom lens) with a shallow focus in a fast shot with lots of movement. Nick Hurran's wild, unhinged use of the camera results in a number of bizarre moments, which are usually just kind of charming quirks as a side-effect of his visual flourishes.
When they get out of the painting. -unnoun
The hand is clearly Clara’s - the rings match. (Look a minute or two later, when she’s observing the board.) Whatever’s going on with the camera angle, it’s still clearly Clara.
Wherein I review Wes Anderson’s ridiculously charming Isle of Dogs, and reluctantly examine the question of cultural appropriation I’m so not properly handled to discuss.
Sure! Awesome socks are awesome socks.
to all hetero boys out there would you ever compliment a girl’s socks if you had no romantic/sexual interest in her asking for a friend
A Vulcan named Stork works at the Terran adoption agency. Parents always request that he be the one to deliver their child to them.
please fucking vote
Man, Ophelia gets even more screwed in this version.
[This is one of the funniest, most brilliant damn things I’ve ever read. It dates from very early Internet days and I thought it deserved resurrection to Le Tumble]
This recently discovered folio edition of “Hamlet” follows other known versions closely until Act V, Scene II, where it begins to diverge at line 232, as will be seen:
KING: …`Now the king drinks to Hamlet.’ Come, begin, And you the judges, bear a wary eye.
Trumpets sound. HAMLET and LAERTES take their stations
HAMLET: Come on, sir.
LAERTES: Come, my lord.
Enter FRED, DAPHNE, VELMA, SHAGGY, AND SCOOBY
DAPHNE: Wait!
SHAGGY: Stop the fight!
HAMLET and LAERTES put up their foils
KING: I like this not. Say wherefore you do speak?
FRED: Good lord, I pray thee, let thy anger wait. For we, in seeking clues, have found the truth Behind the strange events of latter days.
VELMA: The first clue came from Elsinore’s high walls, Where, so said Hamlet, Hamlet’s ghost did walk. Yet though the elder Hamlet met his death, And perforce hath been buried in the ground, ‘Tis yet true one would not expect a ghost To carry mud upon his spectral boots. Yet mud didst Shaggy and his faithful hound Espy, with footprints leading to a drop. This might, at first, indeed bespeak a ghost… Until, when I did seek for other answers, I found a great, wide cloth of deepest black Discarded in the moat of Elsinore. ‘Tis clear, the “ghost” used this to slow his fall While darkness rendered him invisible.
FRED: The second clue we found, my lord, was this.
KING: It seems to me a portrait of my brother In staine’d glass, that sunlight may shine through.
FRED: But see, my lord, when placed before a lantern–
KING: My brother’s ghost!
HAMLET: My father!
VELMA: Nay, his image.
FRED: In sooth, that image caught the Prince’s eye When he went to confront his lady mother. Nor did his sword pierce poor Polonius. For Hamlet’s blade did mark the castle wall Behind the rent made in the tapestry. Polonius was murdered by another. The knife which killed him entered from behind.
LAERTES: But who?
FRED: Indeed my lords, that you shall see.
HAMLET: And if this ghost was naught but light and air, Then what of that which I did touch and speak to?
The GHOST enters.
GHOST: Indeed, my son.
SHAGGY: Zoinks!
DAPHNE: Jenkies!
GHOST: Mark them not. Thou hast neglected duty far too long. Shall this, my murderer, live on unharmed? Must I remain forever unavenged?
SCOOBY and SHAGGY run away from the GHOST. SCOOBY, looking backward, runs into a tapestry, tearing it down. As a result, tapestries around the walls collapse, one surrounding the GHOST.
GHOST: What?
FRED: Good Osric, pray restrain that “ghost”, That we may reach the bottom of the matter. Now let us see who truly walked tonight.
FRED removes the helm and the disguise from the GHOST’S face.
ALL: Tis Fortinbras!
FRED: The valiant prince of Norway!
FORTINBRAS: Indeed it is, and curses on you all! This Hamlet’s father brought my own to death, And cost me all my rightful heritage. And so I killed this king, and hoped his son Would prove no obstacle to Norway’s crown. Then Claudius bethought himself the killer (As if one might be poisoned through the ear!) The brother, not the son, took Denmark’s throne, And held to Norway with a tighter grip. I swore an end to Denmark’s royal house. I spoke to Hamlet of his uncle’s crimes. Then killed Polonius to spark Laertes. This day, with poison’s aid, all might have died, And Denmark might have come to me as well As my beloved Norway and revenge. My scheme blinded them all, as if by fog But for these medd'ling kids and this their dog.
KING: The villain stands confessed. Now let us go. For much remains to us to be discussed. And suitable reward must needs be found For these, our young detectives and their hound.
EXEUNT OMNES. Copyright 1993 Michael S. Schiffer
A beat after scissors, with no word to go on.
For statistical purposes, I'm from the Rockies.
also we came to a WILD realization tonight: when playing rock, paper, scissors, people from the east coast and midwest go on SHOOT, and people from the west coast (who are insane) go on scissors. like WHY
Let’s be honest: Show Jon would think Book Jon was really stupid and arrogant, too.
My review of Listen, and why it's better than Blink.
My review of Into the Dalek.
My joint review of Mummy on the Orient Express and Flatline.
Man, I hope they rehire Jamie Mathieson next season and every season.