where am I? now not bodily. Mentally I need to realize where I am at. How am I still breathing above the tide? I sense like I am suffocating in my very own doubts. My very own doubts are to strangle me into some other realm if i'm not careful.
So where does that depart me now? Itching for ink, itching for a experience of comfort. where's my stash? that's what I need. To open that stash, put on that record, and inhale life through a haze that's not me—however a part of me. Yeah, I have gone back on my phrase and who the fuck cares. I need to know who I am and where the fuck I am.
My future self will shake her head in disappointment. And i'm able to shake it together with her— I want a way out, a way in, a place to belong. an area in which I don't experience as if i'm drowning in myself.
The hug became a cure. Not only a hug, but medicine. Not just medical treatment, but healing. More than healing, but needed. They never let go. Even when they are apart.
“When— Where can I find that?” She asked.
“Find what?”
“That.” She extended her arm pointing to the two people embracing.
“It’ll find you.” It answered.
Her arm sank back to her side. Her eyes were clouded with envious tears; maybe not so much envious tears as sadness. 'When will it find me?'
She hadn't asked out loud, but it heard her. “Be patient.” It answered.
Every day is unique. Nothing will ever be the same again. Even the similarities will never be identical. Both tragedies and joys will never fall on the same plain again. And why are we so adamant about refusing something we've written and are familiar with?
When we had a very lovely day. When something excites us. When the day welcomes us with its silkiness and softness. We grow fixated on the idea that each day will be identical to the previous one. All of the fortune cookie wisdom vanishes.
As a result, each day is unique. Why is it so difficult for us to live each day in this manner?
Christian Wiman, from Once in the West; "Music Maybe"
[Text ID: one wants in the end just once to be friend / one's own loneliness, // to make of the ache of inwardness— // something, // music maybe,]
𝑱𝒂𝒏, 5𝒕𝒉 97’
In love with someone looks like an adventure that never ends. It's as if you're walking a never-ending journey. Love sounds like a conqueror. Budding its way through life are two people who are making their lives about each other.
The word conquer keeps coming up in my writings, because there is a huge part of me that wants that to be, known as my love. Not that I want to conquer someone; rather that they conquer me. I'm always at the top of my game. I'd like to go down.
You have to be with me where the conversations are endless. That the silence is as loud as laughter. You need to wear the ringing dissonance of anger that comes only seconds after a heated argument. You must conquer me. Recite poetry with me. Cry with me. Laugh with me.
—Ostern'; Hasentag—
“Large conflicts make the world feel unmanageable and intangible to us. Nonetheless, there is a brilliant or dim light at the end of the tunnel. The mental tenacity that defines luminosity. If burned too brightly, it will burn out.”
Stepping onto her balcony was Angelina. Unaware that it had been some time since she last visited this specific plain. Also unfamiliar to her but ingrained in her consciousness. She let her delicate hands smooth away any potential rust by rubbing them against the shiny metal of the balcony railing. Standing, existing, and breathing in the air that around her felt almost strange. How brief life is, how it might be, yet how hospitable all the changes have been and will be.
Her blue eyes soaked up the sun's radiance, allowing the light to wash her. The brunette took off her silk top and leaned over the railing to get closer to the sun. Today was Easter, or rather, what Angelina jokingly mistook for "Bunny Day." As the gentle wind chilled her bones, the sun's heat seemed like dancing love coals on her face. What is there to do on a "Easter Sunday" that hasn't previously been done? It's safe to say that the stunning actress had penned a large number of poems, saved her work for her travels, and...had grown more aware of what she had missed. Missed in the absence sense. Her lips twisted into a half-smile as she thought back on the previous days.
“Ich bin verliebt in diese Saison … in das, was ich bin.” The German words, flowed freely from her mouth as she spoke to no one; just herself.
It was true. Angelina had developed a sense of who she was. Including all the complexities of existing, breathing, and loving. She was no longer just an actress. Much more, and it frequently made her afraid. She was now a writer for publications like TIMES, the Wall Street Journal, Global Traveler Inc., etc. But, she was now even closer to the love of her life, which made her giddy with happiness. Yet, Angelina had a strong urge to change with the season today.
Angelina found herself in the flower-filled garden before she knew what had happened. She had taken off her floral skirt and was now barefoot, only wearing her matching silk bra and underwear. Her skin blended with that earthy sensation and the alluring aroma of flowers, soil, and honeysuckle. The actress danced on the uncut, untrimmed grass and weeds, letting her hair blow in the wind. The exquisite flowers, with their open petals appearing to welcome her, gave her skin a slight tingle. The woman tipped her head back and giggled lowly, possibly in delirium, but with genuine ecstasy. It meant so much to her to stop, drop, and roll in this magnificent garden.
