“I Whet My Lips To Speak Your Name. To Kiss Your Hands, Curling Into The Posture Of Prayer, They Could

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“If you will grant me one vivid morning, I can chain it to me for fifty years.”

— William Stafford, from Sound of the Ax: Aphorisms and Poems, eds. Vincent Wixon and Paul Merchant (University of Pittsburg Press, 2014)

“One touch wasn’t enough.”

— Dave Smith, from “Looking Up,” Looking Up: Poems 2010-2022 (Louisiana State University Press, 2022)

subtle intimacy is so soft!! knowing someone’s routine and slowly becoming a part of it. memorising favourite teas and soups and drink orders. good morning and good night texts and messy paragraphs of love written half asleep. nicknames only you know. just!!! small things that say “look how dear you are to me.”

https://wepresent.wetransfer.com/stories/kin-coedel-dyal-thak

pt I selected works from my drawing final, inspired by transmission towers

Maybe I am just a crazy bitch with good pussy

“A capitalist society requires a culture based on images. It needs to furnish vast amounts of entertainment in order to stimulate buying and anesthetize the injuries of class, race, and sex. And it needs to gather unlimited amounts of information, the better to exploit natural resources, increase productivity, keep order, make war, give jobs to bureaucrats. The camera’s twin capacities, to subjectivize reality and to objectify it, ideally serve these needs and strengthen them. Cameras define reality in the two ways essential to the workings of an advanced industrial society: as a spectacle (for masses) and as an object of surveillance (for rulers). The production of images also furnishes a ruling ideology. Social change is replaced by a change in images. The freedom to consume a plurality of images and goods is equated with freedom itself. The narrowing of free political choice to free economic consumption requires the unlimited production and consumption of images.”

— Susan Sontag, On Photography