I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just

I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just
I Made A Comic Out Of A Certain Section Of The Book Of Bill! It's One Of My Favorite Bits. It's Just

I made a comic out of a certain section of The Book of Bill! It's one of my favorite bits. It's just so VISCERAL and disturbing, and I really wanted to try capturing that. Anyways, hope y'all like it lmao

More Posts from Junegirl06 and Others

5 months ago

The Blind Nun

The Sacrifice Files

Case: The Blind Nun

This is a short story from the Satsuriku no Tenshi Fanbook.

Written by Makoto Sanada, translated by me.

Keep reading


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4 months ago

I love a character raised to be a weapon as much as the next guy. But what really gets me is a character raised to be a shield. Who can’t fathom being needed—or even being wanted— beyond keeping others safe. Who believe they are alive only to insure someone doesn’t die. no matter the cost. Characters who self-sacrifice not because they think they deserve it, but because no one else does deserve it, and it’s their job to protect.

Characters who’ve been told that’s why your important. Your worth something because this other person/ thing is important, and you are here solely to keep them safe.

Bonus points if it’s not a legitimate job they’ve been given. Maybe at one point it was, but now that they are free from it, they haven’t given up that mentality. No one is forcing or asking them to do this, but they need to. They need to in order to be deserving.


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5 months ago

Ok, since some people really liked that scene with Zack talking about how he met Gray (wich you can read here, if you haven’t yet), I decided to take more screenshots of scenes that Makoto Sanada never used in the game, but are in the project.

Some are silly, but whatever. This is only in episode 2. On episode 3 there wasn’t much. I only remember a weird room? Nothing important, really.

So, here we go.

Keep reading


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1 month ago

if you've never engaged with a creative art on a regular basis you need to understand that it requires concerted effort to get into "the groove" to make something and every second that it takes to get into that groove causes physical pain, but the only thing worse than doing it is not doing it.


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5 months ago

Satsuriku no Tenshi NG World: Horror House

Went ahead and did the horror house version of the site as well.

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Gray is a vampire?!

There’s a mysterious haunted house that appears and reappears whenever it pleases. No one knows where it came from –

Within it are the six genuine “monsters” Gray the vampire has gathered.

They seem to have come from a far away town that no one knows about to attend the Nico Nico super convention.

And one day, they came to your city!

The Haunted House

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A ghost that does not know whether or not she is alive. For some unknown reason, she’s a Japanese ghost.

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A rude werewolf. Unexpectedly, a grown-ass man.

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A sorrowful android bearing the burden of not knowing how it is to be loved. He has an eye obsession.

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A pumpkin Jack-o’-Lantern. He has a face beneath his mask.

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A monster cat who drives a motorcycle…Is she C**woman?!

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A vampire who acts as the ringleader. He gives lonely monsters a place of their own.

Story

There’s a mysterious haunted house that appears and reappears whenever it pleases. No one knows where it came from –

Today as usual, the monsters worked hard to scare the humans who came visiting. After the show, a young boy approached them – “I want to become a monster.” How will the six monsters answer him?!


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5 months ago

A Dead Letter to Cathy

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This is a short letter written from the point of view of Lucy, found in the Satsuriku no Tenshi Fanbook.

Written by Makoto Sanada, art by Negiyan, translated by me.

Keep reading


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3 months ago
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Do you guys want to see something dumb I made at 1AM last night

Keep reading


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4 months ago

Writing Advice For Fanfics or Novels

Hello, my dears! As requested by @ilay-snt I thought I’d share my writing process with you all! I’m going to split this post into two sections of general advice and then how I personally construct a story.

Disclaimer: I’m no professional by any means. I’m basing this solely off two creative writing classes I took in college and what I find to be personally helpful so if it doesn’t work for you, that’s totally fine! Everyone writes differently!

General Advice:

1. First and most importantly: You Have to Write for Yourself.

Write the story that you want to read. Not only will it keep you motivated to keep going but it frees you to try whatever you want without being worried how it will be received by others. As long as you’re happy with your work, that’s all that matters. Your audience will find you.

(Hello audience! *waves excitedly*)

2. Write Everday

This one might sound a little daunting, but it doesn’t need to be a lot or necessarily “everyday”. It’s just a way to consistently practice, to help you find your author voice, and create a habit.

Writing everyday could be a poem or a paragraph or a whole chapter! It’s whatever you choose to make it just as long as you get something down. It doesn’t necessarily even need to be good. You can always go back and edit, but if you only write when inspiration strikes, you might never sit down to do it in the first place. Practice finding your way through the words to get at what you want, rather than waiting for the words to come to you.