Throughout the house, Angelina had left her countless cameras, both used and unused. She looked up at the tempting sun with her legs crossed and her back close to the grass. Its rays are making her more endearing, complimenting her, and in Angelina's thinking, warming and praising her. Because there was no longer the mental pain of a conflict. Naturally, the pouty lip actress was aware that there would still be times when she would barely hang on and the need to lie in the garden would seem like an insurmountable obstacle. Not right now, though. Just her—no camera, no writing instruments. She, the flowers, the Planet, her thoughts, and this Easter Sunday's springtime.
Angelina would remain there, safe in the company of dandelion, rose, tulip, and other wild flowers—a garden of euphoric delight. Her hair was strewn across the grass, her eyes were innocently staring into the sun, and she was thinking only beautiful things. She would lie there on Easter Sunday and perhaps the following "Bunny Day" as well.
“...And if it burns out, it can always be re-lit. Be reignited, reconstructed by all and anything. No stipulation on time, no chain on creativity—and no stain on progress. Life is, in all ways, conflict and strife...but just enough love to make it a life.”
𝑀𝑦 𝑛𝑎𝑚𝑒 𝑖𝑠 𝑛𝑢𝑐𝑙𝑒𝑖𝑐 𝑎𝑐𝑖𝑑. 𝐴 𝑐𝑙𝑢𝑚𝑝 𝑜𝑓 𝑐𝑒𝑙𝑙𝑠. 𝐿𝑒𝑡'𝑠 𝑠𝑡𝑎𝑟𝑡 𝑜𝑣𝑒𝑟. 𝐼 𝑎𝑚 𝑢𝑛𝒉𝑖𝑛𝑔𝑒𝑑. 𝑌𝑒𝑎𝒉, 𝑡𝒉𝑎𝑡'𝑠 𝑎𝑙𝑟𝑒𝑎𝑑𝑦 𝑏𝑒𝑒𝑛 𝑢𝑠𝑒𝑑. 𝑆𝑜 𝑙𝑒𝑡'𝑠 𝑟𝑒𝑡𝒉𝑖𝑛𝑘 𝑡𝒉𝑎𝑡. 𝐼 𝑎𝑚... 𝑢𝑛𝑐𝑒𝑛𝑠𝑜𝑟𝑒𝑑? 𝐷𝑖𝑑 𝐼 𝑎𝑙𝑟𝑒𝑎𝑑𝑦 𝑢𝑠𝑒 𝑡𝒉𝑎𝑡 𝑜𝑛𝑒? 𝑁𝑜𝑝𝑒. 𝐴𝒉, 𝑦𝑒𝑎𝒉. 𝑌𝑒𝑎𝒉, 𝐼'𝑚 𝑢𝑛𝑐𝑒𝑛𝑠𝑜𝑟𝑒𝑑. 𝐼'𝑚 𝑠𝑜𝑜𝑛 𝑡𝑜 𝑏𝑒 𝑡𝑎𝑘𝑒𝑛 𝑑𝑜𝑤𝑛 𝑏𝑦 𝑡𝒉𝑒 𝑝𝑎𝑛𝑖𝑐.
An astonishing combination of delectable sweetness and mystifying cacophony. Ear-warming. What is? Why the spring days ahead—that is.
The longer nights, shortened days, sunrises, and sunsets are upon us; they love us. Connotations of sweetness. Looking ahead, anticipating the joys of spring...
We wish to keep, possess, and not wonder any more of what lies ahead. We wish to be enchanted, overcome by delirium when it comes. We wish to have our arms outstretched to catch the peaking days. We wish to close our eyes on the settling nights.
Spring...
Spring...
Spring.
—Solo—
There are few films and scripts that suit Angelina, so when the opportunity to star in GIA came along, she hesitated to take it. She wasn't attracted to the writing or story-it was her connection to it. In her small apartment, she struggled with herself as she read the script. Letting it be known to her agent, assistant, and close friends that she loved the writing—but personally...it was very close to home.
She was now acting, reciting the lines, living day by day as if she were GIA herself; an honor Angelina felt it was. And it was. Each day of filming further immersed her into the world of modeling. It allowed her to share a part of her that she kept to herself. Cristofer had called her ‘The apple to his pie’ at the end, of the 16 hour filming and that solidified Angelina's big smile that night. And also solidified any, gut-wrenching and nervous feeling in the pit of Angelina's stomach. Because there were some days where she never thought that she'd be the leading lady in a film—much less playing such an iconic person.
The actress had learned from her father and her mother, that work never stops. One project, doesn't exclude you from entertaining or dabbling in the works of other projects. The moment Angelina landed her first role, she devoted everything she had to the role. Choosing to ignore the other opportunities that came her way-much like her dating life which was definitely one for another time. But it was that hyper fixation that she found herself missing the other elements of her personality—the call to grow as an actress. Not this time, she had said to herself. Work, process, grow, dabble, be interested; was the motto for life now. GIA was wrapping up and that opened a window for Angelina to take her sniff around the block into other avenues of different roles.
