“Our Truest Response To The Irrationality Of The World Is To Paint Or Sing Or Write, For Only In Such

Writing Tip #207

Everyone knows the age old rule “show don’t tell” but people rarely explain what that actually means. Don’ tell your reader what happened, put them in the scene so they can experience it with the characters. Don’t say “Ella walked to the dining hall and discovered Stacy and Rick arguing in the corner”. Write about Ella walking to the dining hall, how she heard hushed voices and couldn’t make out the words at first but recognized the voices. Write about how as she got closer she could make out fragments of the argument and when she passed them in the hall they stopped speaking as soon as they spotted her. This will make for a much more interesting story.

“Have you ever wondered which hurts the most: saying something and wishing you had not, or saying nothing, and wishing you had?”

— Unknown 

“It is madness to hate all roses because you got scratched with one thorn.”

— Antoine de Saint-Exupére 

Writing Theory: Controlling the Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.

#3: 5 things to add more interest to Writing

Alright, real talk. Naturally a lot of writers overlook this part of writing but to me, I find it essential when it comes to writing fiction even though many times writers are already aware of these things. Your book may be doing fine with its technicalities but may lack interest. Below I’m going to list five ways to make your writing more interesting and hopefully, it does help out. 

1) Tension

One of the big reasons a story isn’t interesting enough is because of Lack of Tension. See, without this, none of the characters really want anything from each other so therefore no one is really prevented from achieving their goal. Might as well just resolve the conflict right there because nothing is holding them back, which if you can realize is not an interesting narrative. 

Your characters interests and goals should conflict with each other even if certain characters are on the same side because then readers are truly more interested to see the play of events. 

2) Purpose

When a scene has no purpose, it essentially just slows down pace and kills the momentum. Readers are interested in the story, not the other details of the story that really don’t add much importance. Usually also known as filler which is something that bores readers if they really don’t own any sort of purpose. 

3) Voice 

This is really important but extremely overlooked. Without any voice, it seems like the story is just laid out for the reader without any touch to it. Remember, the character is there because they can see the world different than anyone else. Really, without voice the story is just like a textbook. There’s no presence, no life, no humanity. Adding voice really sparks interest. 

4) Specificity

Specificity is like saying there’s a stack of books or saying there’s a stack of comic books and graphic novels messed up on the shelves. Or that there’s a painting on a wall vs a oil painting on the wall. These are really simple example but adding specificity helps really add to the character or the atmosphere. Specificity adds interest to the story, for example: A stack of books on the shelves really doesn’t say much but specifying that there are comic books and star war novels messily shoved into a book shelve defines the atmosphere and the character itself. 

5) Originality

So, when you write a story, write something that has a taste of originality rather than something familiar. See, what I mean by this is it is okay to write something relatable. Though not to the point its familiar with real life. Okay example, 

Think about reading a text where I, theoretically was the writer, that had a graduation scene describing waiting in line in a gown, shaking hands with the dean and taking my diploma. This is familiar so the reader’s first thought is “why am i being told this?” Everyone has a general idea on what a graduation is even if they never been to one so there’s really no point for me to writing that. To combat this, you can just delete it from the narrative itself, write it in a way where the reader wouldn’t be able to predict that sort of event.

Hopefully this does help and wasn’t super confusing. Peace.

“You have to meet people where they are, and sometimes you have to leave them there.”

— Iyanla Vanzant 

“Invest in yourself. You can afford it. Trust me.”

— Rashon Carraway 

“You hear but are you listening? You exist but are you living? You look but do you see?”

— Unknown