✨mechanisms character designs!!✨
lyf gets to be blue because i said so
who else should i draw!!!!
god i miss them.. i need them back in my life- i need this so bad u dont undrstand- anyways jon totally does crosswords (yes he might know all the answers immediately but he finds them silly and likes 2 fill them out ))
Happy extremely late Father’s Day
Jon doodle? Perhaps?
Here is a free pdf of the players handbook
Here is a free pdf of xanathars guide to everything
Here is a free pdf to monsters manual
Here is a free pdf to tashas cauldron of everything
Here is a free pdf to dungeon master’s guide
Here is a free pdf to volo’s guide to monsters
Here is a free pdf of mordenkainen’s tomb of foes
For all your dnd purposes
Back on my Eat Your Young bullshit
Anyways so Eat Your Young itself I think is very trojan war core. And I know I've been vehemently against trying to fit the entire trojan war into a single show adaption but guess who thinks it'll work with a three minute song? ME, because I'm a hypocrite. it'll make no sense to anyone who doesn't know the story but that's okay it has cool shots and murder to the beat. "I wanna smell the dinner cooking. I wanna feel the edges start to burn." Cassandra looking up at Helen and knowing. The quiet part at the end is the actual fall of Troy. It'll probably be focused more on the Greek side. I reaaaaally want Achilles to sing "It's a kindness, highness." Iphegenia's sacrifice at "skinning your children for the war drum." That one vocalization part is just lots of murder I won't lie. Good for them. The second vocalization is more murder and also HORSE
All Things End I want to animate to Hector and Andromache specifically because I'm a wuss and they make me sad. I need him to kiss her belly when she's pregnant at "We begin again." I need him to slowly and somberly put on his armor at the second to the last chorus. I need him to fight Achilles to the death when the choir kicks in, alternating between his duel on the ground and his family's horrified reaction up on the walls. I need his eyes to slip shut when the final line echoes.
THROUGH ME THE FLOOD. THE ODYSSEY. FROTHS AT THE MOUTH. anyways I want to open on Ogygia. As you do. As you do. Need him to try to swim away and get washed back ashore. Need him to stand in his raft alone on the sea, small in the vast size of it to the line "I couldn't measure it." "Try measure loss, measure the silence of the house." PENELOPEEEEE. "With each grave, I think of loss and I could only think of you. I couldn't measure it." That. That scene. When she finally picks up his bow and weeps. "That the world, it burns through me." The arrow shot, the suitors' death. "That the world, it flows through me." Tree bed tree bed tree bed. Embrace. Kiss. Reunite again. Oh my god I'm going to explode
odysseus and diomedes reunion doodles except i run out of steam very quickly
#Sir Derek Jacobi is just gonna keep getting away with it huh 😔 (insp)
His tummy hurts but he’s being so brave about it
i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.
inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.
both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.