“Lisa Rowe...” She whispered to herself as her hand caressed the cover of the worn and torn script.
Worn and torn from the aggravated trips the script had gone on. From suitcases, purses, hand swaps—you name it. Angelina searched around for one of the many lighters she had bought; she had a specific routine when she read scripts. That made her laugh. It made Angelina angry to read scripts. Following written instructions made her feel like a machine, almost like an automatic response. Her limp cigarette moved as a muffled chuckle echoed from her body. With another pat around for her lighter she had found it and lit up the tenth or 100th cigarette that night.
What...was it about Lisa Rowe that intrigued her so? Was it the idea of dying her hair blonde again? Maybe. The effects of being able to possibly smoke on camera? That's a thought. Or, was it the crippling fact that deep down, past the punk girlish—ravished facade Angelina was Lisa. Just as she was GIA. No method acting required to be these ‘intense’ characters. Angelina was already these people.
Ashes collected at the tip of the cigarette; she refused to let them fall. Her hands were white knuckling the script, fully engrossed in it. Tears sprang to her eyes. A sea of anxiety washed over Angelina as she read through the next pages of the script. Incoherent mumbles, murmured curses that tumbling from the corner her mouth, yet still refusing to let the ash drop. A tear rolled down her cheek. God. It had her. The script had her. More tears, more pressure to keep reading, more tears, more reading. It felt like a slow take on an old action scene—
“—Lina! Angelina! ...You didn't hear me calling you?” Her brother stood in the doorway, voice bouncing off the bare walls almost; slightly concerned.
Angelina looked up from the paper a bit in shock. She didn't realize she had been crying, spilling salty tear discharge and ash onto the script. Wiping her eyes with the back of her hand, flinging the mess off the paper she sniffled. “No. I didn't. What's...up?”
Her brother James was around more often. More than he had been in earlier years. They were taught when they were children that family, was always important. They understood -- but when shit happens... it happens. And so they grew. Each charting and following a similar yet unique path as they grew up. James, was a phenomenal writer; earning him much deserved and well received accolades for his talent. Angelina was a proud younger sister. Then around 96’-97’ the pair didn't speak. Maybe, it was due to Angelina's very fast, quick tempered, over in a snap marriage—that was always possible. Or, maybe it was due to the interchangeable differences they shared in regards to their father.
James and their dad had a smooth, solid relationship. They were men... Brought together by sports, scotch, and the occasional ‘busting of the chops.’ Nevertheless, James always seemed to do whatever their father told him to. Angelina couldn't and wouldn't be a lap dog like that. Which in the end caused strife and strain to the relationship with her father. They were so intense, causing she and James to be intense. Then... something happened; the pair became close. Friends almost. James taking on the big brother role—offering immense advice, guidance, leadership, but most importantly that aspect of friendship. Which in the beginning was slightly odd to Angelina—odd in the sense that her older brother could be a friend to her. She found herself now confining in him, they shared secrets, laughs; everything that they had possibly missed out on years ago.
“The takeout is here. What's...going on? Why are you cooped up in this room..? Why are you crying?” James paused his questions, and took breath. His own large blue eyes scanned the quality of Angelina's room— an unpleasant look served as his facial expression. “Did something happen between you and J—”
“No.” She cut that question off quickly as she inhaled another puff of nicotine.
“Why are you crying?”
She removed the cigarette from her lips, now arranging it between her thumb and forefinger, Angelina looked at him. How could she explain the strong emotional connection she felt to words on a page? She didn't want to sound like a total lunatic. The script revolved round the plush and prickly luxury of a Ward for women—and it didn't help that she had to sound nervous or odd, within her explanation of why she was crying.
“Just...” Angelina began while stubbing the cigarette out in the ashtray. “Reading.”
James scoffed leaning his body in the curve of the door. “So that's make you cry now? Simply reading.”
“Words can move you, Jamie.” His boyhood nickname rolled off her tongue playfully, as another sniffle came right after.
James didn't pry or budge with any more questions. Instead he kept a glowing glare on his sister—and Angelina would be lying if she didn't feel slightly uncomfortable from his stare. Lowering her head she held her breath, his stare was becoming increasingly rough. “Stop it.” She mumbled.
He did. Refusing to give him the satisfaction of a stare down or completely lay all her emotional worries on him—Angelina kept her head low. James took that cue and had left the doorway disappearing somewhere else in the apartment. The actress shook off all jitters removing herself from the bed and ran a hand through her hair. Without a mirror she could tell, the black dye was fading from her roots—she didn't mind it. It would probably look cool...having jet black hair, with roots that almost looked grey, sorta.
After gathering her cigarettes and whatever else she was going to bring with her, Angelina tucked the script underneath her pillow, almost like a secret. And maybe it was a secret. Her pillow would protect this secret. She'd return later on tonight, pick that script back up, and find more ways than one, on why she was Lisa Rowe and why Lisa Rowe was her.