If you’re REALLY really stuck. Then might I suggest you-.

3. Get Feedback

As a chronic second-guesser, I can’t tell you how helpful it is to have someone read your story and help structure the plot. I’ve had a lot of instances where something I’d been struggling with for days was resolved by getting coffee with a friend and having them look at it with new eyes.

Get yourself a beta reader or just someone who has good taste whose opinion you trust to help you work out problems. Two heads are often better than one!

4. Analyze media you admire

A lot of people like to limit it to reading authors you love and looking at the way they create stories, which is very helpful, but don’t neglect other forms of storytelling like movies and TV shows or even videogames! Think about what you like from your favorite things and why you like them.

As an example, one of my favorite pieces of media is the Mass Effect Trilogy. Mostly because it subverts the narrative of the Lone Hero archetype present in other franchises like Halo and Assassins Creed. The protagonist Shepard relies on their teammates abilities and support throughout the game to complete missions and eventually save the universe. Similarly, I like stories where there’s a cast of interesting and diverse characters surrounding the main protagonist who are essential to the plot.

Go dig through your own favorites and figure out what kind of characters you like, tropes you enjoy, and overarching themes that speak to you. From these, you can draw inspiration for your own stories and figure out what you want to write.

4. Take Breaks and Be Present

Writing doesn’t happen in a vacuum! If you feel like your inspiration is running dry or you’re in the middle of a block, go out and do things you enjoy or, better yet, try new things!

Be fully present in the moment and look at the world around you as if for the first time, talk to people you run into, or draw from your friends/family for inspiration. There’s a whole world of possibility out there just waiting to be written down or reinterpreted. Don’t be afraid to take breaks and have fun! Writing should never become a chore!

Now that that’s out of the way, let’s dig into my own personal process:

My Writing Process

1. Everything Begins with the Outline

When I have an idea for a story, I try to do a rough outline first of the big plot points: the beginning, the middle, and the end, then fill in as much as I can in between.

My chapter outlines are never very well defined up until I reach the point where I sit down to write. It’s only then I begin to flesh out what I want to do. I take everything from the previous chapter and what I know is coming up to shape what needs to happen in the moment. I work better with flexibility so I can wander off the path a little rather than rushing from point A to point B.

2. After the Outline, The Character Sheets

Character sheets are probably the most important part of my writing. I like to give my characters as much agency as possible and allow them to steer the story rather than the story steering them. Unfortunately, the only way to accomplish this is to know them inside and out.

Most of my character sheets start with the basics: what does this character want more than anything, what do they actually need, and what do they fear. From there, I can identify their goals for the story and for each chapter, their personality traits, their likes and dislikes, how they respond to conflict, etc.

When I’m writing, the character sheets are my own personal holy book. If I can’t make them move around the scene anymore, a quick look at that will normally get me back on track.

3. Structuring Each Chapter

Normally, I have a goal in mind (or several) I want to reach. Whether it’s progressing the plot or just one character’s arc, I allow those goals to drive the action, then set the characters loose like rats in a maze.

Often, I try to think “what can go wrong here?” and then how that character would react to the set backs or interact with each other based on that.

In a few cases, the characters just do what they want and then entirely new scenes develop I didn’t plot out beforehand from following after that instinct.

On the whole, I allow the characters A LOT of free will to shape the story while holding up the basic structure for them to work within and I’ve found it really makes the story come to life.

4. The Point of It All

Generally, everyone I’ve met who’s a writer has something to say and the story is the medium for that. The most important thing when I’m writing and I’m buried neck deep in the twists and turns of the plot is to not forget why exactly I’m writing it in the first place. So I have a little manifesto of sorts at the top of my outline, only a couple sentences at most, that strips the entire story down to the one central idea I’m trying to convey or an overarching theme.

For example, if I had to sum up the central idea of House in the Cerulean Sea by TJ Klune (Great book by the way, can’t recommend it enough) it’s that true family accepts you for who you are and can come from unexpected places. Also, it’s essential to stand up to unjust systems in defense of others.

I try to find my own my own theme like this to keep in sight for my story. So I don’t veer too far from the purpose of it.

Anyway, that’s my advice for any other writers who are starting out, hope this was helpful in some way! All of you have a good day! 💖💖


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5 months ago
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junegirl06 - Your Average Anime Obsessor
Your Average Anime Obsessor

Current fixations: Noel the Mortal Fate, Angels of Death(My AoD obsession will never die)

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